Myriam Solar 

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The great Master Tree of the Universal History of Art in Nature that connects the Expanded Field of S-T and the Cosmos as a central axis around which it revolves in all its grandeur of all time.

The wave - particle moment in the History of Knowledge opens a door to the unknown and places us before a new reality that is characterized by bringing back waves of matter inserted in the cosmic fabric of the S-T that translates into representations of known identities that have left a imprint in their passage through the planet, one of them being Gabriela Mistral at this 84th Edition of the Madrid Book Fair May-June 2025. Her presence beyond her merits moves us and shakes us to awaken to a new reality in human history and knowledge that is yet to be admitted and recognized in all its magnitude, of which here is a sample on the occasion of the 80th anniversary of her Nobel Prize being the only woman in spanish language to obtain this distinction.

 The new vision of her quantum-dimensional legacy revealed on this website within the limits of the Multidisciplinary Theory of Knowledge between Literature, Art and Science and the intertwined memories that resonate from of Splendor of Quantum Fields and the S-T Expanded Field as the new framework of co-creation and the creation of literature, art, science and technology, resulting in a four-dimensional experience that reinforces the memory of her limitless presence throughout time.

More in the page of this site: Quantum Literature

Epicurus & Kant, The Expanded Field of ST, the a Priori Principles and Theory of Knowledge of Art and Aesthetics of Complexity

1 & 2

PDF Abstract

By©  Myriam Solar

1.-  The Garden of Epicurus

From the atom to the cosmos based on the categorical imperative  as a formula of universal law that links Epicurus with Kant

and

2.- New Theoretical Conception of man in the Universe and of the History of Representations that becomes a General History of Art in Nature and the Cosmos..

( Prolegomena to my Critique of Kant's Practical Reason lost in the magma of the Expanded Field of ST, 1987,

year in which Art & the Aesthetics of Complexity begin the creation and development of its object from the a priori principles; allowing to conceive and base a Theory of Knowledge of Art and the Aesthetics of Complexity.

                                                                                          © by Myriam Solar

(PdF 01/09/24 and Post in Academia.edu, Post 30/08/24 in Instagram and Facebook) 

Full Abstract in : https://sites.google.com/view/biofractale-museum/homepage

Wave Universe Black Holes/Theory of Knowledge of Complexity Art

Full Paper in academia.edu

https://ucm.academia.edu/httpsucmacademiaeduMyriamSolar

3.- The great Master Tree of the Universal History of Art in Nature that connects the Expanded Field of S-T and the Cosmos as a central axis around which it revolves in all its grandeur of all time.

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4.- S-T EXPANDED FIELD, A UNIVERSAL OF COMPLEXITY ART & AESTHETICS

Introduction

One approach to the probable universe is that reality is made of EMF fields that allow entry into accelerated time fields that in turn become expanded  ST Fields.

These fields  surround  the black holes detected in the water which would be equivalent to the black holes in cosmic space and whose border from which it is not possible to scape Stephen Hawkins calls the event horizon where a whirl pool of matter and energy is formed from which matter is born.

The expanded field of the ST thus contains a collection of points in all directions that shape both matter and fundamental forces, creating representations of infinite dimension.

The expanded field of ST allows us  to examine transformations and movements in more than one dimension at the same time, changes from one expressive form to another or from one reality to another.

In this broad context there is a region of the ST from which  it is not possible to scape now known as a black hole and its border is the event horizon that hides events happening in the ST or virtual event space.

The outer part of the event horizon or virtual events presents the shape of a disk in which there are two vectors that send information in two directions: towards  the outer circle and towards the central circle that they record. The important thing is the line of the circle that  starts at one point, goes around and returns to the starting point. The space that contains the dimensions is the outer circle.

The circle or horizon of virtual events thus allows us to enter accelerated fields of time and access  the electromagnetic fields that contain the cradle of all creation.

The process described above can also be achieved not only from a black hole in the water that thus becomes a simile of cosmic black holes but from the canvas itself that is used to capture a work of art,  which contains the notion of event horizon per se, being able to access the expanded field of the ST with its collection of points in all directions to shape creations of infinite dimension.

The Torus is the ring or sphere-shaped model that appears in the magnetic field of black holes in the water.

Each molecule, body or system is, therefore, sustained by toroidal energy that creates a magnetic field. The expanded ST is therefore staged in a rotating black hole. In this representation or sketch that constains information and is drawn without exact measurements of the object, the ST appears curved and elastic to the extent that there is concentrated energy manifesting itself through waves with a limit since it can be broken. This vacuum energy tends to contract space and stretch it like a cake. Thus a black hole contains the fascination of the void and can continue its development to show hidden events and/or  break.

Black holes face a challenge that is to explain the stability of the ST with it timeless events, records or timeless stories or its definitive rupture while the event horizon of a canvas is a simile that allows direct access to the expanded ST, through autopoiesis, self-structuring, autonomy and glazes that create very thin and translucent layers of paint that allow us to visualize the underlying forms through which we can access the expanded ST or an event horizon without time or space, equivalent to 4D cycles or 5D in sequence on this plane.

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• From the black holes of the wave universe (in the water, on the canvas and on the computer screen) representation of the famous painting Las Meninas by Velazquez exhibited for the first time at Agora Gallery  1992,  New York(Usa), a self-portrait with a brush and a second portrait of Velazquez by transfiguration.

• Enter the Expanded ST Field and see how changes the Universal History of Art.

Plunge into the infinite memory of the Expanded ST Field Collection Gallery

Plunge into in the infinite memory of the expanded field of the ST and in the dark matter of invisible origin that permeates space-time coming from a black hole to show an exceptional event from the 17th Century. This, which cannot be seen directly, is inferred from its gravitational effects on the visible matter by acting as a structures compactor, and shapes can be visualized in bright areas that concentrate the dark matter in the form of halos. Its existence is important in the understanding of the model that records the expression of forms in space-time, allowing us to verify that each human or living thought and action can be captured through its registration in the evolution and expansion of the observable universe from its primitive stage to the current moment. In such records there are no additions or manipulations, reflecting their original integrity. Such records reflect the existence of matter, which is the substance that forms physical bodies or that which has mass and occupies a place in space and that can be visualized due to the effects it produces on objects or forms that can be observed by contrast.

Full text in : https://sites.google.com/view/biofractal-e-museum/

Wave Universe Black Holes/Construction of the Expanded...

The  next  great Aesthetics and Knowledge Frontier in the domains of Art, Literature and Biodiversity of the Nature of Species,  the dark side of Creation and Co-Creation. 

What´s New in 2023 and Beyond

Creation in the Universe, Black Holes and Art probing the Cosmic Biosphere

 A preview of the Memorial of Cosmic Creation and the Art created by the S-T from the ends of the Earth to the depths of the oceans, the S-T and beyond modeling the origin of memories with their representations from the black holes of the wave universe.

Explore the Collection in progress in Display 1, Display 2 with pictures on Cappadocia in Asia Minor, India, Spain, ancient Egypt, Japan, Africa, ancient Russia, Israel, the Arab World, a marine vertebrate possibly from the Paleozoic era(4D video), a cetacean probably from the Cenozoic era (4D photography) in Biofractal e-Museum, Display 3 showing the life  in the depths of the oceans in Antarctica with marine vertebrates, a marine turtle and a mermaid that has traveled our seas in the last 100 millions years,  Display 4, it shows images of ancient Greece during the Olimpic Games around the year 776 B.C., of indigenous and Latin America and ancient Japan with the warlords, Display 5, it shows the universe seen from S-T in which the historicity between East and West is condensed with their heritages, cultures and cosmic representations and where each story includes the origin of those memories in a new vision and a new Cosmos between the East and West in the interconnection with the Universe in the folds of its extended scale of the cosmic representation, Display 6-1, begins with the Transfigurations Series whose central event is what the title indicates between East and West with hidden mysteries through the shapes, colors and imaginary lines that we can trace from its center, its cardinal points, rotations and the cloud that surrounds them to finally reconstruct events from memory intimate and collective of all as a type  of mirror universe stretching backward in time and space from the center of past history and of the living Universe in its process of evolution.

Celebrate amazing Transfiguration Series in progress!

More in : Wave Universe Black Holes / Memorial of Cosmic Creation

https://sites.google.com/view/biofractal-e-museum/wave-universe-black-holes/memorial-of-cosmic-creation

Transfigurations Series

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Aesthetic transfiguration in art expresses the immensity of cosmic creation in the Universe where the stage of imaginary space turns out to be the place where the being manifests itself, granting the artistic creation a status similar to the work of the creator.

The scenarios of the transfigured space break the limits that sustain them to enter a new conception of space that stops being passive and neutral and becomes a primal space of the man who inhabits the S-T. This space is incomplete and demands the participation of the viewer who must discover the possible veiled realities.

The basic concept of transfiguration is that of mutability inherent to the ability of an object to change since the universe we inhabit is dynamic and in it nothing is static, in this way all objects are connected to all others by similar traits such as substance, essence or existence and its imagination begins in the infinite space of existing possibilities.

The notion of transfiguration in artistic creation dates back to the Renaissance with Raphael de Sanzio linked to the religious-spiritual. In our time, its expression as a phenomenon that transcends us is understood to be linked to man and nature, without physical limits, facilitating an expansion of the scenario in which the transfiguration takes place. 

 Full text in Wave Universe Black Holes/Memorial of Cosmic Creation:

                                                                                  https://sites.google.com/view/biofractal-e-museum/

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Posted in Profile of academia.edu

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Wave Universe Black Holes

 Black Holes of the Wave Universe and the Origin of Life New Collection 

First images ever obtained of dynamic and rotating black holes

developed by the Art and Aesthetics of Complexity from the unified field of the wave universe.

These first images of the history of the wave universe date from 1987 when experimentally Myriam Solar began her work for the new art and the aesthetics of complexity as it came to be called.

Black holes are a finite region of space inside which there is a sufficiently high concentration of mass that swirls around a point of attraction that is then compressed to generate a gravitational field or center of gravity called barycenter, which is a point of balance or focus of the elliptical orbit of a body to whose radius of action no particle can escape, being registered as events after reaching a point of no return and resulting in a black hole that is a disk-shaped region of space-time that increases or decreases the size of the hole or evaporates in the local absence of defined matter, and can be recorded as a pulse, an atom, an image or set of images that are created by remote information from the source of the universe.

Look out to the new windows of the universe and celebrate the meeting and overlap of disciplines with their historic  pictures. 

What starts as an image can change the world and its impact as ultimate nature of reality the next breakthrough leading the planet's thinking. 

Fragments of a gauzed painting made on a polygonal geometric structure in pastel, animal skin, water, paper and hair by the artist, 1.30 meter by 1.05 meter.