The Vision: I captured this at the Monterey Bay Aquarium’s jellyfish exhibit. I was drawn to the intense contrast between the deep blue water and the glowing amber jellyfish, which appear illuminated by the light above the tank. Including the silhouettes of people peering in, especially the small girl, adds a sense of scale and captures a quiet moment of discovery and curiosity.
Material(s): NIKON COOLPIX S570 | ƒ/4 | 1/30 | 11.2mm | ISO 400
Date: July 28, 2025
The Vision: I captured this massive tank at the Monterey Bay Aquarium because I was fascinated by its scale. I love how the natural sunlight beams through the top of the water, illuminating the tall seaweed. The sharp contrast between the dark beams and the bright, clear glass helps emphasize the height and depth of the exhibit.
Material(s): NIKON COOLPIX S570 | ƒ/2.7 | 1/125 | 5mm | ISO 500
Date: July 28, 2025
The Vision: I captured this in a circular exhibit at the Monterey Bay Aquarium where the fish were constantly swimming around the room. I was fascinated by the sheer number of fish and the way the light made their scales shine as they moved. I think the repetition of their shapes creates a really cool pattern that fills the entire frame.
Material(s): Apple iPhone 13 Pro | ƒ/1.5 | 1/120 | 26mm | ISO 500
Date: July 28, 2025
The Vision: I captured the iconic Back to the Future DeLorean at the Petersen Automotive Museum in Los Angeles. I was drawn to its classic design and the way the stainless steel body creates a chrome-like shine under the museum lights. It felt like a piece of history that deserved to be documented, and I love how the open gull-wing doors add to its unique silhouette.
Material(s): SONY DSC-W560 | ƒ/2.7 | 1/30 | 4.7mm | ISO 250
Date: January 6, 2022
The Vision:I found this vintage car at the Petersen Automotive Museum and was immediately drawn to the contrast between the blue interior and the smooth cream exterior. I love how the overhead museum lights catch the polished surfaces of the car. It captures a sense of mid-century elegance and craftsmanship.
Material(s): SONY DSC-W560 | ƒ/2.7 | 1/30 | 4.7mm | ISO 160
Date: January 6, 2022
The Vision:I captured this looking up at the ceiling of the Griffith Observatory. I was drawn to the contrast between the intricate, colorful illustrations of the mural and the muted, neutral tones of the walls below. I think the way the light illuminates the dome creates a really beautiful, grand feeling that makes you want to keep looking up to discover every detail.
Material(s): SONY DSC-W560 | ƒ/2.7 | 1/80 | 4.7mm | ISO 500
Date: April 3, 2024
The Vision:I took this at Henry Cowell Redwoods State Park. I liked the composition of the two park signs standing side-by-side with the massive redwood tree towering directly behind them. I wanted to capture the contrast between the man-made markers and the natural scale of the forest. The lighting creates a nice, natural atmosphere that makes you feel like you are just beginning a hike.
Material(s): NIKON COOLPIX S570 | ƒ/2.7 | 1/160 | 5mm | ISO 400
Date: July 29, 2025
The Vision: I took this while riding the small train through Henry Cowell. The train stopped to let us explore for a few minutes, which gave me the chance to get a low-angle shot of the tracks. I wanted to capture the contrast between the weathered wood of the old tracks and the massive, towering redwoods in the background. It feels like a doorway into the heart of the forest.
Material(s): Apple iPhone 13 Pro | ƒ/1.5 | 1/709 | 5.7mm | ISO 50
Date: July 29, 2025