stoneware clay, 3 inches x 3½ inches
Learn about sculptors who work to define space
Work with clay to create a non-representational sculptural form that utilizes positive and negative space to make it interesting from all sides.
Artists and Art Culture Studied:
Barbara Hepworth
Ruth Asawa
Henry Moore
Jean Arp
Mark di Suvero
The clay is soft, molded easily, and I can do what I want with it just with my hands. I learned that it changes color in different stages of sculpture, especially in the kiln. The most prominent and intriguing piece of my sculpture is a wave-like protuberance that really makes you want to look closer. The wave really creates a softer look that is pleasing to the eye. It actually reminds me of one of those rock-climbing hand grips! My sculpture most relates to the sculptures of Henry Moore. I have concluded this because of similarities our work shares, primarily the very rounded edges that he includes in his work. His work is very soft and flowy-looking, which looks very similar to mine.
Henry Moore, Large Two Forms, 1966