Learning to speak music
And creating "Utuado"
And creating "Utuado"
Plus a love letter to the artists that give me reason to keep living, listening, and music-ing.
I've known I wanted to do a music project for over a year now, but it still took me until January of this year to properly decide on a project. My initial proposal was to learn the Indian instrument Tabla, document my progress with weekly videos, and culminate in a performance at the end of the year to show how far I'd come in a few months. It was a cool idea, and Tabla is truly a fun and fascinating instrument to me, but damn that drum is difficult to play. Besides the technical difficulty, I was just so bad at actually documenting my progress, that come December, I had next to nothing to show, and it was clear I needed a project change of some kind. Above all else, I just wanted it to be fun. Every time I talked to someone about my struggles, I would hear the same infuriating advice: "Just do something you like" Obviously I like music, so after spending 2 and a half months of banging my head against a Tabla with nothing but frustration to show, I knew this project just wasn't right for me. If I wasn't enjoying a music project, clearly I was doing something wrong.
There was a part of me that still wanted to learn a new drum or instrument, but there was another part that wanted something more creative and free form. Both my parents are songwriters, and while the idea of songwriting had always fascinated me, I was always just too scared; too scared that my songs wouldn't be good enough. I'd been toying with the idea of making an EP for this project, but I had zero idea how to even start. I was trained on classical music which is excellent for developing technical skill, but not so great for learning about improvisation or nuanced song structures. Despite all my doubts, however, I really wanted to make something of my own that wasn't just drum patterns learned out of a book. Two days before 2025, I decided to just go for it and make an EP. My final decision was mainly influenced by deadline pressure, so I was still extremely nervous about trying to write music.
Overall, the whole experience with Tabla taught me that I just need to be more realistic about what my strengths are. If I was a more self motivated person, the concept of pushing myself to learn Tabla in a few months might've worked, but I'm not particularly self motivated. I'm a procrastinator, someone who frequently spends hours staring at a blank essay only for it to get blanker. Classes have always been hard for me, and leaning Tabla felt like just another class I had to clock in for.
Songwriting, on the other hand, can literally be anything. It only took one jam session with my dad to reignite my passion for music, and my interest in this project. What changed? I just stopped taking it so seriously.
The project's namesake:
Utuado, Puerto Rico
My trip to Puerto Rico had a big impact on this project, even though I didn't play a single note while I was there. Being in Utuado (a mountain region in the center of the island) was very transformative for me in general, but above all else, that place just felt like music to me. On my first evening there, I spent 3 hours just rocking in the hammock, watching the view, and listening to music. The magic of my surroundings seeped into the music, making it sound brighter and prettier. The peacefulness I felt that evening was really something special, and it inspired me to work even harder on this project. From that day forward, I worked with a goal in mind: I wanted my music to transport me back to that porch in Utuado, to recreate the contentment I felt as I watched the sun set over the mountains.
I'm an extremely lucky person, because my dad quite literally has a full recording studio in our attic. Everything you hear in this project was made in this one tiny room; every drum beat came from this one drumset, and pretty much everything else came from the two keyboards. I chose Pro Tools as the medium for my project. My dad owns other DAWs like Logic and Ableton, but I wanted to do Pro Tools because its the one I'd seen him use the most, and also the name makes me sound wayyyy more professional. Learning how to use the DAW itself was a bit challenging, but still an afterthought compared to learning how to make the actual music. The hardest part of the techy stuff was definitely learning to use microphones. Especially for recording drums, the mics all have to be such a specific distance from each other, which can be pretty annoying. I mostly made use of a MIDI Keyboard for this project, which allows me to make use of instrument tracks; external plug-ins that create a digital instrument in the DAW, which can then be played through the MIDI Keyboard. Several instruments I leaned on a lot were:
MiniMoog Synthesizer
Electra Vintage Keyboard
Battery4 Drum Machine
Opal Morphing Synth
Waterfall Organ
The setup
Electric Piano
MIDI Keyboard
Drumset
ProTools