Layers within People
Nacho Ormaechea, a Spanish artist and graphic designer, creates digital collages to envision the lives of people he meets on the street, from the London Underground to a farmers' market in Marseille. Ormaechea takes pleasure in his preference for practical solutions over flashy ones. His education and understanding of photographic technique enable him to stage and shoot unique and compelling photographs, satisfying the expectations of demanding clientele. In his project Street Memories, he replaces their silhouettes with visuals he believes indicate their mental condition. By mixing vivid images or illustrations onto a person's body, he presents an exciting story that the viewer must interpret. The unknown person becomes very intriguing, drawing us in and prompting us to investigate our own recollections.
Image Analysis
Ormaechea has very visually intriguing work, he essentially takes two layers and combines them into an image to create an alternate view and reality, The image demonstrated here shows a very minimal toned background with someone on a bike, with an additional layer inside of the subject's body with a completely different image which juxtaposes the original picture, this works well and fits the intent of his aim with photography as he uses the red to add life and more elements to this particular image this work well because it highlights a perfect contrast between the tonal greys and vibrant hues of red and blue.
Each layer has a specific purpose and contributes to the overall narrative of the image, it forces the viewer to engage instantly as if the mundane background doesn't intrigue you, and the layers inside the subject are almost strange which gives you more room for interpretation for what it could be demonstrating both visually and conceptually and this image does that well. Ormaechea uses the layering technique to flawlessly blend many visual elements, inviting viewers to investigate the image's depth and unearth hidden meanings.
A recurring theme Nacho Ormaechea's images that work effectively is how he uses the images inside of the body of the subject to match the lines and grids of his subjects it makes the overall outcome of the photograph look more cohesive and seamless. In a lot of Ormaechea's images, he seems to be very intentional about taking pictures of his subjects in almost isolated places, I feel like this works effectively for his style of photography as having on-focus subjects allows the viewer to interpret how he visually contributes to the art of layers.
Responses
Camera : Canon 850D ISO : 100 F-number : f/11 Exposure : 1/125 sec.
Camera : Canon 850D ISO : 400 F-number : f/5.6 Exposure : 1/250 sec.
Camera : Canon 850D ISO : 200 F-number : f/6.3 Exposure : 1/200 sec.
Camera : Canon 850D ISO : 100 F-number : f/8 Exposure : 1/125 sec.
Camera : Canon 850D ISO : 200 F-number : f/5.6 Exposure : 1/250 sec.
Camera : Canon 850D ISO : 160 F-number : f/5 Exposure : 1/160 sec.
Camera : Canon 850D ISO : 100 F-number : f/7.1 Exposure : 1/300 sec.
Camera : Canon 850D ISO : 250 F-number : f/5.6 Exposure : 1/160 sec.
Camera : Canon 850D ISO : 500 F-number : f/5.0 Exposure : 1/500 sec.
Camera : Canon 850D ISO : 100 F-number : f/8 Exposure : 1/125 sec.
Camera : Canon 850D ISO : 400 F-number : f/5,6 Exposure : 1/400 sec.
Camera : Canon 850D ISO : 400 F-number : f/5.6 Exposure : 1/500 sec.
Camera : Canon 850D ISO : 200 F-number : f/5.6 Exposure : 1/250 sec.
Camera : Canon 850D ISO : 200 F-number : f/11 Exposure : 1/125 sec.
Camera : Canon 850D ISO : 200 F-number : f/6 Exposure : 1/125 sec.
Camera : Canon 850D ISO : 160 F-number : f/5.6 Exposure : 1/200 sec.
Camera : Canon 850D ISO : 250 F-number : f/7.1 Exposure : 1/160 sec.
Camera : Canon 850D ISO : 250 F-number : f/5 Exposure : 1/200 sec.
Camera : Canon 850D ISO : 100 F-number : f/9 Exposure : 1/160 sec.
Camera : Canon 850D ISO : 100 F-number : f/7.1 Exposure : 1/160 sec.
Development
Selection tool to help specifically select the subject in the image so make a clear cut selection. as well as the normal vibrance and saturations so i could turn them down so they are more faithful towards the work Nacho Ormaechea produces
This is the original image which was in a background with orginal lighting it's easier to select the subject as it's the only person in the frame
This is what the image should look like once the selection has been made and using the select and mask tool I can adjust the parts of the image which weren't fully selected the first time
Make a selection using the selection tool in Photoshop I did this so that it would only select the subject I needed for this editing style, I proceeded to check around the selection to make sure it was perfect, alternatively i used the select the subject tool as a quicker way to create the edit
Using the colour tool on Bridge software I desaturated the background of the image to make it look more faithful and true to Ormaechea's work as the new layer I will create inside of the subject to be more brighter and vibrant against the dull light of the normal image.
As I continued the edit, I created a new layer with the selection I made of the subject so that I'd be able to remove the inner selection
Using these tools I increased the saturation of the subject to make it brighter and stand out amongst the background which is desaturated.
This image shows another Photoshop page with my second image which I will insert into the subject to create a diverse layer
Using the optic tool any images I took with the zoom lens I fixed the straightness of the image to look more symmetrical
Demonstrated on the right is my final image i added a border and turned down the saturation on the background image, and increased the brightness and contrast on the image i layered on top
Once i have made the selection i will press back to empty the selection to look like the image on the left so then the other layer will be there i will just adjust by changing back and forth between which layers i choose
Inserting the image on top of the person so i see where it makes the selection i covered it with the second image which allowed me to use to the gradient tool to adjust the light and angles which were put on top
This is what the outcome of the image should look like once completed it should create a blend almost between the person and the image instead of almost creating and enhancing the features of the final outcome.