the dead thing in the bog had no name,
at least when it died. i remember
the dead thing being alive and i remember
killing it with you. i remember
that when
they told me nothing gold can stay,
i thought of the rust the rain left on the
transmission tower the night the dead thing jumped ship, saying nothing all the way down – i
remember thinking that should they dust for prints,
they might find ours interlocking,
pressing down on the metal together, interwoven.
i remember new years
when we were
white cake vodka drunk and your boyfriend
twisted the knife into your abdomen with a gun to my sleeping head,
and i remember how i clung to you
until the storm was over –
or, moreover, how i let you cling to me,
long after the water had calmed: how i was your eyes
until you let go of me. i didn’t tell you the dead thing
hung off my other arm, dying,
whispering in my ear,
whispering things i’d have to be off the pills to understand. ah, the pills. yes, it must always come back to the pills. just the way it must always come back to
diphenhydramine toxicity. do you remember
when we saw that girl get raped and murdered and
the police took an hour to show up?
she was the dead thing then – dead the moment
those men took her into the shed –
and we were alive,
bloody under our sweatshirts,
unshowered and sweaty: were we alive things then, i wonder?
we were green, fourteen, high and maybe-fucking,
as alive as it gets,
but i have been reborn,
so i suppose i died, sometime,
somewhere. maybe that time i
drank the mouthwash worked.
maybe that girl was only raped. that was the pills. anyways
– i am unaware if you were ever an alive thing.
i remember
how dead you felt under me.
i remember
your yellow gray hair,
i remember the transmission tower,
i remember being on your lap when he slid into you
unwanted,
i remember i never got to hold you one last time as if you
were a dying dog,
i remember warning boyfriends about you
and about how they could never understand
what violent loyalty exists in the space between alive and dead.
but i do not remember if you have ever been a stark alive –
you have bled, of course,
but there is a lull where corpses bleed blood
rather than water. perhaps you were a green dead, a nerudian dead,
walking around in the garden.
if blame is what got me wet, perhaps
i’d assign you eve and myself
adam.
but it is not. it could never be.
do you ever wonder about the conditions
under which we moved through our limbo?
high society women are jeweled with the result of
extreme heat and weight –
and so do you credit yourself with my success?
you made me who i am, i couldn’t have done it without you –
and maybe you’re right. i’ve published piece after piece
about the things i cannot say to you.
am i your family crest,
your crown jewel,
the tiara stolen
under your new boyfriend’s nose?
do you paper-mache my poems about you and
the transmission tower and the dead thing to your walls?
do you piece together who i have become in your
absence through line breaks and verb tense?
do you wonder if i like myself more now that
i am no longer the reflection in your narcissian pool?
i cannot satisfy you with an answer, the way i cannot satisfy myself,
either. oh, how i lay aching and hollow in an empty
dorm room with the blue flame burning my cheeks,
wondering what about you has changed: have you colored your hair?
are your siblings out of foster care?
what do you do for work?
are you in school?
are you still going to become an art teacher?
that glow in your muck-eyes has long died
but had it survived infancy, how bright might it be glowing today?
i do not wear you around my neck, not any longer,
but might you be a ruby now? a surefire, in-the-flesh alive thing? …
what do you think i have made of myself?
are you aware of my engagement, of my sex change?
of my haircut, even? …
it is short, now, just grazing my ears.
it is the shortest it has been since my birth.
oh, how i loathe you, and oh – how i wish you had been watching
the hairstylist over her shoulder. …
i want to know how many bones the dead thing broke when it hit the water.
i want to know if its face is intact,
if we can do a reconstruction,
if it is too far gone.
i told you – drop a rock or two first, break the tension,
we don’t want to mangle the poor thing – and then you
took me by the ankle. you told me you were getting sicker by the day,
and i touched your face and took a bit of your skin with me.
oh. the dead thing was crushed. beyond belief,
the newscasters say – do not bring its mother in for the identification,
she cannot handle it; we can use dental records, dna.
anything so she doesn’t have to look at it.
it will be a closed casket.
they say we can each take something home with us,
we were its friends, after all, or at least the closest
thing it had to friends.
i choose a lock of its hair and tie it around my wrist;
you choose the fruit in its pocket, smushed into juice.
it’s borne of the garden, you tell me,
and you’re owed it.
oh, how bountiful our crop had been those four years.
how tumultuous it had been. what wonderful springs,
what vicious summers. satan and his scales licked at us and
traced our achilles with his fangs for many a season
and we held out a while, don’t you think?
we lasted as long as we needed to.
we fed the babes,
we kept the animals clean and sheared
according to season. we were friends-to-lovers-to-girls-to-boys
according to season. four seasons under
the scorching sun and four seasons buried
under snowbanks would drive any ol’ girl-to-boy to
violence.
you know that just the same as i do –
so don’t go calling me a killer, now, not with all the death in the iris of those muck-eyes. not with what i know you to be. any paper crane might
crumble, in your hands or mine.
it was a mercy kill; the dead thing thanks me.
it leaves healing winters and quiet snow at my door.
it gives me blue flannels at christmastime and
my hip-bones against his in april; i sheathe myself
six pink inches inside what peace i am given –
you take what you can.
i am sorry to call you out on it
but you followed me back up the tower in the dead thing’s wake.
you shout against the wind that it didn’t need to die,
at least not so quickly.
i love you too much to remind you of your hand on my ankle
and so instead: how much sad did you think i had in me? how much bog water did you think my lungs could filter through?
i couldn’t breathe. i wish i had been a mercy kill.
the dead thing got what it needed – what we all wanted, selfishly, as we lay in bed together. living or dead, you took the glow
from my chest and still it was not enough to replenish your own,
and so we can never return to the garden.
Riley James Russo is a teenaged author split between Ohio and Pennsylvania who aims to capture the human condition through horror-adjacent poetry, novel, and the odd screenplay. She has self-published one novel, Good Dinner, available on Amazon.