After having been selected by an organization dedicated to the genre of contemporary opera that grants prizes for the realization of works conceived for said aesthetic universe, we decided to locate as the main axis of the creative process, the question: 

What could be what could be recognized from the aesthetic, symbolic and stylistic point of view as the furthest away from opera, what element could be configured as a possible opposite? 

For this, the proposal consisted of recreating a typical dj set and inserting it with rapped fragments in which the text allowed us to manifest and expose the operation and the central elements of our conceptual search.

We summoned a young and talented local soprano with whom we worked hard to recreate the genres we were addressing -and in which none of the three of us have expertise- and we proposed that she sing only at the end of the performance and very briefly. a fragment of “Si dolce e´l tormento”, by Claudio Monteverdi.

In turn, the public attends the event expecting to find a proposal typical of the contemporary opera genre and it is probably at this point, to the surprise of the audience, when the proposal ends up being consolidated.

Soprano BEAT is then a performance that emerges from the friction between the operatic universe and a possible opposite. Silvina Suarez -lyrical singer- moves away from the comfort and containment of the traditional settings and conventions of the genre to invite us to take a walk along a remote path that will allow us to rethink the fact of "opera" in another way.