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worldharmonyproject.com
  • Home
  • Natural Harmonic Music
  • Publications
  • Instruments
    • Instruments of Denny Genovese
    • Norman Henry's JI Piano
    • Instruments of Ivor Darreg
      • Kosmolyre - Megalyre
      • Elastic Tuning Organ
      • Amplified Clavichord
      • Electronic Keyboard Oboe
      • Electronic Keyboard Drum
    • Instruments of Harry Partch
    • Instruments of Jeff Bunting
    • Carl Lumma's Cosmolyra
    • Jacob Barton's Udderbot
    • George Secor's Scalatron
    • Darren Burgess's Lambdoma Carillon
  • Videos
  • Donate
  • Jacob Barton's News Updates
  • Reprints from interval Magazine
  • People of World Harmony Project
    • EME members
    • Associates of World Harmony Project
    • Ivor Darreg
      • Ivor Darreg Bio
      • Writings of Ivor Darreg
        • Guitar Player Article
        • Xenharmonics
        • Partch's Pitches
      • Scores of Ivor Darreg
        • Excursions into the Enharmonic
        • Subminor Sketches
      • Charts/Tunings
      • Ivor's programs and flyers
      • Ivor's letters to Denny
    • Jonathan Glasier
    • Jacob Barton
    • Stephen Weigel
    • SEJIC Residencies
      • Jeff Bunting
      • Buzz Kimball
      • Carl Lumma
    • Key Volunteers
  • Site Map
  • About World Harmony Project
    • History of World Harmony Project
    • Southeast Just Intonation Center
  • Links
  • Downloads
  • JI Artists and Music
    • Norman Henry
  • More
    • Home
    • Natural Harmonic Music
    • Publications
    • Instruments
      • Instruments of Denny Genovese
      • Norman Henry's JI Piano
      • Instruments of Ivor Darreg
        • Kosmolyre - Megalyre
        • Elastic Tuning Organ
        • Amplified Clavichord
        • Electronic Keyboard Oboe
        • Electronic Keyboard Drum
      • Instruments of Harry Partch
      • Instruments of Jeff Bunting
      • Carl Lumma's Cosmolyra
      • Jacob Barton's Udderbot
      • George Secor's Scalatron
      • Darren Burgess's Lambdoma Carillon
    • Videos
    • Donate
    • Jacob Barton's News Updates
    • Reprints from interval Magazine
    • People of World Harmony Project
      • EME members
      • Associates of World Harmony Project
      • Ivor Darreg
        • Ivor Darreg Bio
        • Writings of Ivor Darreg
          • Guitar Player Article
          • Xenharmonics
          • Partch's Pitches
        • Scores of Ivor Darreg
          • Excursions into the Enharmonic
          • Subminor Sketches
        • Charts/Tunings
        • Ivor's programs and flyers
        • Ivor's letters to Denny
      • Jonathan Glasier
      • Jacob Barton
      • Stephen Weigel
      • SEJIC Residencies
        • Jeff Bunting
        • Buzz Kimball
        • Carl Lumma
      • Key Volunteers
    • Site Map
    • About World Harmony Project
      • History of World Harmony Project
      • Southeast Just Intonation Center
    • Links
    • Downloads
    • JI Artists and Music
      • Norman Henry

Instruments of Harry Partch

Natural Harmonic Instruments

Instruments of Denny Genovese  Inst of Jeff Bunting  Inst of Harry Partch  Inst of Ivor Darreg Norman Henry  Jacob Barton  George Secor  Darren Burgess  Carl Lumma









Harry Partch in Honolulu, with WHP advisor Peter Coraggio 1971

Though hardly recognized by  the  musical establishment  in his own lifetime, Harry Partch literally  built the  foundation  upon  which contemporary  just  intonation practitioners stand. 

In his book, GENESIS OF A MUSIC, he outlined the history  of intonation around the world, from ancient  times to the first half of the twentieth-century. 

In this work, he presented  the basic concepts and arguments essential  to  a useful understanding of just intonation. 

In the process,  he formulated  certain  terms and methods  of  procedure  that provide a practical means for actual work and development in this  field.

 Just as important, he made the  essential  leap from confinement to traditional scales and chords (including previous forms of just intonation) to an entirely new realm, made  possible by the introduction of prime numbers  greater than  5 into the ratios of intervals.

 This last  factor  unlocked new dimensions of melody and harmony, through extended chords and microtonal melodic movement.

- - -

(excerpted from THE NATURAL HARMONIC SERIES AS A PRACTICAL APPROACH TO JUST INTONATION, by Denny Genovese)






Denny Genovese playing the Partch Instruments at San Diego State University in 1978:

(Danlee Mitchell presiding)

Model, made by a SDSU student

The Instruments

Perhaps Partch is most remembered as the inventor of a large orchestra of unique instruments, specially designed to play his 43 tone to the duple (octave) Just Intonation scale.

After Partch's death in 1974, his instruments were stewarded by Danlee Mitchell, at San Diego State University. 

Danlee taught many students to play them, and presented many performances with them throughout the world.


Bass Marimba

Boo

Marimba Eroica

Cloud Chamber Bowls

Chromelodien

Jonathan Santo with Danlee Mitchell

(Danlee was the 1st heir to Partch's Instruments and Jonathan is the Current Possessor)


 Dean Drummond (L) became heir of the Partch instruments around 1990, when Danlee Mitchell passed them to the future. 

Dean was founder of the Partch Studies program at Montclair University in New Jersey.

Denny Genovese (R) is shown with him in a 2002 visit.

For much more about Harry Partch, his music and his instruments, visit his website.


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