"Rule the World" is the first song written by Take That specifically for a film. Matthew Vaughn, the director of Stardust, contacted Take That in the hope of getting them to write a song for the film. After seeing the film the band members agreed to write and perform a song. The band wrote the chorus of the song while they were in Spain. They played the song for Matthew Vaughn who included it in the end credits of the film. Gary Barlow performs lead vocals. The song is not included on the soundtrack for Stardust, nor on the original release of the album Beautiful World.

It was released internationally exclusively as a single in October 2007, and was premiered live by the band at the inaugural National Movie Awards on 28 September 2007 to rave reviews and critical acclaim. It ended 2007 as the year's 5th biggest-selling single in the UK, despite being released just two months from the end of the year.[2] The song was also the 44th best selling single in the UK of 2008, the following year, and the 16th best selling single in Ireland in 2007.


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In October 2007, "Rule the World" entered the UK Singles Chart at number 46 and peaked at number 2, being held off the top spot by Leona Lewis' "Bleeding Love". The song became the 5th biggest selling single of 2007 and remained in the Top 100 until 12 April 2009, 1 year, 5 months and 21 days after the single's release. On 21 September 2008, the song managed to climb back up to number 34 on the UK Singles Chart following a performance by contestants on BBC One's Last Choir Standing and on 30 November 2008 it managed to climb up the chart once again to number 27 following its appearance on The X Factor, sung by Rachel Hylton.

The song spent twelve weeks inside the UK top ten, the longest of any Take That song. It re-entered the chart again in November 2009 following another X Factor performance, this time by Stacey Solomon, and again in November 2010, and has spent 75 weeks on the official UK Top 75 chart, making it the 5th longest runner of all time, and 100 weeks on the Top 100. It was the 30th biggest-selling single of the 2000s in the UK. As of March 2017 it has sold 1.06 million copies in the UK, making it the group's second best selling single in the country, behind "Back For Good".[3]

The music video was directed by Barney Clay and filmed at Abbey Road Studios.[5] It shows the band and the orchestra at the studios performing the song. Another version of the video features excerpts from the movie Stardust. It premiered on ITV on 22 September 2007. An animated lyric video was uploaded on YouTube on 24 May 2022 and it displays the lyrics following a shooting star across various illustrated landmarks around the world including The Eiffel Tower, Taj Mahal, Mount Rushmore, The Statue of Liberty, Big Ben and The Northern Lights.

The song was the finale to The Circus Tour in 2009. This song was also performed on 19 November 2009 for Children in Need on "Children in Need Rocks the Royal Albert Hall", where Gary Barlow dedicated it to his father, who had died 5 weeks earlier. Take That performed the song at the London 2012 Olympic Games Closing Ceremony whilst the Olympic Flame was extinguished. The band's performance of the song during the closing ceremony was lauded as inspiring, in light of the loss of Barlow's stillborn daughter Poppy a week before.[6]

"Stardust" is a 1927 song composed by Hoagy Carmichael, with lyrics later added by Mitchell Parish. It has been recorded as an instrumental or vocal track over 1,500 times. Carmichael developed a taste for jazz while attending Indiana University. He formed his own band and played at local events in Indiana and Ohio. Following his graduation, Carmichael moved to Florida to work for a law firm. He left the law sector and returned to Indiana, after learning of the success of one of his compositions. In 1927, after leaving a local university hangout, Carmichael started to whistle a tune that he later developed further. When composing the song, he was inspired by the end of one of his love affairs, and on the suggestion of a university classmate, he decided on its title. The same year, Carmichael recorded an instrumental version of the song for Gennett Records.

In 1928, Carmichael left Indiana after Mills Music hired him as a composer. Mills Music then assigned Mitchell Parish to add words to the song. Don Redman recorded the song in the same year, and by 1929 it was performed regularly at the Cotton Club. Isham Jones's 1930 rendition of the song made it popular on radio, and soon multiple acts had recorded "Stardust". Because of the song's popularity, by 1936, RCA Victor pressed a double-sided version that featured Tommy Dorsey and Benny Goodman on respective sides.

By 1940 the song was considered a standard, and it was later included in the Great American Songbook. That year, RCA Victor released two more recordings of "Stardust": one by Dorsey featuring Frank Sinatra as the singer, and one by Artie Shaw. Shaw's recording sold one million copies, and Glenn Miller's rendition was published in the same year. Artists including Jo Stafford, Ella Fitzgerald, Nat King Cole, Billy Ward and his Dominoes, Ringo Starr, and Willie Nelson have recorded "Stardust". The song was featured in several films, including My Favorite Year, Goodfellas, Sleepless in Seattle, and Casino. It was inducted into the Grammy Hall of Fame in 1995 and added to the National Recording Registry in 2004.

Carmichael wrote the song with inspiration from the end of his love affair with Kathryn Moore, who would later marry Art Baker, the trumpet player in Carmichael's Collegians.[9] While Carmichael related several explanations of how he was inspired to write it on the University campus, biographer Richard Sudhalter deemed the stories "encrusted in myth, much of it the composer's own creation".[10] One night after leaving the Book Nook, a university hangout, Carmichael whistled what would become the opening of the song. The composer later declared that he felt that the tune "had something very strange and different".[11] He worked on the details with different pianos, including one at the Book Nook. According to Ernie Pyle, the composer did further work at the Carmichael family's home.[9][12] While he visited Carmichael, Pyle asked him to play the song he had been working on.[11] Pyle later commented that Carmichael asked him not to reveal the details of the night he worked on the song with the family's piano, saying "the public likes to think these sweet songs are conceived under the moonlight, amid roses and soft breezes".[9] Carmichael finished the details of the composition on a grand piano that was later thrown away because of its poor state.[10] Baker and Carmichael's Collegians' singer Violet Deckard Gardner remembered Carmichael humming the tune of the incomplete composition before 1926.[9] Fellow student Stuart Gorrell suggested the title "Star Dust";[13] Gorrell felt the tune sounded like "dust from stars drifting down through the summer sky".[14]

After working out the details with the band, Carmichael booked a recording session with Gennett Records for October 31, 1927.[9] Since he had not written any sheet music for the song, he had to whistle the tune to the musicians.[15] Carmichael played the piano, backed by Emil Seidel and his orchestra: Byron Smart (trumpet), Oscar Rossberg (trombone), Dick Kent and Gene Wood (alto saxophones), Maurice Bennett (tenor saxophone), Don Kimmel (guitar), Paul Brown (tuba), Cliff Williams (drums).[16] The session took place at Gennett's studio in Richmond, Indiana. The recording featured a "medium fast and jazzy tempo" with no lyrics. Under the single-word title "Stardust," it was placed on the flipside of "One Night In Havana", assigned the release number 6311, and credited to Hoagy Carmichael and His Pals.[13]Carmichael received a one-sided pressing of "Stardust" from the studio, before he left Indiana in 1928 to work for Mills Music as a composer.[17] The first manuscript for the song was deposited at the United States Copyright Office on January 5, 1928.[13] The sheet music featured a tune in a key of D with no indication of tempo and no lyrics. Mills Music then published different sheet music for the song on January 19, 1929, as a piano composition.[13] Don Redman, who worked for Mills Music, often played the song.[18] After hearing Redman's rendition of it, a company arranger suggested playing the song at a "slower tempo and in a sentimental style". Feeling it could be a potential success, Irving Mills "decided on the song having lyrics added.[19]

Mills assigned lyricist Mitchell Parish to add the words to Carmichael's "Star Dust".[17] Parish used as a working title "Then I Will Be Satisfied", but he accepted Redman's suggestion to re-title the song to "Stardust".[20] Author Gene Fernett suggested Redman wrote the verse of the song, but his claim could not be supported.[20][18] Parish wrote the song using Carmichael's account of how he was inspired to compose the melody, while the lyricist developed a story focused in the concept of lost love.[21][22] Regarding the lyrics, author Philip Furia described the phrasing as "utterly casual", while he felt that the "imagery and diction strain to be poetic". Furia stressed that Parish "made the subject of the song the melody itself".[23] The sheet music for the vocal composition was published as "Star Dust" on May 10, 1929[13] in the key of C major.

In early 1929, Redman and his band The Chocolate Dandies released "Star Dust" on Okeh 8668. The recording retained Carmichael's original key of D.[18] The song soon circulated among black musicians and jazz interpreters,[26] and it was often performed at the Cotton Club after being introduced in 1929.[17][23] Duke Ellington performed the song at the club, while the revue Hot Chocolates featured a version by Louis Armstrong.[27]

While Carmichael worked for RCA Records as a session jazz ensemble leader, journalist Walter Winchell promoted the song. His writings attracted the attention of Isham Jones, who recorded a version with his orchestra as a slow ballad.[17] Jones's session took place on May 14, 1930, in Chicago, and Brunswick Records released it under catalog number 4856, with the title once again "Stardust."[28] The 1931 release became one of his most popular recordings.[29] By 1931, "Stardust" was often played by the orchestras of several US radio stations.[30] While remarking on the popularity of the tune on the radio, the Calgary Herald opined of Jones's version: "This beautiful melody seems destined to achieve the popularity which it so richly deserves and which is so long overdue."[31] In August 1931, Bing Crosby released the song as "Star Dust" on Brunswick Records.[32] The same year, Lee Sims also released "Stardust" on Brunswick 6132, a version that the Sydney Morning Herald called "a melody of a considerable intensity and with dramatic outbursts," with a "realistic and very full" piano reproduction.[33] Throughout the 1930s, record labels used both the one and two-word versions of the title, though Carmichael himself favored the one-word title, as evidenced by his private correspondence[34] and his 1946 memoir The Stardust Road. e24fc04721

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