Witness X
Exhibition | Witness X | 27 March - 24 April 2021| Atelier Studio Gallery | Nelson NZ |
This was a two-person exhibition with Tony Downing. I have named my body of work Witness X - Tony's work has no connection to this title.
Witness X - seven works.
Visual disorientations of the Christ and cross sits within symbolised elements of current culture, all fixed with bold colours and compartmentalised painterly crevices. These new works reflect my contemplations and experience of life and faith in the 21st century.
We are all familiar with the phrase, “there is nothing new under the sun”, and then we see each era witness new moral norms and technologies that influence and transform how society functions. We are simultaneously saturated and seduced by the digital age with its scrolling screens, things to buy and endless sharing.
We live in a time-bound, digitised flux, while God the creator transcends all temporal constraints. He is the grounding influence, while we/I experience new ideas, and the changes and challenges of this current age.
The divine fundamentals remain the same - God is love, truth, and grace to those who believe. Joy and treachery are amplified in Christianity by the changes in popular culture and apathy towards embracing a faith of this kind.
At times I feel like I am in ‘survival’ mode, fighting my way through worldly walls in order to find truth and maintain peace.
Basic human survival needs are - food, water, air, shelter, safety, and sleep - but we all know there is so much more we need. For one, 'Man shall not live by bread alone, but by every word that proceeds out of the mouth of God’. Our spirits also need care and nurture.
I have ventured into the corners of my mind and considered my world and I am exploring that which disrupts and dilutes Christ's eternal verities.
Witness X
(Witness - seeing and experiencing | X- a kiss, a cross, a signature, a mark)
For some time I have wanted to return to the cross, but never imagined it would look like this. I thought it would all be about truth and worship given the love represented by two simple intersecting crossed lines.
Lately, the themes I have been led to inspect often seem overwhelming. The works are 7 bite-sized morsels that I have been chewing on while reflecting on the cross and how aspects of our current age have diluted its power when we’ve let it.
Like the 17th century Vanitas artists, I too like the idea that art can cause it’s viewers to be reminded of what is important now and eternally.
While there are moments of heaviness, I also wanted to include some humour and joyful light moments within it all - balloons, kites, phrases like ‘let me just get my glasses’... take a closer look.
NB. These comments are just a starting point… you will bring your own ideas which will be just as valid as any of my intentions.
‘Pick ‘n’ Mix’
Acrylic on board, Imitation gold leaf.
900 x 900 mm
$1890
SOLD
‘Pick ‘n’ Mix’
This piece was my starting point for the work in this exhibition. The initial idea came from a very personal conversation. I was uncomfortable and confronted by it… the school I work at was acknowledging ‘pride week’ last year, and one of our staff spoke of the tension between loving God but struggling because they are homosexual.
We know what the bible says about homosexuality, but some of us don’t know the struggle of it. I find I can’t ignore these conversations and while each work in this show is not about that as such, that notion of the things that we struggle with, may also be the things that hinder the truth prevailing, and I will tell you why.
My friend is a homosexual who was raised in a traditional Christian home, she attended youth groups and clubs at uni, she worked in a Christian environment… she lives as a lesbian and has tried not to previously because of her belief… she is now at the point where her resolution statement is - “I just pick and choose, from the bible, from life”.
Sadly, my immediate thought was not one of compassion - that came later, my immediate thought was ‘what does that do to the cross and her faith in Christ’?
I am not anti any people or groups, but I love God and his truth… I am trying to work out my faith in the world around me.
This was one story… and in essence, it led me to think about the truth of the cross and how it was impacted. As a result, parts of the cross began to disappear.
All the works in this body of work are hinged and loosely linked to that which disrupts and dilutes Christ's eternal verities.
‘Recalibration’
Acrylic on board, Imitation gold leaf.
90x90cm
SOLD.
‘Recalibration’
Recalibration is simply about realigning ourselves to Christ. I chose to use the colour test pattern (an image from my youth). I am of the generation who has lived with and without the internet. Technology when I was growing up was fairly basic as was life… technology now can be really confusing and along with that, finding the truth can be confusing also. There is a lot of anxiety in the world today, there are a lot of people who are not wanting to be themselves… here the image of Jesus on the cross has taken on that idea of form changing, and here the form is a blur. Recalibrating requires a vision of a true impression or image. What are the images of God we hold and what holds us back, blurred with worldly distortion. What are the images we hold of ourselves and do they align to how God loves us?
‘Blaze’
‘Blaze’
Acrylic and pastel on board,
Imitation gold leaf.
40x40cm
$840
Available, click here.
The cherubim is represented over 90 times in the bible as an attendant for God, more commonly, cherubs are perceived to spellbind people to fall in love with one another romantically. I am more interested in the idea that they are God's assistants on our behalf, especially, firing arrows as the point of the cross is shared, to pierce our hearts with the knowledge of Christ's great love. Fire may represent the flames of faith or the aggressive flames of the enemy.
‘T is for triumph’
‘T is for triumph’
Acrylic on board, Imitation gold leaf.
40x40cm
$840
Available, click here.
I was exploring ideas of ego and success set against God's triumphant love from the perspective of the cross. There are digitized elements such as emoji and the Minecraft golden apple. The emojis are ‘feel good’ and we like them - they make us feel good, or even important at times. In this work and Pick ‘n’ mix, I have pixelated apples and digital disfiguration has pixelation also. Along with emojis, these relate to our digital lives. I chose Minecraft imagery for two reasons, my son plays it (it’s a part of his world), and also when you play, you appear in a new world and are challenged to use its resources to build shelter, find food, and craft tools to help construct a universe you want to live in.
The digital crossover to our world is vastly becoming more and more, and at times I feel like the internet hosts an invisible space that has taken priority over our personal spiritual meditations of our unseen savior. We have made ourselves our own master and delight in our own accomplishments, at times losing sight of the Father who has already won every battle in our lives already.
In Minecraft, there are two main game modes: Survival and Creative - I can relate to these modes here too.
‘I borrowed an arm to point the finger’
Acrylic and pastel on board, imitation gold leaf.
70x70cm
$1470
Available, click here.
‘I borrowed an arm to point the finger’
I made the ceramic cross (circa 1996) as a young believer at art school. At the time I was considering the idea of an antiChrist spirit and its impact on what I love - hence the finger poke holes disfiguring the cross and it’s softness allowing the holes to be pushed, much like the Christ allowed himself to become vulnerable as he walked to his crucifixion, being beaten. I’ve had this small sculpture sitting in my studio since that time and wanted to reframe it with a relevant context today. I’ve used images of moving lips that represent speaking out lies and deceit and added a disjointed arm with a pointed finger. In figuring out how to add in the finger-pointing in this work, I was looking at a book of Andrew Salgado’s paintings and used the shape of the arm and hand from one of his works, which is what the title implies. Alongside that, I was also thinking about our digital forums such as social media where people can be so nasty, and think that they are a digital enigma, not a real person in real life to be made accountable. This disjointed arm with a finger pointing action is disjointed from it’s person as are the internet interactions too when we hide behind our screens.
‘Innermost’
Initially I wanted to fragment the cross. I loosely planned this work and began by laying imagery down and problem solving as to what the work needed, and as I added layers. I didn’t have an end defined in my mind and now find this piece curious, as the parts of the christ appear to be in compartmentalised boxes underneath the surface of the work. This was my reference to the title ‘innermost’. While our lives can be trainwrecks or in this instance car wrecks on the scrap-heap, Jesus carries that and offers hope (as a joyful balloon lifts up in the air) - we recede into ourselves and we draw near to him. We can get so caught up in the flurry of life and cannot see the whole reality of our saviour who is there carrying us and holding us close.
‘Digital disfiguration’
Acrylic and pastel on board, imitation gold leaf.
70x70cm
$1470
SOLD.
‘Digital disfiguration’
My intention was to present a pixelated cross - it’s figure unidentifiable, a blurred view. During the exhibition floor talks at Atelier, a teenager was present and he saw a minecraft skin - I loved that! The skin is a covering that other players in the minecraft game see you as.
There has been a movement in the art-world called ‘disrupted realism’ in response to our existence in this digital age. This cross represents a disrupted reality of the truth of the cross. If you really squint, you will see a painted version of the photo I took of my brother posed as Jesus on the cross. We crucify the savior over and over, yet his compassion still covers the worst places, even the darknet when repentance occurs (which seems impossible to imagine in that context). This blurred version is how we might initially see Christ, out of focus even hidden. Despite our view and the dark places, we sense we are home in his presence and safe.
TWO WORKS NOT INCLUDED IN THE 'WITNESS X' EXHIBITION.
Calibrate Obscura
30 x 30cm, Acrylic on board, perspex, gold leaf edge.
$630
Exploring a murky view of the cross.
Please contact Rebecca Barclay-Clist for more information.
Kiss Cross
20x20cm, Acrylic on board, gold leaf edge.
$420
Considering the kiss before the cross.
Please contact Rebecca Barclay-Clist for more information.