First upload the font to Squarespace. Please see Using the CSS Editor > Upload files (optional). Technically you don't need to upload to SS if you have some other place to host the font file. It just needs to be available on the internet somewhere.

The Syntax font family was chosen by Niklaus Wirth for the Oberon operating system. During part of the period that Oberon was under development, Meier worked in Wirth's group at ETH, developing hand-optimized bitmap versions of the Syntax fonts (this was in the days prior to font anti-aliasing).


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In 1995, Hans Eduard Meier and Linotype began to produce an extensive revision and expansion of the Syntax font family.[6] Based on original font design, the alterations made to accommodate hot metal and phototypesetting machines were discarded. The family was expanded to 6 weights with italics on all weights. All fonts include old style figures and proportional lining figures, while 3 lightest weights also include small caps glyphs. Regular and bold weight fonts also include Cyrillic characters. Characters such as @, C, R, , , were redesigned.

Linotype Syntax Lapidar Text supports old style figures, while Linotype Syntax Lapidar Display supports titling capitals. Both families come in 5 weights of roman fonts, covering Basic Latin to ISO Latin-1 character sets, available in TrueType or PostScript Type 1 formats.

It is a variant of Linotype Syntax containing serifs. Like the sans-serif version, it comes with Text and Display designs with same amount of fonts per family, and covers same character sets. However, Linotype Syntax Lapidar Serif Display does not support titling capitals.

It is a variant of Linotype Syntax modelled after the style of the Roman Rustic capitals. This family come in 6 weights with complementary italic fonts on all weights, covering ISO Adobe 2, Adobe CE, Latin Extended character sets. OpenType features include old style figures.

It is a variant of Linotype Syntax with serifs. This family come in 6 weights with complementary italic fonts on all weights, covering ISO Adobe 2, Adobe CE, Latin Extended character sets. OpenType features include old style figures, with small caps and proportional lining figures on 3 lightest weights.

Webfonts can be used on a single domain. Agencies responsible for multiple websites, for example web design agencies or hosting providers, may not share a single webfont license across multiple websites.

Every time the webpage using the webfont kit is loaded (i.e, the webfont kit CSS which holds the @font-face rule is called) the counting system counts a single pageview for each webfont within the webfont kit.

An Electronic Doc license is based on the number of publications in which the font is used. Each issue counts as a separate publication. Regional or format variations don't count as separate publications.

We'll supply a kit containing webfonts that can be used within digital ads, such as banner ads. This kit may be shared with third parties who are working on your behalf to produce the ad creatives, however you are wholly responsible for it.

Syntax was developed by Hans Eduard Meier in 1968 and presented by the font foundry D. Stempel AG. Its figures are based on Old Face characters but have a distinctive, modern design. The inclination to the right lends the font a dynamic feel.

I have been trying to change my fonts using font-face rule but it isn't working. It keeps showing "@font-face declaration doesn't follow the fontspring bulletproof syntax" everytime. I have gone through the web but haven't found any right solution?Here is my code:

I don't know if any other linters than CSS Lint check for this but this is a reference to the ?#iefix string used to work around an old Internet Explorer bug with parsing font URLs, which Fontspring calls the bulletproof @font-face syntax.

If you're not supporting old versions of IE, you can safely ignore this warning, and I would strongly urge you to disable CSS Lint and use something like stylelint instead. CSS Lint has not been updated in years, and the bulletproof syntax is a product of its time, so is no longer needed today.

font-format() is less useful. It allows the same values as the format() function in @font-face. You can check if the browser supports woff (all of them have since 2012), woff2 (this is the best format for fonts on the web and has been supported by all browsers since 2016), truetype, opentype, embedded-opentype (which is only supported in Internet Explorer), an OpenType collection, or an svg font (which is deprecated and you should not use).

As with any shorthand property, any individual value that is not specified is set to its corresponding initial value (possibly overriding values previously set using non-shorthand properties). Though not directly settable by font, the longhands font-size-adjust and font-kerning are also reset to their initial values.

i've tried using the full link (with the https and all) for the src:url, i've seen all of these guides. nothing's working. it keeps saying something like "doesn't follow fontspring bulletproof syntax" and the font doesn't show up. it's getting annoying. i'm gonna rip my eyes out if i have to reload the goddamn page one more time

I don't do the family thing anymore, because I didn't have time to figure out a good way to programatically get it right and it doesn't seem to matter, but your mileage might vary. Also, I don't set anything on the "default" font because some of the other values are relative and need that fixed reference point.

The Fontconfig documentation is fairly opaque. I want applications looking up the 'Helvetica' family to instead receive the 'Helvetica LT Std' family and display that font, browsers in particular. The latest XML file I wrote to ~/.fontconfig/fonts.conf was

That's exactly the same substitution I'm using! This is my configuration, but it only works when the specified font is not available. If the specified font was accessible by fontconfig, named Helvetica, the alias would not apply. However this has been working correctly on all my Ubuntu installations, so I recommend it before using the match tag.

This would activate the second available stylistic alternate, if it exists in the font. As you probably guessed, using a value of "salt", like in our first code sample, is equivalent to using a value of"salt" 1.

This feature changes numeral glyphs from default or oldstyle figures to lining figures. Note that some fonts may contain lining figures as their default figure style, in which case enabling this feature may not appear to affect the style of glyphs.

This feature changes numeral glyphs from default or lining figures to oldstyle figures. Note that some fonts may contain oldstyle figures as their default figure style, in which case enabling this feature may not appear to affect the style of glyphs.

This feature replaces numeral glyphs set on uniform (tabular) widths with corresponding glyphs set on glyph-specific (proportional) widths. Note that some fonts may contain proportional figures by default, in which case enabling this feature may not appear to affect the width of glyphs.

This feature replaces numeral glyphs set on glyph-specific (proportional) widths with corresponding glyphs set on uniform (tabular) widths. Note that some fonts may contain tabular figures by default, in which case enabling this feature may not appear to affect the width of glyphs.

This feature replaces glyphs set on uniform widths (typically full or half-em) with proportionally spaced glyphs. The proportional variants are often used for the Latin characters in CJKV fonts, but may also be used for Kana in Japanese fonts. (Source.)

This feature replaces glyphs on proportional widths, or fixed widths other than half an em, with glyphs on half-em (en) widths. Many CJKV fonts have glyphs which are set on multiple widths; this feature selects the half-em version. There are various contexts in which this is the preferred behavior, including compatibility with older desktop documents. (Source.)

Japanese typesetting often uses smaller kana glyphs, generally in superscripted form, to clarify the meaning of kanji which may be unfamiliar to the reader. These are called ruby, from the old typesetting term for four-point-sized type. This feature identifies glyphs in the font which have been designed for this use, substituting them for the default designs. (Source.)

Some fonts (such as Adobe's Pro Japanese fonts) will have both Roman and Italic forms of some characters in a single font. This feature replaces the Roman glyphs with the corresponding Italic glyphs. (Source.)

This feature adjusts the amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. (Source.)

Small detail, but it looks like the recent update added bold and/or at least italics styles to syntax. But I prefer not to have my syntax anything but normal font style. Does anyone know how to disable font styles in syntax without changing my font?

This is normally a sign that some error occurred during font-locking. I suggest you look at the *Messages* buffer soon after the highlighting stops updating dynamically (it should contain some error message about it).

Also check the variable inhibit-modification-hooks (docs). If your case is like mine, font-lock gets stuck because an error occurs in one of the modification hook functions (... not even necessarily font-lock itself), and, as a consequence: 17dc91bb1f

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