At Natasha's wedding, he meets Natasha's cousin, Saniya who has come from Turkey. Shehryar is instantly smitten by her and he tries to flirt with her. At night, he takes Saniya to explore Karachi, the city of lights without informing anyone and the two fall in love. When Shehryar asks for her phone number, she jokes that given his nature, she would give him her phone number and then she would keep waiting for his calls and he will ignore her. She, nevertheless, gives him her number. Shehryar learns from Saniya that she would be leaving in two days and was in Pakistan to attend Natasha's wedding and to drop her father, Faisal (who is a famous writer) with his family members in his homeland just as he wished.

The production of Parey Hut Love begins but Saniya arrives to inform Shehryar of Faisal's increasing brain tumor and gives him the card for her wedding which is to take place in Kashmir, Faisal's hometown. This leads to a major fight between Sheheryar and Arshad who is more focused on his project. Shehryar leaves for Kashmir. Arshad follows him and they reunite. Shehryar tells Saniya that his biological father did not love him at all, even though Shehryar loved him and left him and his mother. Thus, he became a commitment phobe.


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Saniya's wedding comes up and Sheheryar falls into depression stemming from Saniya's rejection. Shehryar begs her to forgive him and marry him, and to leave Hassan but Saniya implies that she can't. Meanwhile, Faisal passes away. The wedding is immediately postponed and Faisal's funeral is arranged. Saniya leaves in misery, caused by her father's death and Shehryar's fierce love for her.

A few years later, Shehryar is a successful actor and is engaged to megastar Zeena, who loves him. Shehryar also reciprocates her feelings but still loves Saniya. Saniya tells Hassan that she is in love with Shehryar and breaks her engagement with him. Hassan forgives her and they continue as friends. Saniya, having learned of Shehryar's wedding (which is to take place in Turkey) from media reports, arrives at the wedding and tells Shehryar that she left Hassan because she told him that she loved someone else. Shehryar's feelings for Saniya rekindle. Zeena realizes Shehryar loves Saniya and not her, after seeing Saniya leave his room.At the wedding, Zeena motivates Shehryar to go after Saniya who was leaving for another city. Shehryar goes after her. Arshad and Shabbo express their liking for each other.Shehryar finds Saniya and tells her that he left Zeena because she found out that he loved someone else. The movie ends on a happy note with Shehryar and Saniya embracing each other.

Once I was discussing about revival of Pakistani cinema with my friend who happens to be a big fan of South Korean movies. We know our neighboring film industry also carries extreme fondness for South Korean cinematic work to the extent that they are often found copying the same. We also discussed chances of someone from Pakistan copies from other regions then what should be the benchmark for that filmmaker. We had difference of opinion but had consensus on one point that no Pakistani filmmaker go for replicating Bollywood movies ever because it will be like the copying the copied stuff. It gives us extreme satisfaction to learn that Asim Raza who debuted with a great film like "Ho Mann Jahaan" took a different path and went for getting "inspired" from one of the best rom-coms ever."Parey Hut Love" is an unofficial Pakistani remake of Hugh Grant's "Four Weddings and a Funeral".


As an avid moviegoer I was always keen to see how a Pakistani director with the caliber of Asim Raza interprets British aesthetics for such common denominators whose taste buds have completely been corrupted by Bollywood Masala for decades. It was a tricky job maintaining a shaky balance between "Desi" sensitivities and a Western plot line because our audience may feel estranged from the plot and higher dose of Bollywood ingredient can downgrade the slick quality which has been a trademark of every better Pakistani film of this revival period. Good news Asim Raza narrowly escapes and slightly achieves what exactly he was aiming for with "Parey Hut Love" but the title of the movie could have been better.


Sheharyar Munawar, who lacks in displaying the ability of being nervous and frisky same time like Hugh Grant, plays lover-boy-next-door kind of a role which seems to be the requirement of the script to increase the acceptability of his character for the audience. And he does with an ease but element of loudness in his character could have been toned down. Overall he looks good and he performs well.


Maya Ali who won everyone in her debut film "Teefa in Trouble" mesmerizes again but this time her character becomes slightly serious. Ahmad Ali Butt who was completely unstoppable in "Jawani Phir Nahi Ani 2" remains off color. Veteran actor Nadeem Baig is completely wasted and Hina Dilpazir is just repeating herself and there are scenes in which she seems overdoing. Zara Noor Abbas has a spark and deserves more brownie points. Mahira Khan and Fawad Khan appear in cameo roles.


Azaan Sami Khan proves his genes by composing one of the best melodies of the year for "Parey Hut Love". Every song has its own appeal and delight. Visuals are stunning and cinematography by Serkan Erzin and Salman Razzaq makes "Parey Hut Love" as one of the well shot movies of Pakistan. Production design and art work are magnificent and raise the bar. They just needed to refrain from product placement which is nothing but irritating.


On the whole "Parey Hut Love" is a diligent cinematic piece of work with narrative style which has never been explored before in Pakistani films. Asim Raza has taken an enormous risk with this kind of storytelling but glittering effect of "Parey Hut Love" makes it worth of your time and money. 17dc91bb1f

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