I shoot RAW, so I do modify different parameters in post processing. I understand that Picture Control is more for JPEG, as in RAW, we can modify everything in post processing. But as the initial parameters are applied to RAW as per the Picture Control used, I wanted to know which Picture Control do you use, so that fewest parameters need to be modified in post processing.

You left out your workflow and primary photo editor. Picture control works best with NX Studio (RAW or JPG) andif you shoot RAW you can play with all of them to see what you prefer. You can even modify the picture controls on your desktop and transfer them to your cameras to suite your needs. I like standard JPG's for sports and video, but unfortunately Nikon doesn't store picture control to user modes so I usually leave it in flat/neutral.

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I shoot neutral/flat with just about all cameras (Don't use it for Sony JPG's or blues will turn purple!) You want a blank slate when it comes to editing and shooting RAW. Then I use a base preset as an initial adjustment in Lightroom Classic. You should setup your presets using a test scene with test charts. It should match the scene you primarily shoot.

Reason is that I use RAW+JPEG, where the JPEGs are set to medium size, Basic* quality, to make small jpg file sizes. Purpose is that many photos I take are merely quick snapshots, for which I toss the RAW files and keep only the smaller jpgs with no time wasted on post-processing. Standard picture control gives jpgs that need little post-processing for snapshots.

I profile all my cameras with a color checker passport. Then use each camera's respective profile as the starting point for editing in ACR. I have a dual-illumant profile created, which works for most things. But if I am doing a specific shoot that I want really accurate colors for, I will obtain a reference picture and create a profile just for that shoot.

By profiling your camera, you ensure that colors seen onscreen (calibrated and profiled) actually look like the colors you see in real life. As in, a picture of a Coke can looks like the actual red on a Coke can, etc.

And since the raw files from each camera look faithful to what was captured, they also look very similar to one-another. This makes it very easy to edit shots of the same event, taken with multiple cameras, and have consistent results in the output.

When I got my D800 and D810s, I used Standard 95% of the time and Neutral the rest. With the D850, I learned in a hurry to stay away from Auto, as is was much too Contrasty, and Standard wasn't much better, so a modified Neutral, became my Default. Later Nikon did a update on the Picture Controls, and Standard became quite a bit less Contrasty, and close to my modified Neutral, so I switched to it. Standard is what I use on my Z9 almost exclusively. I will have to check, if the garbagy Creative Picture Controls can be deleted, as they clog up the Menu

That said, when editing in Adobe Camera Raw, I use custom camera profiles that I have made based on an image of the X-Rite Color Checker color chart created by the accompanying software that will let you save DCP files. This means I have a starting point very close to the colors and contrast of the real scene (as long as the light is close to that in the profiles).

I would imagine the software used might well effect what one sees in a given Picture Control setting. Since the mid 2000's I've always preferred the Standard setting. In DXO it certainly presents itself exceedingly well needing near no processing. I'm sure it's a taste thing too so you do what you wish. I find skin tones, landscape colors and sky's to be best out of the Standard mode.

I use standard. I like that only because it gives me a reasonable baseline when I preview the image in camera and in NX Studio. Then I adjust the RAW to see what I like better. My adjustments are almost always very minor, with curve or shadow/highlight adjustments being most common, and very slight contrast or saturation adjustments next. I export as an uncompressed TIFF and then finish cropping, noise reduction, and sharpening in other apps.

They are close when contrast is adjusted. You might be able to get similar results (as Standard with reduced contrast) by selecting Neutral and then perhaps adjust contrast (in the camera menu). I have been trying both (Neutral and Standard) with contrast adjustments and settled on Standard and -1 in contrast.

The Lumix S9 is Panasonic's newest full-frame mirrorless camera. It allows users to create their own custom looks for out-of-camera colors and is the first full-frame Lumix camera aimed squarely at social media content creators. 152ee80cbc

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