The best of 2000s era oasis albums, Dig Out Your Soul mixes the hard and heaviness of Definitely Maybe with Experimental and Psychedelic sounds of Standing on the Shoulder of Giants to create an underrated and under appreciated masterpiece just like the rest of 2000s era oasis, Stop ignore everything past 1998 and give it a chance it is just as good as the 90s output. Also I don't know why people hate the last four tracks. I think they are really good, especially "Soldier On" being one of the best album closers and one of Liam's best songs.

One of the best debut albums of all time. If you want to get into oasis and you ask me what album you should listen to first Definitely Maybe or What's the Story I would say Definitely Maybe without hesitation. The rawness of this album along with some of the best Britpop songs like "Live Forever" and "Supersonic" this album is perfect but there are two albums I like more.


Oasis Discography Download


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On Apple music oasis is listed under Indie Rock while oasis isn't an Indie band. Don't Believe the Truth is their Indie album, I love the acoustics mixed with electrics on tracks like "Turn Up the Sun" and "The Importance of Being Idle", the thoughtful lyrics on "Part of the Queue" & "Let There Be Love". This album is awesome and "Turn Up the Sun" is one of the best album openers.

Yes this is a compilation album of B-sides, not a studio album and it has the full version of The Swamp Song (which is just as if not more unnecessary then on WTSMG) and there is a live cover of "I Am the Walrus" but I'm a Beatles fan (they are tied with oasis as my all time favourite band) and I would have added "D'Yer Wanna Be a Spaceman?" and "Cloudburst" but this could have been an album.

Heathen Chemistry is NOT a bad album but with a strong first half and weak last 2.5 it makes it the weakest oasis album. The last 2.5 songs "Born on a Different Cloud", "Better Man" & "The Cage" are not really good "Born on a Different Cloud" especially it is the worst oasis song ever made, I would have replaced these tracks with all the B-sides except "Columbia" (live) and "My Generation" (The Who cover). With these changes it could have been better but what is good on Heathen Chemistry is good like "The Hindu Times" and "Little by Little" also "A Quick Peep" is better than The Swamp Song.

A discography print of Oasis albums and singles, pictured as a row of record spines. A unique gift for Oasis fans! You can add your own optional message as well (the message is shown on the record spines at the top right of the print).

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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Back to Nature BReAKS, Oasis, Roadside Picnic, Just Sounds, ETERNAL SPRING, NEEDLES, FRESHNESS, Ecomodern vol. 3, and 11 more. , and , . Purchasable with gift card Buy Digital Discography 6.84 GBP or more (70% OFF) Send as Gift   Share / Embed   1. Spirit 01:54 buy track 2. New life 02:48 buy track 3. Ex-voto 02:43 buy track 4. Escapism 02:24 buy track 5. Oasis (feat. 9.36am) 02:27 buy track 6. Wave 01:55 buy track 7. Reflection (feat. 9.36am) 03:27 buy track 8. Dreamy 01:53 buy track about [EFC-20] 


My debut album is made on self-reflection. The beginning of my passion for electronic music was in Kherson, during the occupation of russian army. During the blackout of the internet through the city, I have closed for a week in my own room and start getting into new style for me. That was the beginning of creation my release "Oasis".


My album is an oasis in the middle of the desert. When you walk exhausted for days, weeks or even more and suddenly see before you water among a huge amount of sand - you begin to experience a sense of life. And it's wonderful, because you understand that it was not all in vain. - told us lemi. 



lemi (Artem Lemishchuk): 

soundcloud.com/cousin-lemi


 Acapella from "New life": www.youtube.com/watch?v=0P8rrTOV30o $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits released October 7, 2022 license all rights reserved tags Tags eco collage eco futurism eco grime experimental nature sound Sydney Shopping cart subtotal USD taxes calculated at checkout Check out about Eco Futurism Corporation Sydney, Australia

Oasis were without a doubt the biggest British band of the nineties, popularising the fledgeling Britpop genre while simultaneously looking back to the heyday of British rock, inspiring a generation of guitar acts during their 15-year career. As rumours are currently swirling about Noel Gallagher, the band's principal songwriter and occasional vocalist, making a new Oasis record out of previously discarded material, there's no better time to look back through Oasis' discography.

Oasis was a German label, before and after Casablanca. It was started in themid-1970s by keyboardist/producer Giorgio Moroder and guitarist/producer Pete Bellotte, who weremixing disco material in Munich for European dance audiences at the time ("Euro-disco"). Italian-bornMoroder had registered some hits in Europe in the late 1960s and early 1970s, and a minor hit here inthe US with "Son of My Father" in 1972 on the Dunhill label. His keyboard sound was a forerunner of the"technopop" sound which developed in the 1980s. Euro-disco can arguably be viewed as another steptowards technopop, with its synthesized sound, where production was king and the artists somewhatsecondary (shades of Phil Spector!).


Moroder had met Casablanca's Neil Bogart, and the two agreed that Casablanca would market anddistribute the Oasis label here in the United States. Many of the artists on Moroder's Oasis label inGermany were - no surprise - German, and sang in German. Bogart released one self-titled album in1975 by the group Einzelganger ("lone wolf") on Casablanca [Casablanca NB 7015], but it didn't sell tothe American audiences, especially since there wasn't a hit single. Bogart and Moroder agreed thatCasablanca would issue further Moroder/Bellotte product on an American version of the Oasis label. The US version of the Oasis label reissued the Einzelganger album, along with an album by anotherGerman group, Schloss ("castle"), as its first two albums in 1975. 


Moroder had met Donna Summer (nee Adrian Donna Gaines), a Boston-born singer who hadsettled in Europe, married an Austrian actor, and was appearing in European productions of shows likeGodspell, Porgy and Bess,and Hair. Summer, who pictured herself as an "actresswho sings" rather than a singer, had grown up singing in church, then had sung in clubs with the localrock group Crow while still a teenager. She traveled to Europe in 1967 and studied at the Vienna Operawhile appearing in musical productions. Moroder, Bellotte, and Summer recorded several singles andthe album Lady of the Night in 1974 for Oasis. 


In 1975, Moroder and Bellotte had an experimental track, really a synthesizer-steeped rock groove,called "Love to Love You," which they were thinking of using as a demo. Summer, who had heard the1969 sexy novelty record "Je T'Aime...Moi Non Plus" by Jane Birkin and Serge Gainsbourg, a muchbigger hit in Europe than in the States, decided that a similar treatment could be given this record, andapproached Moroder and Bellotte about putting some breathy lyrics to the music. There was some ironyinvolved with this; Donna Summer, the still religious woman who was about to raise a family, washardly the person one would assume she was by listening to her persona on her early hit records. She said later that she was just putting down ad-lib lyrics, assuming they would write the actual wordslater. To create an "atmosphere," she lay on the studio floor, and in her words, "was just goofingaround."


Moroder and Bellotte liked what they heard, and decided what had started as a "demo" record was goodenough to release outright, ad-lib lyrics or not. The song became the first single on the US Oasis label.What happened next was a matter of legend. The single was not exactly tearing up the US charts whenNeil Bogart attended a party where the record was played. The people dancing to the record requestedthat it be played over and over so they could continue the groove. Bogart got on the phone the next dayto Germany and requested that Moroder and Bellotte come up with a way to make the song longer ...much longer. The original single [Oasis 401] had clocked in at 4:57, a healthy length for singles ofthe time, but Moroder and Bellotte remixed and looped the song into a dance bonanza that lasted justunder 17 minutes! Bogart also suggested adding "Baby" to the title. It was the 16:50 version of "Love toLove You, Baby" that was released as the title track, and one complete side, of the US debut album byDonna Summer [Oasis OCLP 5003]. The long version was an instant sensation at discos as arguablythe first hit 12" disco single, pushing the 45 up the charts until it finally hit #2 in February, 1976.


For a follow-up single, they chose a daring remake of the song "Could It Be Magic," which had hit #6 forBarry Manilow the previous year. The song was based on Chopin's "Prelude in C Minor," but neitherChopin nor Manilow would recognize much of the hot-and-sweaty dance groove that was a shockinglydifferent treatment. Where Manilow sweetly dreamed, "Lady, take me high upon a hillside," Summer leftno doubt what she was talking about when she pleaded, "Baby, take me ... high upon the hillside."Although the (5:20) long version was a disco hit, a truncated 3:15 single [Oasis 405] only reached #52on the US pop charts. Another album followed, A Love Trilogy [Oasis OCLP 5004], from whichher third single, "Try Me, I Know We Can Make It" [Oasis 406], was taken. This time, the 45 version onlymade #80 on the charts, but the album - with a 17:55 version of the song - fared considerably better,reaching #21.


Moroder offered two additional albums to Casablanca in 1976, one by singer Roberta Kelly and his ownKnights in White Satin, but neither charted. Bogart and Moroder agreed to discontinue the USOasis imprint, and to issue future Oasis product on the parent Casablanca label. Moroder continued tobe force in pop music with his Oasis label in Germany long after the demise of Casablanca.


The Oasis label was cream and green with black lettering. "Oasis" was written in green lettering on thetop of the label with a palm tree substituting for the "I". The following text is written in the form of an arcat the bottom of the label : "Manufactured and Distributed by Casablanca Records, Inc., 8255 SunsetBoulevard, Los Angeles, California 90046, Made in USA."


We would appreciate any additions or corrections to this discography. Just send them to us via e-mail. Both Sides Now Publications is an informationweb page. We are not a catalog, nor can we provide the records listed below. We have no associationwith Oasis or Casablanca Records. Should you be interested in acquiring albums listed in thisdiscography (all of which are out of print), we suggest you see our Frequently Asked Questions page and follow theinstructions found there. This story and discography are copyright 2006 by Mike Callahan. e24fc04721

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