Patriotic Melodies tells the stories behind many of the songs that have now become part of the American national heritage. A combination of hymns, national songs, music of the theater, radio and television, military themes, and poetry, all of this music demonstrates that while over history many things have changed, this expression of pride and hope remain a constant part of the American experience.
Only a portion of the most famous patriotic melodies of the United States are highlighted. Items featured include recordings, sheet music, manuscript scores, song sheets, and other print materials. These items do not represent the Library of Congress' entire holdings on a song, but rather a selection. Selection of the songs and their accompanying items was based not only on what songs were the most significant in American history, but also on what unique items the Library had in its collections to illustrate the song.
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Because of copyright laws, songs from the twentieth century may not be represented by very many items on the Web site. While every effort has been made to obtain permission to use these songs or portions of these songs, in some cases this has not been possible. Therefore, there may be no recordings or paper items to illustrate those songs, although there will still be text on the history of these songs.
In several cases, the rights' owners of the materials have given permission to only use a portion of the material online. In those instances, only 30 seconds is used from a sound recording, and one or two pages from print or manuscript materials.
Recordings from the U.S. Armed Forces have been used in many cases to represent these songs partly because the site is being released near Memorial Day to commemorate our veterans. These recordings also carry fewer restrictions on dissemination of performance than more recent commercial releases. (Use of these recordings on the site does not reflect any endorsement for this site by the various Armed Forces branches.)
Early recordings that are in the public domain have also been included on this site, not only because they are free to use, but also because they show how renditions and performance styles have changed over the years. These include recordings by the Edison and Berliner companies--some from over a hundred years ago.
Here are the top 40 patriotic worship songs this year - songs that remind us of our earthly blessings such as our freedoms, and songs that call us to gratitude to our God who, in His great mercy, has given us more than what we could ever deserve. If you are looking for something for your patriotic celebrations, that give thanks to God for the blessings of our temporary earthly citizenship, here is your top list! Whether your church or chapel service is outside or inside, download chord charts, piano sheets, lyrics, vocal sheets, choral arrangements, orchestrations, patches, and multitracks, to best serve your worship ministry. Find even more here.
American history is reflected in this collection both in songs and in instrumental pieces such as marches and dances for the piano--hereafter treated interchangeably. Many pieces reflect patriotism. Some of these pieces are old favorites such as Yankee Doodle. Hail Columbia, The Star-Spangled Banner, and Columbia, the Gem of the Ocean, There are new songs, of which the most successful was William Vincent Wallace's setting of George Pope Morris's The Flag of Our Union. And, there are several extended Odes for the Fourth of July.
The songs reflect issues and events of the times. Not all the songs invoking the Union are simple patriotic songs. Many of these songs have as subtext Andrew Jackson's 1829 toast "Our Federal union: it must be preserved." These songs were written in answer, to the threats of Southern secession which occurred periodically during the years of this collection. Southern separatism is represented by a single piece, Southern Rights March.
The historical event most heavily represented in this collection is the Mexican War of 1846-48. Most songs were celebratory, although Jesse Hutchinson's "Eight Dollars a Day" castigates the war as a "war for slavery." Songs also celebrate the American generals who fought in the war, notably Zachary Taylor and Winfield Scott. There also is one piece honoring Jefferson Davis for his part in the war. (Taylor and Scott are also represented by campaign songs, discussed below.) There are a few pieces on Texas and Mexico apart from the war. The Star-Spangled Banner is the best-known piece celebrating the War of 1812; there are a few more pieces on that war as well as some on the American Revolution.
The music of North Korea includes a wide array of folk, popular, light instrumental, political, and classical performers. Beyond patriotic and political music, popular music groups like Pochonbo Electronic Ensemble and Moranbong Band perform songs about everyday life in the DPRK and modern light pop reinterpretations of classic Korean folk music. Music education is widely taught in schools, with President Kim Il Sung first implementing a program of study of musical instruments in 1949 at an orphanage in Mangyongdae.[1] Musical diplomacy also continues to be relevant to the Democratic People's Republic of Korea, with musical and cultural delegations completing concerts in China[2] and France[3] in recent years, and musicians from Western countries and South Korea collaborating on projects in the DPRK.[4][5]
North Korean music follows the principles of Juche (self-reliance) ideology.[8] The characteristic march like, upbeat music of North Korea is carefully composed, rarely individually performed, and its lyrics and imagery have a clear optimistic content.
In 2012, North Korea's first major girl band, the Moranbong Band, made its world debut.[18] It is a group of about sixteen North Korean women (eleven instrumentalists and five singers) which was hand-selected by Kim Jong Un.[19]
BBC radio disc jockey Andy Kershaw noted, on a visit to North Korea with Koryo Tours in 2003, that the only recordings available were by the pop singers Jon Hye-yong, Kim Kwang-suk, Jo Kum-hwa and Ri Pun-hui, and the groups Wangjaesan Light Music Band, the Mansudae Art Troupe and the Pochonbo Electronic Ensemble, who play in a style Kershaw refers to as "light instrumental with popular vocal".[15] There is also the State Symphony Orchestra, the Sea of Blood Opera Company, two choruses, an orchestra and an ensemble dedicated to Isang Yun's compositions, all in Pyongyang. The Pyongyang Film Studios also produces many instrumental songs for its films, and several programs on Korean Central Television have music made and performed by the Central Radio and Television Orchestra.[20]
North Korean pop music is available for visitors to Pyongyang at the Koryo Hotel or Number One Department Store, as well as gift shops in tourist destinations.[16] International and Western music can be enjoyed by locals and tourists at the Grand People's Study House, Pyongyang's central library.[21][22]
Alongside contemporary pop songs, groups like Pochonbo Electronic Ensemble have recorded arrangements of Korean folk songs.[28] The Korean folk song "Arirang" continues to be widely popular in the DPRK, with UNESCO inscribing the song to the Representative List of the Intangible Cultural Heritage of Humanity in 2014, representing the Democratic People's Republic of Korea.[29]
Like Korean music in general, North Korean music includes kinds of both folk and classical, courtly music, including genres like sanjo, pansori, and nongak. Pansori is long vocal and percussive music played by one singer and one drummer. The lyrics tell one of five different stories, but is individualized by each performer, often with updated jokes and audience participation. Nongak is a rural form of percussion music, typically played by twenty to thirty performers. Sanjo is entirely instrumental that shifts rhythms and melodic modes during the song. Instruments include the changgo drum set against a melodic instrument, such as the gayageum or ajaeng.[15]
In North Korea, traditional instruments have been adapted in order to allow them to compete with Western instruments. Many older musical forms remain and are used in both traditional performances that have been attuned to the ideas and the way of life of the modern North Korean communist state and to accompany modern songs in praise of Kim Il Sung, his son and successor, Kim Jong Il, and Kim Jong Un from 2012 onward, plus songs that wish for a reunited Korea, thus creating a mix of traditional and Western music that is truly North Korean, a unique variant of Korean music as a whole mixing the old and the new.
Military music, in contrast, often makes extensive use of Western brass, woodwind, and percussion instruments, often omitting the Korean ones entirely. Although usually original compositions, the melodies are not easily distinguishable from Western ones in the absence of their lyrics, which heavily feature the customary ideologically oriented content.
"Many factors make patriotic music appealing: memorable melodies, catchy and often repetitive rhythms, the emotional content of the lyrics, and, to a lesser extent, the occasion for which the music was written," said Kansas State University's Craig Parker, associate professor of music and an expert on John Phillip Sousa, the American patriotic music composer known as the "March King."
While most American patriotic pieces, such as "The Star Spangled Banner" and "God Bless America," have lyrics, Parker said, one of the most recognizable patriotic compositions got lyrics after achieving popularity.
"The most recognizable piece of American music around the world is John Philip Sousa's 'The Stars and Stripes Forever,' which was composed in 1896-97 as an instrumental piece. It was played by his own professional concert band that toured America and the world for 40 years," Parker said. "The lyrics for this march were added long after it became popular as an instrumental work. 152ee80cbc
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