Geometric Layers
Branislav Kropilak was born in 1982 and works on his own "lovely tiny planet".
Branislav Kropilak is a well-known European artist, having received the Sony World Photography Award and the Frame Czech Contemporary Photography Prize. Kropilak's paintings can be found in private collections all over the world, and he has had solo and group exhibitions in New York, London, Paris, Berlin, Los Angeles, Barcelona, Moscow, Tokyo, Hong Kong, and Mexico City, among other places. He has been featured in numerous important journals and opened the 2014 BIP International Biennial of Photography and Visual Arts in Belgium.
His works are studied at art universities worldwide, and given his young age, he is one of the few living painters who share such privilege. Kropilak's preferred artistic medium is digital photography, and his series Garages (2005), Landings (2006), Lobbies (2007), and Billboards (2008) highlight his influence as an artist in the technology's early phases. His work focuses on the intimate link between humans and technology. I chose this particular collection which is named under lobbies to
Image Analysis
The selection of Branislav Kropilak's image from the "Lobbies" collection is a captivating choice, evoking a sense of allure that beckons the viewer to delve deeper into its complexities. When first looking at the image, you notice a remarkable array of reflections that give the composition a mesmerising vibrancy. Each reflection acts as a portal to a different point of view, adding delicate layers of perspective to the overall image. I was instantly drawn to the execution of these reflections, which not only add to the image's overall sharpness but also give the hallway a sense of expanse. The use of reflecting materials within the frame heightens the visual dimensions of the area, compelling the eye to consider the possibility of unseen staircases or underground levels lying beyond the frame's restrictions.
Furthermore, the interplay of light and shadow in the composition adds a dramatic intensity to the image, heightening its elusive attractiveness. The slow transition from darkness to light gives the corridor a sense of mystery, enticing those who look to go on a visual journey of discovery. This contrast of darkness and lighting serves as a metaphorical gateway, representing the fundamental duality of creation and a never-ending search for enlightenment.
The careful attention to geometric lines, which is characteristic of Kropilak's artistic vision, is crucial to the image's impact. The geometric success in the arrangement of lines along the walls not only emphasises the space's architectural symmetry, but it also functions as a visual anchor, guiding the eye and gaze across the composition with purposeful intent. The geometric lines provide a foundation for inquiry, enabling the person observing to uncover the mysteries hidden beneath the corridor/hallway's labyrinth depths.
In essence, Kropilak's image goes beyond traditional representation, beyond the limitations of layers as a concept for photography to elicit a deep feeling of astonishment and reflection. The artist sends the viewer on a visual journey through reflections, light, and geometric patterns, with each look revealing new layers of meaning and significance. The image symbolises art's ability to transcend reality and provide a look into the depths of human imagination.
Responses
Camera : Canon 850D ISO : 100 F-number : f/6 Exposure : 1/200 sec.
Camera : Canon 850D ISO : 200 F-number : f/5.6 Exposure : 1/160 sec.
Camera : Canon 850D ISO : 200 F-number : f/5.6 Exposure : 1/300 sec.
Camera : Canon 850D ISO : 200 F-number : f/5.6 Exposure : 1/80 sec.
Camera : Canon 850D ISO : 200 F-number : f/5.6 Exposure : 1/250 sec.
Camera : Canon 850D ISO : 200 F-number : f/7.1 Exposure : 1/200 sec.
Camera : Canon 850D ISO : 250 F-number : f/5.6 Exposure : 1/125 sec.
Camera : Canon 850D ISO : 100 F-number : f/5.6 Exposure : 1/160 sec.
Camera : Canon 850D ISO : 400 F-number : f/9 Exposure : 1/160 sec.
Camera : Canon 850D ISO : 400 F-number : f/5.6 Exposure : 1/200 sec.
Camera : Canon 850D ISO : 200 F-number : f/7.1 Exposure : 1/200 sec.
Camera : Canon 850D ISO : 200 F-number : f/5.6 Exposure : 1/200 sec.
Camera : Canon 850D ISO : 200 F-number : f/5.6 Exposure : 1/80 sec.
Camera : Canon 850D ISO : 200 F-number : f/7 Exposure : 1/100 sec.
Camera : Canon 850D ISO : 250 F-number : f/5.6 Exposure : 1/100 sec.
Camera : Canon 850D ISO : 100 F-number : f/5.6 Exposure : 1/80 sec.
Camera : Canon 850D ISO : 200 F-number : f/11 Exposure : 1/160 sec.
Camera : Canon 850D ISO : 400 F-number : f/7 Exposure : 1/80 sec.
Camera : Canon 850D ISO : 200 F-number : f/11 Exposure : 1/100 sec.
Camera : Canon 850D ISO : 200 F-number : f/7 Exposure : 1/200 sec.
Development
To begin the project and create work as close as possible to the work produced by Branislav Kropilak i realised I needed to visit establishments which had modern and unique layouts in their communal spaces which would bring out the geometric layers in the images i create, So i started by emailing over 20+ hotels and event spaces to see if i'd be able to get responses some came back successfully like the images shown on the left and other which lead to rejections.
I quickly realised the ratio of establishments which said yes to no wouldn't help me complete all 24 responses I needed so I decided to try public spaces as well.
Here i have the image in Camera raw and i used other tool to make the image look more developed
This is the outcome of the final image to make it look more symmetric and appealing to the eye I changed the image so it looks like both sides of the image was symmetrical
Here i used the geometry tool to manually straighten up the images and make them look more appealing and follow the rule of thirds as i took them without a tripod
For an image like this since it was taken indoors I needed to fix quite a lot so I began by adjusting the exposure, contrast and other basic editing tools to enhance the image