Untitled (peel), 2025.

This body of work treats paper as skin: porous, inscribed with time and fragile, yet enduring. Wheat-pasted photographs of native plants were layered across the site in acts of returning and reclaiming. Graffiti and tearing gestures from other artists working in the space create a layered, living record of place and extend authorship into the public domain. Peeled like skin from the wall and transferred to found glass and Perspex, the paper fragments reveal dual faces: the original printed imagery and the historical residues they absorbed. Anchored by buckets, bricks and a broom, the installation insists on process and material honesty. It records presence, exchange and documents contested space, asking how private government property can be reclaimed, shared and remembered by artists working in the city.