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To better enjoy the reading and the tour, listen to a piece by the main artist and director of Chrislugica Art Studio ©, Habytus©
"The Synthetic Paintings series stand out for suggesting new morphological possibilities, for their captivating treatment of light and color, for the unusual visual language achieved and for their high technical resolution; attributes that, added to their inherent scientific base, give them a high value aesthetic."
"The depth with which CLGC© approaches her artistic practice and her prolific polymathy, increases the symbolic capital of her work and positions her as an attractive and rare exponent of Fine Art. Each piece in her collections carries her innovative vision of the world, an imprint of its unique identity. "
Enrique Daniel Salmoiraghi
(Bachelor of Communications with Registration Number: 6619/2002, art curato and museologist, and with a professional career of more than 20 years in cultural management as well 9 years in the direction of a museum institution)
C222 S94 R34
"In its geometric pieces, at a first glance you see repetitive, reticular, fractal and hypnotic patterns. The possibilities of being used by the industry are also sneaked into them and they give the added value of bringing art to daily life. But when you get closer you can see a framework that speaks of the artisan, of individuality. Of the genius of the individual who can never be fully devoured by the machine."
Gustavo Masutti Lach
(Art curator, Professional Reporter, professional librarian, graduate in social sciences and researcher in neurosciences related to art and artistic creation, Registry No. 01t03 Folio 210/211 With No. 10919.)
C117 S5 R
"With regard to the faces, the first of them, the C268 S1 R173, is a self-portrait that captures the essence of the artist, impresses with its aura of mystery. In that work he was able to symbolically synthesize his figure. An impassive gesture dominates, without expressive overflow. A close but distant look sneaks in. Open but unreachable. Human but cybernetic, with a Renaissance essence."
"The other portraits also impress with the power of expression that the faces convey. The Artist handles color within a figurative theme and the result are clean, clear, direct works. The innocence of the girl's gaze, the woman's hope and the man's perplexity allow us to infer that, as almost always, the portraits are facets of the artist's own personality that sneak into the images. Or perhaps they are extensions of the image that an artist wants to give of himself. Either way they work, they thrill."
Gustavo Masutti Lach
(Art curator, Professional Reporter, professional librarian, graduate in social sciences and researcher in neurosciences related to art and artistic creation, Registry No. 01t03 Folio 210/211 With No. 10919.)
C134 S1 R
"This display of humanity contrasts with the metal head, which manages to fuse the mysticism of the busts of classical antiquity with the modernism of the German expressionism film Metropolis by Fritz Lang (once again an antecedent of cyberpunk). Human and alien fused without a hint of irony."
Gustavo Masutti Lach
(Art curator, Professional Reporter, professional librarian, graduate in social sciences and researcher in neurosciences related to art and artistic creation, Registry No. 01t03 Folio 210/211 With No. 10919.)
C267 S54 D1 R273
"The last of the paintings marks the Artist's versatility as an artist. Here the colors and the stroke come together to generate an impressionist or post-impressionist image. The lighting plays with a moving, distorted and dynamic reality that gives texture to the piece. And once again the unreal, almost interdimensional sneaks into the image to generate a certain disturbance."
"This Artist's work is alive, mutating and improving day by day. These are times of freshness because he is barely 27 years old, but his art is constantly evolving."
Gustavo Masutti Lach
(Art curator, Professional Reporter, professional librarian, graduate in social sciences and researcher in neurosciences related to art and artistic creation, Registry No. 01t03 Folio 210/211 With No. 10919.)