A dance creation with the water I made for my song, Love and Bone.
~Savannah
I know I can be
a lot.
I grind my teeth so hard
at night, I am surprised
I don’t wake up with a mouth full of shards.
I know I can be
a lot.
My hands shake
when the kitchen
is crammed with dishes; I crouch
in my closet where it is small, and dark, and manageable, and you
get tired of coaxing me out.
I know. I flinch
at raised voices; I’m anxious
when you are quiet. I never
believe you when you tell me
you’ll stay. Sometimes I look at knives
too long, and then you have to come hold me while I cry
and cry.
Can you love me anyway?
Can you love me anyway?
Can you love me anyway?
response to “The Jumpers” by Steve Taylor
You swing
neck in the noose.
It’s almost
like falling asleep; gently, rapidly
the ceiling begins to fade away.
Your mother is almost home; the chair just in reach of your toes, if you tried.
Stay with me. Don’t think about the pressure on your jaw, the blurring vision. Remember what it felt like to be six, legs pumping so hard on the swing you were sure you would make it full circle if you just held on long enough. Hold on just a little bit longer. You can hear the garage door opening now. Your dog barking downstairs.
A six year old sees you jump. She thinks an angel is flying off the Golden Gate Bridge. As you fall, you picture your best friend’s eyes when she gets the news. You have never loved anyone as much as you love her in that moment. By some twist of miracle the concrete slap of the salt water isn't enough to break you. Momentary blackness, and then you are back. Rising. Sunlight blurry in the far heights. Getting closer.
The pills beginning to kick in. Your wrists painting the bathwater crimson. Gas filling up the car; every breath deep and full and deadly. Death becoming physical, tangible: one breath away. Remember what the air smelled like, the first time your father took you to the redwoods. How big you felt, pressed up against those trees, swatting at the thousand mosquitos, making eyes at a blue jay. The first time you kissed a banana slug. The songs you sang when you thought you were alone. The heat of you, rising.
It's coming, any moment now. Your sister is about to call, the first time in a while; something reminded her of you this morning when she stepped outside in the brisk air. She just wanted to check in. It's not too late. The beginning is looming like a mercurial sun sucking you closer. You just have to stay with me. Don't think about the flickering blackness, the things left to be undone. Only remember what it felt like, in the moment before the swing came down, when you were weightless.
Your mother is about to walk through the door. Your best friend’s eyes haven't sunk in yet. A miracle is coming.
Stay.
Every morning I love you a little more:
your warm skin,
the way you stretch
& smile a little
as you wake up. How hard you try to keep me safe.
Every morning I fall in love with the way your ribs
rise and fall
as you let air in.
How strong they feel under your stretched skin.
Every morning I love the way you feel, in hot water,
breathing slow,
stretching under cold bed sheets, touching yourself,
giving it away, away, dancing across bare floorboards
with your clothes off
& the music barely a whisper.
"A machine has been built by the daughter of the devil. Reception is its device. Detecting various intention, program, and variable is its intent. In to the machine goes the devil, the machine, and the sense, and these are in line to be felt towards the daughter’s demand: “Will she still love me if I tell her that I am a machine?” Does the daughter know anything of love?"
Mountain Tip -
By myself at the top of a mountain,
in the midst of a snow storm,
and at the beginning of a global pandemic,
I would still think of what we will have for dinner.
And
Will it be sweet?
From the top of the mountain,
I can see the rigid forms of confusion
make a clearing down below.
Is it rich?
A path is formed,
tracks are laid down,
the snow makes it difficult to see.
Is it ready?
The tracks are made from trees falling
and railroad ties growing.
Those who built these paths are (beyond) us.
They are long gone, a complete view of past and future.
They point to me the way, and whisper to me.
The paths now cleared by global confusion
are as lonely and buzzing as god.
Will there be desert?
One might think that it is rush hour of the apocalypse.
All from the back of a buzzing UFO, looking down,
the clearing is a clearing, this time is a rhyme (in clarity).
At the top of a mountain,
in the middle of somewhere,
a flock runs to this refuge, where once
no one cared to know it as anything more
than a playground.
I call out, into the cold night air:
Chili peppers and peanuts!
Let there be light!
Bring me the fire! Let free the sea!
Aside,
communities here are for making the town
run smooth, as in swell.
Do you want your mail?
Inside it is a bomb.
Do you want to eat?
People are in your way.
Do they care about this mountain enough to share?
Does everyone know the feeling of fed?
The fulfillment of connection to rockbed?
It’s dinner time, and I am stuck
on a mountain with no way down but up.
I open up my bag and pull out a menu.
_________
In search of family, the little one geared up in preparation. She had her mind set on looking for
family via the top of a mountain, thinking she could see all her options more clearly. She found a
nice bag with two straps, for her back. She made a bowl of rice with mushrooms, sauce, and
ground meat for the trip. And then there were veggies. And then there were eggs. And then
there were chickens and cats and dogs on leashes. The leashes were cut and all dogs,
chickens, and cats led the way in a searching caravan. “Up the mountain,” she said. So the
chickens walked fast. The cats built the path. The dogs foresaw the past. the little one walked
with bare feet, and was fed. It took two weeks to build the mountain, as it was built as she
climbed. The rivers glued it together. Like roots, the caves within made it glorious. The
foundation beneath the mountain was first stone, then moss, then bugs, and finally bird
feathers. And when they all reached the top of the mountain, a water mattress emerged from
the earth for the young one to lie upon.
She then heard a melody. It came on the wind, through the trees, and over the hills. And so she
sang along, and named it: banshee melody on the wind, through the trees, over the hills.
Who is that ringing me, singing -
bringing me, woe and not giving
me? Deserted me this understanding,
where I can only listen thee?
Forget it, heavenly.
You will not tempt me.
But you seem so lonely.
Angry, and so close to me
in similarity.
I am raging, engaging,
and serene with tiny
explosivity. The skies, the electricity.
This fire-scape proves to be fit for bouncy intensity.
Indeed, I will take this chance to confer with myself
in terms of a message to you, the conifer. Considering fire.
Are you talking to me directly, oh fire?
Or do you rage for anyone to hear?
Thank you for your beliefs,
kind siren of destruction.
You, atop the mountain, are a comfort.
Your tears moisten and protect the earth that has accepted you,
while the dry earth, in proximity, that has not known you, perishes.
The dry earth, in its beauty, perishes in order to become enriched in a new way.
It is birthed with a new suit
with cones as ears and its large opening facing you,
itself facing you, it is now ready to take in your word.
The time it took to burn down
the dry brush was long,
but it was dry. But it was dry because why? Your cry.
It did not recognize you in its desperate
form of progression.
Good grief -
which path am I?
Leave it to me to lay it all out.
I’ve designed all of my paths.
But which to choose?
A hole opens up beneath me,
a third path. Falling, I feel relieved.
I did not have to choose. Still falling.
Still falling.
Daylight raucous, I see light above me, still.
The opening widens as I fall further,
and my upward view has been looking the same for some minutes, now.
2 -
Welcome to the game.
A man with a face built of scaffolding greets you. He is a floating head, mostly, and big curls,
ears, and hair made of spirals. His eyes are big earthen beads in a milky pool. The game, he
says, is the pain of the lane. Follow the lane, and you will remain. Follow the train, and you are
flat game. Follow the rain, and you are untame. But do depart, in order for gain. Wild woman, I
am you, as the man with the face built of scaffolding. In my face is the structure of you. I was
made in your image, a blessing untrue. Aspirations, and paintings of blue. I sing to the night, the
moon, and my deranged sense of you. You scare me, but I am forever in debt to you. Take my
hand, in gameland green, unplanned. Let me be the wild woman, too.
Gameland, the green grassy fields of difficulty
built for pleasure. Technical green pastures,
A playground of learning awaits. Do you want to feel
cold as you learn? Does stillness in cold make it true?
Hot breeze. Do you want companionship?
Where are you? The rigor of progression
is subtle, like growth at the rate of change, hot air.
Disengaged, once again.
Come with me.
He takes my hand
without touch.
He takes my hand without touch,
He’s no longer a man made
of scaffolding and curls.
Now, he is a walking forest.
I walk within him and as my feet sink deeper,
the forest is reversed. All green turns red,
I am led by the smells of fire. I am cold, by choice.
She as the green turns red,
the fire arrives and I can clearly see that it
is actually the blood of dogs that brings back the forest.
Pulsing through the leaves and trees
as the man walks, the fire sheds seed for life.
Like leaves, the departure, green becomes red.
But not through consumption, but
instead as a replacement of green in your head.
And it just so happens that red has been hot.
From the top of the mountain,
Listen River whispers to me.
O, Listen River, you are telling me something.
Your voice is as loud as the rain in a rage.
In your rage, I forget.
I drop all else, and I consider your plea.
Your plea is for me to listen to ze.
A force, a girl, a loving complete.
Walking away from you is difficult.
At the top of the mountain, I feel full
of spring tea. Your rage in my bottle,
a joyous sweet treat.
Final project image in progress.
"My first time making a soap stone pipe was in 8th grade. I fell in love with the practice but I let it fall away. Not long ago I decided to try it again and picked up some soap stone to get started. It didn't take long to get started because the craft was living in my body's memory. It has been a fun journey, I am still finishing it up and putting it all together".
"This series was done during my time living in Santa Fe, New Mexico. I was inspired by the psychedelic, vulnerable, colorful, and free energy that the desert countryside brought me. Reflecting on my time in the desert... so many things learned, lost, and renewed. It's curious how somewhere so seemingly barren and desolate can invoke the utmost creativity and prosperity in the soul. Yes, the desert pushed me to my limits. Yes, I felt alone most days. But these things did not make me fall, they helped me stand up straight. I learned how important it is to get to know myself in my most authentic and raw form. I learned that nothing is straight here in the desert. Not the landscape, not the adobe buildings, not the people; and neither am I. I learned that creation, in any form, gives me the power to find myself and lose myself all at once. I have been looking for myself my whole life. In places, in people, in hobbies, and in everywhere else but myself. The search continues, and always will, I change as often as the seasons. But the desert helped me find where to look."
Gift
Duck pond woman
geese feeder
breath taker
life giver
I feel
as though I could fall in love with her
like prophet
like sign of God
like more than
Escape Plan
Four years old and with the neighborhood kids
talked into playing ding dong ditch
At the front door to a pink house with a long, open lawn
I don’t run
because I haven’t learned what it feels like to be trapped yet limbs
tensed and staring
eyes already left a trail and running,
(thing you want to scoop up and put arms around).
I get left behind
because running away is as foreign as being taller than my mother.
It’s the first and last time I fail to have an escape plan.
Almost twenty years later and wondering why
I only ever seem to make it the end of the drive
and can’t bring myself to knock on the door and be welcomed in.
How We Grow
Then you swarmed.
You began as a clot
of feathers blown across
my path.
I was a straight and smooth road that had no turns to speak
of. I contained no repeat visitors either.
You were a sea of honey bees
that decorated me with hexagons
and allowed me to grow sweet and tickled gold
with love-light.
There were nights when a cold wind blew and no
moon lit me up.
It was dangerous, and darker than I thought I could take.
There were accidents and close calls, but
we
pulled through.
The morning after was drenched in refracted light that passed
through concave things.
You were a bright green bud on the tips
of an evergreen, you cast a shadow across my path that
didn't darken, simply called out saying:
I may grow to sit at different heights but there
will always be a part of me that resonates.
An echo that you can touch and bring to life
The Shoot
I have loved you
and this world too long and too hard to let it take you from me
I have spent too many moments staring up at the impossible
at those tall heights, at what makes me alive.
At what let's you live
I have cried I have screamed I have felt too much
And. My heart has been the luckiest thing on this great spinning sphere
we call home.
Not I , not you
But us:
two un-invincible but oscillating stars spinning faster than we thought
possible.
Thank you so much for exploring all of the amazing beauty in power in all of these different creations.
If you want to share your art here send me an email!
Enjoy your creating.