8/12 varied edition
Medium: intaglio with silver-leaf on Rives BFK paper, unique, Frame: 20”X16
Media: intaglio printed on black Arches paper, 2 color multiple plate print
Framed: 21 5/8”X 21 5/8”, Image: 11”x11”
"My artwork depends upon the power of imagery which is recognizable symbols or metaphors that are universally archetypal and yet open to viewers’ interpretation. In Watercourse Way, I utilized the metallic element of silver-leaf- it transmutes alchemy...a power or process of transforming something common into something precious as our water. The print imagery addresses “water” as both a religious and life source symbol.”
Water- source of all potentialities in existence; the unconscious; purify and regenerate; the power of life and death; the perpetual flux of the manifest world. Spiral: movement in life; the great creative force; continuity between cycles; symbolizes the realms of existence, the wanderings of the soul in manifestation and its ultimate return to the Center; growth
"My artwork depends upon the power of imagery which is recognizable symbols or metaphors that are universally archetypal and yet open to viewers’ interpretation. This print is from an ongoing series called Universal Language, that uses the lunar phases (a symbol of marking time) and also integrates another symbolic system of mathematical notations that I perceive as a beautiful language.”
Media: Intaglio on Rives BFK paper; 5-color multiple drop
Frame: 23”x 28”; Image: 9"x 12" Year: 2019
Medium: intaglio with silver-leaf on Rives BFK paper, unique, Frame: 17”X21”
“Quantum Leap III” utilized 5 separate copper plates and a variety of etching techniques to create the final image. Both the elegance and natural flow of mathematics and the power of metaphoric imagery have inspired and informed this work which investigates both chaos and order in the universe. After learning about the life and contribution of the brilliant mathematician from India, Srinivasa Ramanujan (the man who knew infinity), I was compelled to create this visual statement.
While working on the copper etching plate of mathematical notations and symbols, I thought about Leonardo Da Vinci writing his own notes backwards (mirrored image) on his artwork which created a secret code to be deciphered by others. I decided to etch this plate in reverse thinking that the viewer of the print might be able experience the process and feeling of excitement that discoveries can offer.
"My artwork depends upon the power of imagery which is recognizable symbols or metaphors that are universally archetypal and yet open to viewers’ interpretation. This print is from an on-going series called Universal Language, which integrates another symbolic system of mathematical notations that I perceive as a beautiful language.” The use of the metallic silver element transmutes alchemy,a power or process of transforming something common into something precious which may create a sense of transitory nature. Symbolic TRIANGLE-life; the Trinity; the threefold nature of the universe-heaven, earth, man; completion; the mountain, visions
Media: intaglio with chine collé on cream Arches paper, multiple plate print
Framed: 21 5/8”X 21 5/8”, Image: 11”x11”
"This print is from an on-going series called Universal Language, that utilizes lunar imagery and integrates another symbolic system of mathematical notations that I perceive as a beautiful language. Lunar imagery can symbolize a mirror or reflection of the inner knowledge or soul of man's condition on earth, since it controls the tides, the rains, the waters, and the seasons. Universally, it mirrors the rhythm of time as it embodies the cycles. Of course these archetypal symbols are open to the viewers own interpretation.”
Bio: Katherine Venturelli is known for creating unique mixed media artist’s books and fine prints produced from her Northern California printmaking studio. Her works are held in numerous museums and special collections throughout the United States which include the Palace of the Legion of Honor (San Francisco); the Getty Museum Research Institute; Museum of Fine Arts, Santa Fe; Walker Art Center (Minneapolis); Crocker Art Museum (Sacramento), and the Special Collections of U.S.C, Mills College, Univ. of WA.; RISD; Janet Turner Print Museum; the Reva and David Logan Collection, and the Mary Austin Collection. Her print work was exhibited in the 2001 California Palace of the Legion of Honor’s “Contemporary California Works on Paper”. Other museums exhibiting her work include 2017, “MUSUBU-Book Arts”, Urawa Art Museum, Tokyo, Japan; 2018, “Thinking Outside the Frame”, NUMU Museum, Los Gatos; and the 2019 “Regional Collective”, Janet Turner Print Museum, Chico. Noteworthy publications: “PAGES; Innovative Bookmaking Techniques”,1997; “100 Santa Fe Etchers”, 2008; “500 Handmade Books”, Vol. II, Lark Publishing, 2013; “California Society of Printmakers: One Hundred Years, 1913–2013”.
Artist Statement:
Having a sculptor’s orientation and education as her foundation, Venturelli creates prints using multiple copper plates and abundant colors, combining a spectrum of graphic techniques including etching, drypoint, aquatint, and monotype. Sometimes the printing matrixes are cut, thereby creating the possibility of many more print variations and permutations, or they find themselves re-cycled into 3-dimensional forms. All her prints are hand-pulled on her studio presses. “My art-making emphasis has evolved towards integrating two-dimensional prints into three-dimensional forms, thus an attraction to the artist book genre as both physical objects and containers of meaning. The power of metaphoric imagery and the elegance of mathematics have inspired and informed my work. The physical world offers me complex relationships and rich metaphors which I thrive in exploration.”
For inquiries and Studio Visit Contact:
kventurelli47@gmail.com
Website: https://www.katherineventurelli.com/