Audio Crossovers
Audio crossovers are a type of electronic filter circuitry used in a range of audio applications, to split up an audio signal into two or more frequency ranges, so that the signals can be sent to drivers that are designed for different frequency ranges. Crossovers are often described as "two-way" or "three-way", which indicate, respectively, that the crossover splits a given signal into two frequency ranges or three frequency ranges. Crossovers are used in loudspeaker cabinets, power amplifiers in consumer electronics (hi-fi, home cinema sound and car audio) and pro audio and musical instrument amplifier products. For the latter two markets, crossovers are used in bass amplifiers, keyboard amplifiers, bass and keyboard speaker enclosures and sound reinforcement system equipment (PA speakers, monitor speakers, subwoofer systems, etc.).
Crossovers are used because most individual loudspeaker drivers are incapable of covering the entire audio spectrum from low frequencies to high frequencies with acceptable relative volume and absence of distortion. Most hi-fi speaker systems and sound reinforcement system speaker cabinets use a combination of multiple loudspeaker drivers, each catering to a different frequency band. A standard simple example is in hi-fi and PA system cabinets that contain a woofer for low and mid frequencies and a tweeter for high frequencies. Since a sound signal source, be it recorded music from a CD player or a live band's mix from an audio console has all of the low, mid and high frequencies combined, a crossover circuit is used to split the audio signal into separate frequency bands that can be separately routed to loudspeakers, tweeters or horns optimized for those frequency bands.
Active crossovers are distinguished from passive crossovers in that whereas passive crossovers split up an amplified signal coming from one power amplifier so that it can be sent to two or more drivers (e.g., a woofer and a very low frequency subwoofer, or a woofer and a tweeter), an active crossover splits up audio signal prior to amplification, so that it can be sent to two or more power amplifiers, each of which is connected to a separate driver type. This allow to don't loose part of the signal in a passive circuit resulting in higher volume and greater sensitivity. The amplifier and the driver, will be directly connected, allowing different advantages:
- The Amplifier will works in ideal conditions
- The driver will work in ideal conditions
- Will be possible to pair different amplifiers and drivers (also with different technologies) to match better the listener taste but mainly to allow to use the best technology on that specific frequency.
Overview
Comparison of the magnitude response of 2 pole Butterworth and Linkwitz-Riley crossover filters. The summed output of the Butterworth filters has a +3dB peak at the crossover frequency.
The definition of an ideal audio crossover changes relative to the task and audio application at hand. If the separate bands are to be mixed back together again (as in multiband processing), then the ideal audio crossover would split the incoming audio signal into separate bands that do not overlap or interact and which result in an output signal unchanged in frequency, relative levels, and phase response. This ideal performance can only be approximated. How to implement the best approximation is a matter of lively debate. On the other hand, if the audio crossover separates the audio bands in a loudspeaker, there is no requirement for mathematically ideal characteristics within the crossover itself, as the frequency and phase response of the loudspeaker drivers within their mountings will eclipse the results. Satisfactory output of the complete system comprising the audio crossover and the loudspeaker drivers in their enclosure(s) is the design goal. Such a goal is often achieved using non-ideal, asymmetric crossover filter characteristics.[1]
Many different crossover types are used in audio, but they generally belong to one of the following classes.
Classification
Classification based on the number of filter sections
Loudspeakers are often classified as "N-way", where N is the number of drivers in the system. For instance, a speaker with a woofer and a tweeter is 2-way. An N-way speaker usually has an N-way crossover to divide the signal among the drivers. A 2-way crossover consists of a low-pass and a high-pass filter. A 3-way crossover is constructed as a combination of low-pass, band-pass and high-pass filters (LPF, BPF and HPF respectively). The BPF section is in turn a combination of HPF and LPF sections. 4 (or more) way crossovers are not very common in speaker design, primarily due to the complexity involved, which is not generally justified by better acoustic performance.
An extra HPF section may be present in an "N-way" loudspeaker crossover to protect the lowest-frequency driver from frequencies lower than it can safely handle. Such a crossover would then have a bandpass filter for the lowest-frequency driver. Similarly, the highest-frequency driver may have a protective LPF section to prevent high frequency damage, though this is far less common.
Recently, a number of manufacturers have begun using what is often called "N.5-way" crossover techniques for stereo loudspeaker crossovers. This usually indicates the addition of a second woofer that plays the same bass range as the main woofer but rolls off far before the main woofer does.
Remark: Filter sections mentioned here is not to be confused with the individual 2-pole filter sections that a higher order filter consists of.
Classification based on components
Crossovers can also be classified based on the type of components used.