The 2nd issue of Milk Bag Magazine was published on June 21, 2025. Its theme was: Sunburn.
My photographic work was featured on the cover, as well as throughout the issue.
As described by the editors: "Rim Slaoui captures summer's contradictions, moving between sprawling cityscapes and oasis-like stillness, their lens on the surreal, in-between spaces where the season reveals both beauty and disquiet".
"Our mission at Milk Bag Magazine is to publish experimental poetry, fiction, and art. We want to embolden those living and working in Canada* to submit works that push boundaries and challenge tradition through process, identity, form, and content. We’re looking for 2%, full fat, skim, cream, oat, almond, and – hell – even pea milk, baby. If you made it, we want it.
Milk Bag is a place where we examine the otherworldly, and aim to queer the world around us. While our submission themes may change, our core values will not. Please look at our submission guidelines for more information. We acknowledge that the life of an artist isn’t always easy, and we are committed to making our little corner of the world a little nicer by paying our contributing artists."
Make us sweat.
Heat lingers, biting at the edges. The warmth that turns to warning. Overindulgence, a little bit of hedonism. You end the day blistered, raw, red. Humidity rises, sweat collects in the small of your back, ice cream cones melt over sticky hands.
Sunburn is the aftermath of exposure - the sear of memory, the flush of longing, the tang of something too sharp to swallow but too tempting to quit. It's golden hours that overstay their welcome, haze over hot asphalt, the bracing cold of the ocean, and the kind of heat that leaves a mark.
For this issue, we sought visual art, fiction, and poetry that smolders. Work that radiates warmth then bites back. We wanted art that glows and glistens, stories that shimmered with heat and consequence, poems that tasted of sweat, citrus and salt. We wanted the heat, the sting, the lasting imprint.
Published in spring 2025, the publication contains 160 pages and features the work of 60 artists.
The physical version is available to order here.
Website: https://artsinsquare.com/magazines
Instagram: @artsinsquare
Artsin Square is an independent, artist-run, and ad-free international print and online publication dedicated to showing emerging artists and mid-career creatives from around the world since 2019. Through a diverse range of initiatives, it offers artists opportunities to present their work and connect with a global audience of art lovers, curators, and collectors.
The platform fosters artistic visibility and professional growth through curated artist books, photobooks, grants, online exhibitions, studio visits, and various media features. Since its founding, Artsin Square has highlighted the practices of numerous artists from around the world, sharing their stories, inspirations, and creative journeys.
Each volume showcases the diversity of fresh ideas, new aesthetics, and unique technique with a wide range of mediums that artists are exploring. Also, each volume includes interviews with selected artists and it will have published on our online platform. Artsin Square believes that each artist brings new topics to the world, and welcome to show and publish on its platform.
The physical version is available for purchase here.
Alternatively, you can access the digital version here.
Website: https://visualartournal.com/
Instagram: @visualartjournal
The physical version is available for purchase here.
Alternatively, you can access the digital version here.
Website: https://visualpoetryjournal.com/
Instagram: @visualpoetryjournal
Still Human Editions | SHE is a French publishing company specializing in photographic books, magazines and zines.
It offers several submission contests each month, always free of fees, ensuring that photography remains by and for everyone. The publications are also competitively priced, thus making photography accessible to all enthusiasts. Publications cater to all image enthusiasts.
Exhibition catalogue for the "Connection" group exhibit, displayed March 4 - 31, 2024, as part of the Contact Photography Festival.
Morning Parade Coffee Bar (256 Crawford st.)
and Moss Park Espresso (185 Queen st. E)
Toronto, ON
“Connection is in our every day. It is the state of being 'related to' that fosters a sense of community between individuals. In this exhibition Toronto Analog Friends presents a selection of photographs exploring the theme of "Connection" and what it means to relate to one another. These photographers seek to depict an intangible draw;
they observe both the metaphysical and the concrete ways we cultivate connection.”
Although I was trained as a painter, I haven't picked up a paintbrush in over 2 years. It feels daunting at times. All the time, actually. Recently, in an effort to relieve some of my guilt and motivate me to get back into it, I picked up my film camera and decided to capture elements of my surroundings that most resemble my painting style. I figured, it's easier to relate to something that already exists rather than try to fight the blank slate - kind of like doing a song cover instead of an original.
In this diptych, I recount the emotional turmoil one faces when they find themselves taking a step back in their personal growth. While we may fall back into familiar, unhealthy habits and patterns associated with unpleasant memories, the introspective work that follows the initial guilt gives us enough perspective to understand that we've outgrown that past version of ourselves.
While that knowledge is comforting, new uncertainties set in as we accept to keep moving forward towards the unknown, and ask ourselves, "where do I go from here?"