Join us over three days for a selection of films by Palestinian filmmaker Farah Nabulsi; Lebanese filmmakers Marie-Rose Osta and Lea Najjar; collaborators Olivier Barbier and Ossama Bawardi; and Korean artist Sangbum Ahn.
Through What if They Bomb Here Tonight, The Present, Someday a Child, When I Saw You, Ship of Fools, Then Came Dark, and Dust Devil, these stories move across places, languages, and generations, exploring home, memory, displacement, and what endures. Though each comes from a different place, together they remind us why we gather: to witness one another's stories, listen, and hold space for what matters.
We'll also be screening a demo of Murlo's Something Beautiful, an interactive game that invites us into a different kind of storytelling, one shaped through participation and discovery.
On Sunday, performer Gwanji Kim reimagines Korean tradition through raw, contemporary ritual—blending shamanic gut and madang to create spaces where performers and audiences intensely clash and connect. Over 20 Seoul-based DJs and open deck sessions (Madting) carry us through a weekend of sound.
Your presence matters—to these stories, to this gathering, and to the people and communities we're here to support.
Samir and Nadyn, a Lebanese couple, spend a sleepless night anxious and fearing an Israeli airstrike could shatter the glass walls of their home. With their children peacefully asleep, they battle with whether to flee or risk the worst and stay.
Samir Syriani (b. 1989) is a Lebanese film director and screenwriter known for blending striking visuals with insightful storytelling. He graduated with a full scholarship and gained early recognition for his award-winning student film "To Baalbek", which was screened at over 15 international and local festivals. His career flourished through directing acclaimed music videos, earning multiple Best Music Video awards, and creating TV campaigns for global brands. In 2019, he completed his Masters' Degree short film "Contact", which premiered internationally at the 49th Tampere Film Festival, earning multiple awards and worldwide festival selections, including Best National Film at BMFF. In 2024, he completed "What If They Bomb Here Tonight? ", a short film he directed, co-wrote, and co-acted in, set to premiere at the 47th Clermont-Ferrand Short Film Festival in 2025. Beyond filmmaking, Samir is a university professor, mentor to young filmmakers, and a devoted father of two daughters – his favorite, most time-consuming, job.
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Director : Samir Syriani | Screenplay : Samir Syriani, Nadine Chalhoub Syriani | Producers : Nicolas Khabbaz | Director of photography : Pierre Mouarkech | Sound recording : Bassam Lebbos | Sound Mix : Cedric Kayem | Editing : Desirée Abou Jaoude | Music Composer : Cedric kayem | Actors: Samir Syriani, Nadine Chalhoub Syriani
Jury Award - Regard - Festival International de Court métrage au Saguenay - (CANADA - 2025)- Audience Award - Bref International Short Film Festival - (ITALIE - 2025)- University Jury Award - Medfilm Festival Rome - (ITALIE - 2025) AUDIENCE AWARD - Festival Internacional de Curtas Metragens de Sao Paulo - (BRESIL - 2025)- MENTION MEILLEUR SCENARIO - The Lebanese Film Festival of France (FFLF) - (FRANCE - 2025)- Best Fiction Short - Festival International Music & Cinema Marseille - (FRANCE - 2026)- Prix des lycéens +15 ans - Ciné-Jeune de l’Aisne Festival International de Cinéma - (FRANCE - 2026)- Grand Prix du Festival des Lycéens - Festival Cinéma d'Orry-la-ville - (FRANCE - 2026)- Special Mention - Movies that Matter Festival - (PAYS-BAS - 2026)- Honorable Mention for Narrative Short - San Luis Obispo International Film Festival (SLO Film Fest)
On his wedding anniversary, Yusef and his young daughter set out in the West Bank to buy his wife a gift. Between soldiers, segregated roads and checkpoints, how easy would it be to go shopping?
Farah Nabulsi is a Palestinian-British Oscar-nominated and BAFTA®-winning filmmaker and human rights advocate.
She is the daughter of Palestinians who were fortunate enough to make a home in 1970's Britain — unlike the millions who continue to remain stateless in refugee camps.
Born, raised and educated in London, Farah began her career as an institutional equity stockbroker. She ended up with a CFA designation at JP Morgan Chase before moving on to build a children-focused business that she ran for 10 years.
In 2015, Farah started working in the film industry. She founded a production company through which she writes, produces and directs fiction narrative films, exploring topics that matter to her. She also created a digital resource to deconstruct the Israeli military occupation of Palestine in a way never done before.
Farah Nabulsi's short film "The Present" won the BAFTA Award for Best British Short Film in 2021. The film was also nominated for Best Live-Action Short Film at the Academy Awards.
Beyond these major accolades, "The Present" went on to win over 60 International Film Festival Jury and Audience Awards, including:
Audience Award at the Clermont-Ferrand International Short Film Festival in February 2020
Multiple international film festival awards including Best Live Action Short Film and Gold Medal for Best Film at various festivals
Captcha explores blurred boundaries between humans, animals, and objects through robotics, AI, and IoT. Centered on a funeral for broken AIBO robot dogs in Chiba, Japan, the film merges documentary footage and repair workshops with animal fables. Interviews with engineers and Buddhist monks offer technical, animistic, and ecological perspectives on co-evolution between humans and nonhuman agents.
The desert symbolizes environmental devastation and climate collapse. Through visual filters and technological representations, Dust Devil explores how nature and human transformation are inseparable. The film unfolds as a surreal interplanetary journey that blurs the lines between documentary and fiction, nature and artifice, life and non-life.
Sangbum Ahn (b. 1991) is a South Korean artist and filmmaker based in Seoul and London, whose practice explores the shifting relations between nature and technology, perception and communication, and management systems and nonhuman agency through moving image and sound installation. Recently, his work has examined how anthropogenic interventions into the environment come into conflict with nature’s homeostatic processes, tracing ecological vulnerabilities and signs of slow collapse paradoxically revealed by infrastructures designed to stabilise and control such conditions.
Amid the turmoil of Beirut, Alia meets Abu Samra, a man training to gain superpowers. Drawn into his world, she confronts her own trauma and the insanity of war-torn Lebanon. As revolution, economic collapse and the devastating 2020 Beirut explosion shatter the city, Alia searches for another way to make sense of it all.
Alia Haju, a Brooklyn-based filmmaker and musician who grew up in South Lebanon until fleeing in 1994, and Lea Najjar, raised between Vienna and Beirut, bring their distinctive perspectives to Ship of Fools (2024). Haju studied conceptual arts at the American University of Beirut and is an award-winning filmmaker and published photo/video journalist, while Najjar, who received her Diploma in Documentary Directing from Filmakademie Baden-Württemberg in 2021, won Best Documentary Film at the First Steps Awards for her earlier work.
Together, they have created an anima-doc that stitches together colorful and ragged fragments of Haju's personal life, chronicling her friendship with Abu Samra, a would-be superhero on the shores of Beirut. Blending intimate testimony with broader historical context, their collaboration explores resilience, displacement, and imagined resistance amid Lebanon's political upheaval, centering human stories within larger struggles for freedom and dignity. The film premiered at the Blackstar Film Festival and won the Special Jury Prize at the Clermont-Ferrand SFF Lab Competition.
Winner
Special Jury Prize - Lab Competition - Clermont-Ferrand SFF
Special Mention from the Student Labo Jury - Lab Competition - Clermont-Ferrand SFF
Festivals
2024 - Black Star Film Festival (USA) - Official Selection
2025 - Ecrans du réel (Lebanon) - Official Selection
2025 - Clermont-Ferrand (France) - LAB Competition
In the Lebanese wintery wilderness, a mini-van arrives. Two men get off the van into the cold forest and set off on their quest. The tall trees and the grey sky are their witnesses. Armored with a shovel, a rope, and an axe, they soon arrive at their destination: a lonely verdant tree amid the naked forest.
Marie-Rose Osta is a Lebanese scriptwriter and director. With a passion for independent film-making, she has directed a number of short films, each with its own flavor. Her latest creation, Then Came Dark (2021), premiered at the 43rd Cairo International Film Festival and won the Special Jury Award. It was also presented at the 40th São Paulo Biennial. Marie-Rose is currently in the midst of developing her debut feature film, while producing her new short, both part of her diptych on childhood.
Something Beautiful is an immersive, music-driven point-and-click adventure game. Explore detailed, atmospheric environments, solve intricate puzzles, and experience a compelling story from musician and visual artist Murlo.
MURLO is a British musician, visual artist, and producer based in London, originally from the East Midlands. Established in the UK's electronic and bass music scene, he's known for his work as a DJ and producer remixing artists across the underground circuit, performing at venues throughout London and Manchester.
Beyond music production, Murlo is developing Something Beautiful, an ambitious multimedia point-and-click adventure game set in the industrial landscape of Coil City. The project fuses music, visual art, and sculpture into a handcrafted experience—embedding an entire original album into interactive puzzles and surreal environments. Drawing influence from body horror cinema, Kafkaesque transformation, and Lynchian dream logic, Something Beautiful represents Murlo's expansion into game design, blending his musical and visual art practice into an immersive narrative experience.
Kwanji Kim reimagines Korean tradition through raw, contemporary ritual. Breaking rigid hierarchies, he blends the improvisational energy of shamanic gut and madang to connect past and future, imagining alternative worlds where performers and audiences intensely clash and connect.