Course Objectives: At the end of the lesson, students will be able to:
1. Differentiate the different styles of Moribana
2. Demonstrate an arrangement using the “Moribana style”
Diagram of Moribana (Upright, Slanting, Water-Reflecting Styles)
The Slanting Style Example #1
The Upright Style Example #1
The Water-Reflecting Style Example #1
Circular Form Example #1
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Moribana was developed by Unshin Ohara, 1st headmaster of Ohara School as I mentioned in lesson I.
The word “Moribana” means “Piled up flowers”.
Moribana uses one or more clusters of arrangement in kenzan to replicate how water plants grow and how creatures move around in natural ponds.
In Moribana, as in advanced Hana-isho, there are three principal stems- the subject, the secondary, and the object. These three stems form the basic framework of various styles. All other stems, referred to as Filler stems are added to the principal stems.
Moribana is divided into two categories “Color Scheme Moribana” and “landscape Moribana”. Today’s demonstration is on the Color Scheme styles.
This style is the standard and most common floral style for Moribana. It exudes a feeling of stability and gravity.
In this style, the primary stem “subject” is about as long as the diameter and depth of the container, with secondary stem being around two-third and the object stem about half the length of the primary stem.
The Upright Style
Subject and Secondary: Trumpet lily
Object: Rose
This style is a floral form that expresses the beauty of branches and grasses that grow slanting down.
This floral form evokes a greater sense of movement than the Upright style.
In this style, the lengths of the subject and the object are same as Upright Style, but the length of the secondary is half of the subject.
This style is a reversed arranging style that can be used depending on the placement of the display and shapes of the branches. Branches that look beautiful when slanted are mostly chosen for this arrangement.
The Slanting Style
Subject and Secondary: Eucalyptus
Object: Carnation
Water-Reflecting style ( will be demonstrated in next class)
In this style, subject is placed to slant over and casts its reflection in the water.
It is called the Water-Reflecting Style, because the subject, secondary and object are positioned closely so that water surface feels spacious.
The length of this style is just same as Slanting Style.
The Water-Reflecting Style
Subject and secondary: Maple
Object: Rose
I ‘ll also be demonstrating the Circular Form which is one of three advanced styles of Hana-isho that we discussed last week.
This form is one of the three advanced Hana-isho. The main point is to create the basic framework of circular movement with flowers as the subject, the secondary and the object. And arrangement of more of the same flowers as Filler stems, carefully observing the direction of the flowers and positioning them to support the main stems.
The Circular Form
Subject, Secondary and Object: Alstroemeria Lily
Filler: Lemon Leaf and Maidenhair Fern
Videos: Examples of Ikebana Floral Design