Grade 9 ELA
Scope/Essential Question
What are the factors that influence our passage from innocence to experience and how do they affect us?
Unit — Fiction
Mythology
Guiding Questions
How does great literature reflect life?
How is learning about mythology important for gaining wisdom and experience in any journey (be it physical or metaphysical)?
How does this relate to passing from innocence to experience?
What is the purpose of Myths?
How do myths grant continuity and stability to a culture?
How do myths present guidelines for living?
How do myths justify a culture's activities?
How do myths give meaning to life?
How do myths explain the unexplainable?
How do myths offer role models?
How do myths give society a voice?
What story elements are in myths?
What are the universal themes illustrated in myths?
What are modern day Epic Hero Cycle Stories?
How do motifs develop meaning or a theme in the text?
How does symbolism reveal the layers of meaning or develop allegorical meaning?
How is the narrator's experience representative of the wider human experience?
What does the story structure suggest about human experience?
Skills Taught
Students will:
conduct a Socratic seminar.
read and analyze myths.
identify motifs and symbols.
analyze characters’ motivations.
identify lessons learned from various myths.
identify how various themes develop a universal theme.
identify how various characters develop.
learn how to participate in a Socratic seminar.
identify what human experience is revealed through the various depictions of the quest motif of the texts.
Text/Materials
CoreTexts:
Oedipus the King by Sophocles or The Odyssey by Homer
Choice Texts:
myths:
"Greek creation story"
"Prometheus" /"Pandora,"
"Echo" and "Narcissus,"
"Demeter"and "Persephone,"
"King Midas,"
"Athena" and "Arachne,"
"Orpheus,"
"Pygmalion,"
"Europa,"
"The Myth of Daedalus and Icarus"
Poems:
"Atlas" by Lucille Clifton
"Inhabited Liver" by Martin Sorescu
"Cerberus" by Margaret Mitchell
"Eurydice" by Hilda Doolittle
"Eurydice" by Margaret Atwood
"Orpheus" by Wooden
The Odyssey by Homer
Non-fiction:
"The Hero’s Journey" by Harris
"Giving a Speech? 6 Tips to Wow your Audience" by Fisher
"How to Give a Great Speech" by Kim
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Fahrenheit 451
Guiding Questions
How is studying censorship relevant today?
How does censorship affect one’s innocence?
What is the value of reading?
Do we need books and stories? Are they important? Why?
What are we denied when we are denied access to books?
Has the value of reading changed over time? How and why has it?
Has our society learned from Fahrenheit 451?
What issues raised in Fahrenheit 451 remain critical to our society today?
How do the characters in the text symbolize the theme?
Who is the culprit in Fahrenheit 451—the society or the government?
Skills Taught
Students will:
summarize text.
identify central ideas.
identify specific phrases, sentences, or paragraphs that develop and refine the claim.
assess whether the author’s evidence is relevant and sufficiently supports his claim.
interpret and explain the impact of the chosen quote in the context of the text.
in narrative essay, make use of vivid word choice, imagery, figurative language, transitional statements, and varying sentence structures.
identify characters’ motivations.
identify the significance of particular allusions.
identify themes in text and analyze how the theme is shaped and refined by the character’s transformation.
identify various literary elements in the text and analyze the use of the element through the text and how it contributes to the development of the theme
highlight words and phrases that reveal the author’s attitude toward the subject of the text.
Text/Materials
Core Texts:
Fahrenheit 451 by Ray Bradbury
Choice Texts:
Poems:
"Burning a Book" by William Stafford
"Dover Beach" by Matthew Arnold
"Barter" by Sara Teasdale
Short Stories:
”St. Lucy’s Home for Girls Raised by Wolves” by Karen Russell
“The Necklace” by Guy de Maupassant
“Araby” by James Joyce
“A Shocking Accident” by Graham Greene
“Brothers are the Same” by Beryl Markham
“Rocking Horse Winner” by D.H. Lawrence
"Allegory of the Cave " by Plato
Bradbury short stories-
"The Utterly Perfect Murder"
"A Sound of Thunder"
"The Veldt"
"Marionettes"
"The Rocket Man"
"The Emissary"
"The Golden Kite, the Silver Wind"
Non-Fiction:
"Narrative of the life of Frederick Douglass" (excerpt)
"I am Very Real" by Kurt Vonnegut
"How to Create a Healthy Relationship with Technology" by Friedlander
"Is Technology Taking Mankind To an Unhealthy Place?" by Greaves
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Unit — Drama
Guiding Questions
What are the power and dangers of young love?
How does love influence a person’s innocence?
What is love and how does it change us?
How do patterns and contrasts in language (diction, imagery, figurative language) reveal central ideas in texts and develop various motifs?
How do motifs emphasize internal and external conflicts that result from love, hate, loyalty, and friendship?
How do the characters' reactions to conflict and opposition dictate the outcomes of a situation?
How did Shakespeare's culture and experiences affect his writing?
How did Shakespeare's culture and experiences affect his writing?
In what ways is history reflected in the play?
How does science and psychology affect how teenagers think about choice, conflict, and consequence?
Skills Taught
Students will:
analyze the structure of a sonnet (iambic pentameter, end rhyme, feet) and compose original.
review dramatic elements.
identify characters’ traits, motivations, and actions.
keep track of differences between the text and movie.
summarize each act.
keep track of motifs.
keep track of events in play.
identify how outcome could have been avoided.
know definitions, synonyms, and antonyms of vocabulary in play.
keep track of contrasts throughout play and to understand the significance of these patterns.
Text/Materials
Core Texts:
Romeo and Juliet by William Shakespeare
Choice Texts:
Poems:
"A Poison Tree" by William Blake
"Romeo and Juliet" by Richard Brautigan
"Romeo and Juliet" by Erica Berry
Short Stories:
"The Story of Pyramus and Thisbe" by Ovid
Non-fiction:
"Of Revenge" by Sir Francis Bacon
"Understanding the Mysterious Teen Brain "(Talk of the Nation)
"Beautiful Brains" by David Dobbs
"The Teen Brain: 6 Things to Know" (NIMH)
"Teenage Brains are Malleable and Vulnerable Researchers Say" by Jon Hamilton
"Judgment Call" (Gryffin Media)
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Unit — Non-Fiction Research
Guiding Questions
How can we explore topics by generating inquiry questions, research different areas of a topic, build on new knowledge, make connections, and finally develop an evidence-based perspective?
How does the inquiry process assist in the innocence to experience process?
Does the question have an appropriate scope or purpose? (Does it focus on an important aspect of the research question/problem?
How will the research question lead to meaningful inquiry?
What are the multiple answers to the question and are there possibly more questions to further the inquiry?
How is this a new issue or problem that needs to be solved or how is it attempting to shed light on previously researched topic?
Skills Taught
Part 1: Initiating Inquiry
Students will:
read closely for textual details.
annotate texts to support comprehension and analysis.
engage in productive evidence-based discussions about text.
collect and organize evidence from texts to support analysis in writing.
analyze text and multimedia.
make claims about the development and refinement of central ideas in a text.
use vocabulary strategies to define unknown words.
identify potential topics for research within a text.
use questioning to guide research.
conduct pre-searches to validate sufficiency of information for exploring potential topics.
generate, select, and refine inquiry questions to explore topics.
develop 2–3 areas of investigation from the topic exploration.
develop inquiry questions about areas of investigation.
conduct pre-searches of areas of investigation.
arrive at a research question/problem by vetting areas of investigation.
generate specific inquiry questions for the research question/problem.
Part 2: Gathering Information
Students will:
plan for searches by determining key words/phrases and finding credible and relevant sources.
assess sources for credibility, relevance, and accessibility.
annotate sources and record notes that will help answer the inquiry questions.
build an initial Research Frame to guide independent searches.
conduct searches independently.
Part 3: Organizing and Synthesizing Inquiry
Students will:
organize, connect, and synthesize evidence to develop evidence-based claims about inquiry questions and inquiry paths.
further organize, connect, and synthesize evidence-based claims about inquiry paths and the research question/problem itself.
review and synthesize the research to develop a written evidence-based perspective.
Text/Materials
Choice Texts:
Students choose texts for research based on their individual research question/problem.
Worksheets for Part 1:
Topic Tracking Tool
Posing Inquiry Questions
Handout
Exploring a Topic Tool
Pre-Search Tool
Area Evaluation Checklist
Specific Inquiry Questions Checklist
Worksheets for Part 2:
Potential Sources Tool
Assessing Sources Tool
Assessing Sources Handout
Taking Notes Tool
Research Frame
Conducting Independent
Searches Checklist
Independent Searches Self-Evaluation
Worksheets for Part 3:
Forming Evidence-Based
Claims Tool
Organizing Evidence-Based
Claims Tool
Evidence-Based Claims
Criteria Checklist
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Unit — Poetry
Guiding Questions
How does a reader analyze a poem for understanding and meaning?
How are themes illustrated through poetry? (especially themes of innocence and experience)
How does a poet use structure and form to contribute to meaning?
How does a poet employ poetic devices to establish and develop meaning?
How does a poet develop theme throughout the course of the work?What is it saying about mankind or life in general?
Skills Taught
Students will:
explicate poems.
identify figurative language and imagery.
do quick writes analyzing poems and locating particular poetic elements.
discuss how poetic elements add to the effectiveness of poem.
write an analysis of a sonnet.
translate from figurative to literal language.
write original poems of various kinds.
Text/Materials
Core Texts
"Dover Beach" by Matthew Arnold
Choice Texts:
“Moons,”
“Grape Sherbet” by Rita Dove
“The Taxi” by Amy Lowell
“The Moon was But a Chin of Gold” by Emily Dickinson
“Sympathy” by Paul Laurence Dunbar
“Jazz Fantasia” by Carl Sandburg
“Sea Fever” by John Masefield
-“Ex-Basketball Player”
“The Boy At The Window” by Richard Wilbur
“Home”
“Nikki-Rosa” by Nikki Giovanni
“I Am Offering This Poem” by Jimmy Santiago Baca
“Bonny Barbara Allen" by Anonymous
“The Peril of Happiness” by leland Davis
“Fireworks” by Amy Lowell
“A Poison Tree” by William Blake
“Lineage” by Maragaret Walker
“The Courage That My Mother Had” by Edna St. Vincent Millay
“I Like a Look of Agony” by Emily Dickinson
“Song of the Open Road” by Walt Whitman
“The Road Not Taken” by Robert Frost
“Theme for English B” by Lanston Hughes
“Caged Bird” by Maya Angelou
“Rain”
“Transformation”
“I Wandered Lonely as a Cloud” by William Wordsworth
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