Dissertation Figures

Figure 3.2

Nyoman Windha demonstrating the moment of waiting in his abah cue.

Figure 3.8

Transcription and annotated (time-proportional) waveform for a performance of the kebyar from Teruna Jaya played by Sekaa Gong Tunas Mekar of Pengosekan Village, recorded 26th of April, 2024.

Figure 3.9

Transcription and annotated (time-proportional) waveform for a performance of the kebyar from Legong Pengeleb played by Sanggar Çudamani of Pengosekan Village, recorded 30th of June, 2024.

Figure 3.10

Transcription and annotated (time-proportional) waveform for a performance of the kebyar from Pudak Sinunggal played by Sanggar Çudamani of Pengosekan Village, recorded 30th of June, 2024.

Figure 3.13

Dewa Sakura's abah to begin the ngoret figure immediately after the initial byar of Teruna Jaya (see figure 3.7). Video playing at 0.5 speed. Total cue duration is 850ms.

Figure 3.14

Dewa Berata’s abah before a single ngoret motif in the first line of the transcription of Legong Pengeleb (see figure 3.8). Video playing at 0.3 speed. Total cue duration is 480ms.

Figure 3.17

Pose estimation of an excerpt of Cudamani’s performance of Legong Pengeleb. This excerpt shows the first 20 seconds of the piece.