A bansuri is a side blown flute originating from the Indian subcontinent. It is an aerophone produced from bamboo. It is one of the most common instruments in North Indian or Hindustani classical music.[1] A similar flute is called venu in the South Indian or Carnatic classical tradition.[2] It is referred to as nadi and tunava in the Rigveda and other Vedic texts of Hinduism.[3][4] Its importance and operation is discussed in the Sanskrit text Natya Shastra.[5][6][7]

A bansuri is traditionally made from a single hollow shaft of bamboo with six or seven finger holes. Some modern designs come in ivory, fiberglass and various metals. The six hole instrument covers two and a half octaves of music. The bansuri is typically between 30 centimetres (12 in) and 75 centimetres (30 in) in length, and the thickness of a human thumb.[1][8] One end is closed, and few centimeters from the closed end is its blow hole. Longer bansuris feature deeper tones and lower pitches.[1] The traditional design features no mechanical keys, and the musician creates the notes he wants by tapping the various finger holes.[1][9]

The bansuri-like flute is depicted in ancient Buddhist,[10] Hindu[11] and Jain temple paintings and reliefs, and is common in the iconography of the Hindu god Krishna.[12][13] it is intimately linked to the love story of Krishna and Radha.[14] The bansuri is revered as Lord Krishna’s divine instrument and is often associated with Krishna’s Rasa lila dance. These legends sometimes use alternate names for this wind instrument, such as the murali.[15][12] However, the instrument is also common among other traditions such as Shaivism.[16] The early medieval Indian texts also refer to it as vaṃśi, while in medieval Indonesian Hindu and Buddhist arts, as well as temple carvings in Java and Bali dated to be from pre-10th century period, this transverse flute has been called wangsi or bangsi.

The Mridangam is a classical double headed percussion instrument of Tamil origin. Along with its ancestor the mathalam, miruthangam is one of the most ancient of rhythmic instruments. It is commonly referred to as the “king of percussion” instruments. Miruthangam is used primarily as a rhythmic accompaniment in a carnatic music ensemble including vocal, instrumental and bharathanatyam dance performances. The body has quite a big opening at one end and at the other end a smaller one. On these two openings the skins are fitted. Their tension is held by a rawhide strap, which is pulled to and fro over the whole length of the body between the two skins. The skins of mridangam are made out of goat, cow & buffaloskin and are layered. The black spot (atham or karanai) on the smaller skin is made of rice starch as a binding agent and ferric oxide as substance and is confined to a smaller area and is thicker than on north Indian drums. The outer skin ring, which overlaps the end-to-end main skin, covers a larger area so that between this ring and the black spot only a very small ring is exposed. The overlapping outer skin ring is partly responsible for the typical rattling sound. The bigger skin has no black spot. Tuning blocks under the strap are also traditionally not used for mridangams. ,Brand : Sui-O-Bani Sruthi 

Technical specification: Nine scale changer Portable harmonium, seven folded below. Three sets Mohanlal R.T Premier reeds  Male, Male, Female, coupling system. Playing octave 3.75. portable version 37 keys. Full Burma teak woods,  Italian keyboard, full Brass materials. German cellulite, High glossy polish finished. Five standing notes. Nine scale changer. Melody sound international pitch(a=440 Hz) special features: coupling system provides a unique facility. While you are playing a particular note the sound of the same note of the lower octave will set it automatically. You can change the scale as and when required. You are getting single, double & triple reeds playing facility. Nice & unique facility. Handy:- it is in the form of a locked suitcase, so you can easily be carried from one place to another. Minimum space occupied while keeping. Easy to preserve the instruments from dust, heat, and light. Free with high-quality double padding cover.