About Us

Chrislugica Art Studio© consists of a business ecosystem which operates as an independent and specialized finance company devoted to meet the needs and requirements of the global art market. It was created and founded by an Argentine Polymath (recognised and supported by severals professionals), head of an ecosystem of the most important companies, projects and artistic activities of recent times, which positions him as one of the largest ultra-high-net-worth individuals (UHNWIs) in the world.

The excellent quality of his works speaks for itself and is endorsed by art and music curators, finance professionals, mathematicians, physicists, statisticians, professional musicians, music directors and qualified composers, architects, lawyers, programmers, designers, illustrators, artists and other professionals, who endorsed his genius, authenticity and rarity, as well as his paintings, his technologies, among other contributions.

The historical fact that an individual has been able to produce such awesome works goes beyond quantity, quality and variety in all the categories it covers increases the price of each of his art pieces, collections and works, as well as his commercial, business and financial developments.

Why choosing this type of saving?

In the case of first-class works of art, they have already acquired their usefulness, and this is based on the actions of the source and its multiple benefits for the future market in general. The historical character of its source will establish the diagnostic framework not only for the valuation of the asset but also on its future instances of value from its conception.

In the particular case of Chrislugica, his inventiveness in scientific and technological terms not only propels him even more within the high-end of global art but goes beyond it for being the first not only to create the technologies in question but to successfully couple them to a world-class body of work and unprecedented proliferation.

Since the utility is an effect of the good decisions made in the market regarding the originality and innovation of the offer, his works condense a value with a delay that will be expressed in an ascending monetary way at an exponential level as the time passes, in parallel to the growing popularity and adoption of his contributions in the multiple areas of human development.

This is why profit is reserved for more synchronized effects between the action and its effect on the market. In the case of the great geniuses of humanity, it is essential to understand that this effect is asynchronous, although it does not mean that it cannot be measured based on the extensive historicity of the market.

In 2020, Cabana began the theorization of different financial technologies that constitutes today the most efficient body of macroeconomic governance systems to date, whose high-profile asset securitization module allows a non-monetary asset to be coupled with a set of technological characteristics that will allow, among other things, an almost instantaneous refresh rate on the value of the asset.

High-end art pieces are increasingly being used as a safe haven asset, as they offer higher dividends than fixed income instruments and are less volatile than stocks. In this case, volatility is only oriented upwards due to the variety and quality in the different areas in which it works.

Nor is tax benefits on this type of investment a minor issue. For example, states often encourage the purchase of art through different measures, such as the reduction and even the exemption of art works from paying certain taxes. The fact that the dation system allows to pay taxes from works of art without paying the capital gain that any such work generates constitutes another advantage to be considered.

In addition, the support of the Chrislugica pieces that represent the SsC cannot be amortized and also has a very strong load because it crosses certain margins, making low the standard deviation between what happens in the market compared to the entropy of assets.

The investment risk is almost zero due to the source and also because there is an analysis paradigm on the future of the pieces and it is known exactly where the value had to be with precisely a standard deviation that could be high but in principle low, but always high in reference to the upward volatility that the asset will have. This means that you can know exactly how much the value is going to be. Once that is taken into account there is a second stage of value called "future value". The future becomes closer and closer depending on precisely how much this risk can be reduced and how real that future is. The closer the attractor is to the present, the more it becomes a fact and the further it becomes an attractor, which is a future fact but in probabilistic terms.