Communication Needs
Examples of design projects that fall under 'Messages'
Branding
Signage
Logos and brand marks
Information design such as maps & brochures
Digital design
Packaging
Typographic designs
Adverts such as in print, billboards, and online
Illustration & animation
Character Design
Presentation Formats in this Field Include (but are not limited to)
Postcards
Business Cards
Cover Art
Packaging
Signs & signage
Billboards
Surface design
Pattern design
Brand elements
Logo Design
Website or app design
Concept Art
Zines
Visual Identity
Conventions
The characteristics, methods, or structures expected of designers when creating Messages.
Layout Design: Understanding grids, proportions, and space.
Type conventions: Understanding of selection, use, type anatomy, adjustments.
Packaging nets: Creating 3D forms from a 2D space. Legal & structural obligations in terms of packaging information, materials, food safety.
Print conventions: Understanding of print methods, ink colour limitations, historic and contemporary methods, spacing, bleed & gutter.
Drawing conventions for different communication methods. Eg. Use of perspective or paraline drawing to communicate 3D forms.
Digital formats such as pixel & raster based programs, and their outputs.
Subject, genre, and presentation specific conventions, to be research in accordance with the needs of the brief.
Methods
The ways that designers create and deliver designs in this field
Designers working with messages have an extremely wide scope to create designs applying any and all methods available, within reason and according to the needs of the project.
The most common methods designers working with messages use in their work are:
Drawing, applying a range of conventions and materials, including digital.
Print methods: Manual & digital for early stages of the design process, and professional print methods such as offset printing may be used in the deliver stage.
Photography - Digital and traditional
Collage - Manual, & digital. Designers must be cautious when using found images in work. Ensure you document all sources in the folio.
Prototyping: low fidelity for idea generation and early stages, high fidelity for concept testing and presentation.
Context
Where and how designers work in this field
Designers working in this field will work in a range of contexts. These can include:
Freelance - Designers are often sole traders and seek out opportunities for project-based design work. In these cases designers may specialise or work with a wide range of skills.
As part of a large firm or studio - In this environment designers often are working on particular areas of skill.
As part of a small firm or studio. In these cases designers may specialise or work with a wide range of skills.
In collaboration with other designers or specialists. Designers working in this field will work with others such as photographers, typographers, machinists, print offices, to realise their work.
Online or in person. Designers can now have flexibility in when and how they work. Working online gives fantastic scope for designers to work flexibly from home, and even while travelling.
Wordmark Logo
A wordmark logo is composed of the company's name or initials designed in a unique and stylized font
Lettermark Logo
A lettermark logo consists of the initials or acronym of the company's name, designed in a distinctive and memorable way.
Emblem Logo
An emblem logo integrates the company's name or initials within a symbol or icon, creating a cohesive and unified mark
Symbol or Icon Logo
A symbol or icon logo uses a graphical symbol or abstract icon to represent the brand, often without any text.
Letterforms
Letterform logos focus on designing individual letters or characters in a visually appealing and distinctive manner, often using custom typography or creative arrangements.
Abstract Logo Marks
Abstract logo marks use geometric shapes, patterns, or abstract forms to create a unique and memorable visual identity for the brand, often without any direct representation of the company's name or products.
Mascots
Mascot logos feature a character or figure as the brand representation, often used to create a friendly and approachable brand image.
Combination Logo
A combination logo combines a symbol or icon with the company's name or initials, offering both visual and textual elements in the logo.
Simplicity: Keep the design simple and avoid clutter. A simple logo is more memorable and versatile across different mediums.
Memorability: Design a logo that is easy to remember and instantly recognizable. Focus on creating a unique and distinctive mark.
Relevance: Ensure that the logo reflects the brand's identity, values, and offerings. It should resonate with the target audience and convey the right message.
Versatility: Design a logo that works well across various applications and sizes, from small business cards to large banners, without losing clarity or impact.
Scalability: Create a logo that can be scaled up or down without losing its visual appeal or legibility. Consider how it will look on different devices and platforms.
Timelessness: Aim for a design that withstands the test of time and remains relevant and effective for years to come. Avoid trends that may quickly become outdated.
Consistency: Maintain consistency in color, typography, and design elements to build a strong and cohesive brand identity. Ensure that the logo aligns with other brand assets.
Uniqueness: Strive for originality and avoid clichés or generic symbols. A unique logo stands out in a crowded market and leaves a lasting impression.
Adaptability: Design the logo in a way that allows for easy adaptation or evolution over time, while still retaining its core essence and recognition value.
Feedback and Iteration: Seek feedback from stakeholders, clients, and target audience during the design process. Iterate and refine the logo based on constructive criticism and insights.