ANNA VÁRADI
Anna Váradi is a Postdoctoral Research Fellow in the Department of Film, Theatre & Television at the University of Reading, UK. Her PhD about the portrayal of the Cold War on Trump-era television was funded by the UK Arts and Humanities Research Council's South, West and Wales DTP, who now support her postdoctoral research. She is thrilled to turn back to her roots and explore cultural memories of Communist history in her native Hungary, having spent many years focusing on attitudes towards the Cold War in the USA.
Anna has published in peer-reviewed journals as author and translator (working in German and Hungarian) and has presented at international conferences on television cultures, nostalgia, and feminist media in the UK, USA, and Denmark. Before establishing the Replaying Communism project, she worked as a Teaching Fellow and as Senior Tutor at the Universities of Reading and Warwick, and as Admissions Manager for the Rise scholarship at The Rhodes Trust, University of Oxford, collaborating with non-profits around the globe to create educational opportunities for low-resource students and refugees.
Anna was awarded the Laura Bassi Second Set Scholarship by the Editing Press for her postdoctoral research (2023), has a certificate in Strategy Execution from Harvard Business School (2021), received the TV PhD award from the Edinburgh Television Festival (2019), served as the first ever Visiting Fellow at the Paley Center for Media archives, New York (2018), and won the Graduate Scholar Award at the '14th International Conference on New Directions in the Humanities', Chicago (2016).
Please get in touch if you would like to contact Anna about any of her research.
Selected works
Peer-reviewed articles
with Lucy Jeffery, ‘A Metatopographic Reading of Magda Szabó’s Abigail as a Response to the Treaty of Trianon’, Clio: A Journal of Literature, History, and the Philosophy of History, 48.3 (2021), 223-245
‘“Labels or love”: The Problem of the White Wedding in Charlotte Brontë’s Jane Eyre, and Sex and the City: The Movie’, Film, Fashion & Consumption, 4.1 (2015), 105-113
‘Howl's “kaleidoscopic facets”: Extracting the “Multitrack” Elements of Allen Ginsberg's Poetry through Animation’, Film Matters, 6.2 (2015), 19-24
‘Man as Image: Clark Gable, James Dean, and the Audience that Looked at Them’, Inquiries Journal, 6.10 (2014)
Translations
Lucy Jeffery, ‘A Forced March from Serbia to Hungary: Reading Miklós Radnóti’s Bori notesz as the Diary of a Refugee’ (in progress)
Lucy Jeffery, ‘Magda Szabó: Finding Home in the Homeland in Post-1956 Hungary’, [sic] – a journal of literature, culture and literary translation, 11.3 Changing Pieces (2020), 1-23
Lucy Jeffery, ‘Collective Responsibility in Ingeborg Bachmann and Hans Werner Henze’s Radio Drama The Cicadas’ chapter in Radio Art and Music: Culture, Aesthetics, Politics, eds. Jarmila Mildorf and Pim Verhulst (Minneapolis: Lexington Books, 2020), 185-205
Blogs
‘Exploring TV History in New York City’, Film, Theatre & Television Blog, UoR, 4 Dec 2018
‘A Voice of Color in an Ocean of Whiteness: Big Little Lies and #MeToo’, In Media Res, 26 Sept 2018
‘Prozac Princess: The Complex Imagery of Carrie Fisher’s Wishful Drinking’, In Media Res, 15 Sept 2017
Future projects
Memories of the Cold War in the Trump Era
Anna's PhD analysed the portrayal of the political and cultural touchstones of the 1980s in Trump-era TV, such as The Americans, Stranger Things, and The Goldbergs. Her monograph is forthcoming.
East German memories of Communism
Anna has written on the depiction of Germany's Cold War-era divisions in the TV series Deutschland '83, and is looking to publish this work in a peer-reviewed journal.