Other early songs he sang were duets with P. Susheela, "Iyarkai Ennum Ilaya Kanni" in the 1969 film Shanti Nilayam, starring Gemini Ganesh, and "Aayiram Nilavae Vaa" for M. G. Ramachandran in Adimaippenn.[47] His first song with S. Janaki was "Pournami Nilavil Pani Vizhum Iravil" in Kannippenn. He was then introduced to the Malayalam film industry by G. Devarajan in the film Kadalppalam.[48] As per Balasubrahmanyam, "Ye Divilo Virisina Parijathamo" from the 1973 Telugu film Kannevayasu composed by Satyam gave an amazing turning point to his singing career.[49]

Balasubrahmanyam came to international prominence with the 1980 film Sankarabharanam. The film is considered to be one of the best films ever to emerge from the Telugu film industry.[55] Directed by K. Viswanath, the film's soundtrack was composed by K. V. Mahadevan and led to an increase in the usage of Carnatic music in Telugu cinema as well as in other languages. Not a classically trained singer, he used a "film music" aesthetic in recording the songs.[56] Balasubrahmanyam received his first National Film Award for Best Male Playback Singer for his work. His first work in Hindi films was in the following year, in Ek Duuje Ke Liye (1981),[57] for which he received another National Film Award for Best Male Playback Singer.[15]


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Balasubrahmanyam began to record more songs in Telugu and other South Indian languages, especially for Ilaiyaraaja with S. Janaki, the trio considered to be highly successful in the Tamil film industry from the late 1970s and throughout the 1980s. The songs were based on classical music, such as in Saagara Sangamam (1983) and Rudraveena (1988), for which both Ilaiyaraaja and Balasubrahmanyam won National Awards for Best Music Director and Best Male Playback Singer respectively.[58] South Indian actor Chiranjeevi admits that '''SPB''' voice is one of the main reasons of his success.[59]

Balasubrahmanyam recorded three songs for A. R. Rahman in the latter's debut film Roja. He had a long-time association with Rahman right from Roja. Other popular songs include "July Maadham" from Pudhiya Mugam, which also marked the debut of singer Anupama,[67] "Mannoothu Manthayilae" from Kizhakku Cheemayile which was a folk number and he almost sang all songs in the musical love story Duet and "Thanga Thaamarai" from Minsara Kanavu which fetched him, the sixth and latest of his National Film Awards for Best Male Playback Singer to date.[68][69]

Balasubrahmanyam's association with Hamsalekha began after the latter's successful venture Premaloka in Kannada. Balasubrahmanyam sang the most songs for Hamsalekha in Kannada. He received his fourth National Film Award for Best Male Playback Singer for the song "Umandu Ghumandu" from the Kannada film Ganayogi Panchakshari Gavayi (1995), which was a Hindustani classical music-based composition by Hamsalekha.[58]

GNB was known for brigha-laden and brisk music, and emerged as one of the most prominent Carnatic musicians of the era, drawing hundreds of people to each concert. He was famous for his renderings of "Vathapi Ganapathim" by Mutthuswamy Dikshitar and "Vinayaka Ninnu vina" by E. V. Ramakrishna Bhagavathar, both in the ragam Hamsadhwani. It was after hearing his rapid rendition of Vathapi that his father placed him under formal music training. He also frequently sang songs in the ragam Panthuvarali, such as "Paripalaya Sarasiruha" and "Siva Siva Siva", composed by Maharaja Swathi Thirunal and Tyagaraja Swami respectively. After singing either a long main piece or a Ragam Tanam Pallavi, famous ones being "Unadarishanam Kidai Kimo" in Kalyani and "Tilai Eesanai Ka" in Kambhoji, he would finish the concert with his popular bhajans and thukuddas, most notably "Dikku Teriyadha Kaatil" by Subramanya Bharati, "Radha Mukha Kamala" in the ragam Hindustani Kapi by Sri Papanasam Sivan, and "Radha Sametha Krishna" in the raga Misra Yaman.

Though the songs Dekha Hai Pehli Baar and Bahut Pyaar Karte Hain, also sung by Balasubrahmanyam, are more famous from the film, Tumse Milne Ki is my personal favourite. Because it is difficult to not smile when SPB sings of the rush of meeting your love.

He bagged six National Film Awards for Best Male Playback Singer for his songs in four different languages (Kannada, Telugu, Tamil, and Hindi), as well as 25 Andhra Pradesh state Nandi Awards for his work in Telugu cinema, apart from numerous other state awards from Karnataka and Tamil Nadu.

He has the rare distinction of rendering the most songs in a single day by any singer. He recorded 21 songs in Kannada for the composer Upendra Kumar in Bengaluru from 9 am to 9 pm on 8 February, 1981. Futhermore, he also recorded 19 songs in Tamil and 16 songs in Hindi in a day, which is a notable achievement and a record.

Balasubrahmanyam began to record more songs in Tamil, especially for Ilaiyaraaja with S.Janaki, the trio considered to be highly successful in the Tamil film industry from the late 1970s and throughout the 1980s. The songs were based on classical music, such as in Saagara Sangamam (1983), for which both Ilaiayaraaja and S.P.B won National Film Awards, Swathi Muthyam (1986) and Rudraveena (1988) which again won National Awards for Ilaiyaraaja and Balasubrahmanyam.

SPB made his debut as a playback singer in the Telugu movie 'Sri Sri Sri Maryada Ramanna' (1966). The first non-Telugu song he recorded just eight days after his debut Telugu song was in the Kannada movie 'Nakkare Ade Swarga' (1966). He recorded his first Tamil song, "Athaanodu Ippadi Irundhu Eththanai Naalaachu", a duet with L. R. Eswari for the movie 'Hotel Rambha' (1969), which was never released. Other early songs he sang were duets with P. Susheela, "Iyarkai Ennum Ilaya Kanni" in the movie 'Shanti Nilayam' (1969), starring Gemini Ganesh, and "Aayiram Nilavae Vaa" for M. G. Ramachandran in 'Adimai Penn' (1969). His first song with S. Janaki was "Pournami Nilavil Pani Vizhum Iravil" in 'Kanni Penn' (1969). He was then introduced to the Malayalam film industry by G. Devarajan in the movie 'Kadalpalam' (1969).

SPB became international prominence with the movie 'Sankarabharanam' (1980). The movie is considered one of the best movies ever to emerge from the Telugu film industry. Directed by K. Vishwanath, the film's soundtrack was composed by K.V. Mahadevan and led to an increase in the usage of Carnatic music in Telugu cinema and other languages. Not a classically trained singer, he used a film music aesthetic in recording the songs. Balasubrahmanyam received his first National Film Award for Best Male Playback Singer for his work. His first work in Hindi movies was in the following year, in 'Ek Duuje Ke Liye' (1981), for which he received another National Film Award for Best Male Playback Singer.

SPB began to record more songs in Telugu and other South Indian languages, especially for Ilaiyaraaja with S. Janaki. The trio was considered highly successful in the Tamil film industry from the late 1970s to the 1980s. The songs were based on classical music; 'Saagara Sangamam' (1983) and 'Rudraveena' (1988), for which both Ilaiyaraaja and Balasubrahmanyam won National Awards for Best Music Director and Best Male Playback Singer, respectively. South Indian actor Chiranjeevi admits that SPB's voice is one of the main reasons for his success.

This collection consists of 22 palm leaf bundles. They contain information related to poems and traditional medicine. The poems relate to local deities, astrology, witchcraft, grammatical commentaries (nikanTu), songs from the Kuravan community (kuravanji) and tamil lexicon. The traditional medicine describes various conditions and diseases and their remedies as well as the use of incantations and magical diagrams. This collection comprises 2 series : (1) Anthrology of poems, (2) traditional medicine. Most of the documents are undated, a few contain dates from the Tamil lunar calendar. Dates of original material: Not given. Extent and format of original material: The collection consists of 22 palm leaf bundles. e24fc04721

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