Embedded Files
Thinking and Feeling different you are generating a new Electromagnetic Signature to change the Reality of the World
Abstract: On the global stage of the intersections of art, science, technology, and society seeks to transcend disciplinary boundaries with creativity and innovation. From the Helsinki agenda in 2004, through international collaborative project led by USA, England, Australia or further analysis on the role of international cooperation in a framework programme it is concluded that both in Europe and in the rest of the world it is from an emerging reality where partnerships are still incipient and fragmented by the obstacles that arise when trying to reach a common platform. The European framework of reference notes that, except isolated of international character initiatives, cooperation arises at Community level between science and technology and on a subsidiary basis between art, digital technology, sociology or political science, being practically non-existent interactions between experimental art of complex nature, science and nature.
The State of the matter forced to redefine the nature of the interactions from the art as well as to change the dominant model in relation to the global dynamics in order to remove some of the obstacles arising from a classic paradigm consisting of capture the simple and unchanging essence of things on the other in which shapes are organisms at a new level of complexity in their elements interact with each other in a process with emergent properties. This another paradigm with which I started 25 years ago my experimental work in the complex art, the emerging fields with the science of water, fractal geometry, inorganic chemistry, quantum physics, artificial intelligence and other disciplines were not accepted as areas of work in the arts or in the sciences, so research has had to perform independently without resources and with imagination. The situation has not changed in these decades and the detection of obstacles and opportunities displaying lead me to the need to develop a model that does not exclude research and direct practice with the knowledge objects common to science, art, technology, engineering, and other disciplines, thus extending the transdisciplinary paradigm to a model of emergent properties founded in dynamic processes of multiple interactions. This model is found in the art [and aesthetics] complexity capable of addressing objects as physical phenomenon integrated to other systems away from the balance and non-linear evolutionary process. In the new art model it ceases to exist as an inspiration of scientific principles or technique of application to the sciences to work as does natural organic world and, therefore, science. In this perspective, the art can be collaborative if science offers a margin of confidence to face such collaboration and abandon prejudices in a future perspective. It is find a rich way that explore borders from experimental practice where art assisted by science, technology, engineering or design and / or the science assisted by the art cease to be aggregates or complements one another to move to work with new strategies of interaction.
In this paper attempt to suggest that both the art and the science involved a common search to achieve an understanding of the world, therefore need to identify problems and opportunities, or support for the development of intersections in the emergence of the new mechanisms. To which artists and scientists should know the fields of an eventual collaboration through a specific agenda for action which could include: the creation of a global digital registry that incorporate names, lines of research, calls for collaboration, funding for projects, curriculum external programs, incorporating the scientific method and principles of the Sciences of complexity in the teaching of the multidisciplinary arts make possible the development of a program based on the new model to build and refine. A new model brings with it necessarily a change of paradigm in collaborative work, a cognitive training art science for a third culture and the development of protocols based on new practices that tend bridges and transcend the boundaries between the various disciplines.-
by
by
ACTION CLUSTERS TRANSLATING: Problem-driven connections among academic, commercial, and civil societies 1. Project formation and translational value CONVENING: Overcoming transdisciplinary thresholds 2. Conferences, workshops, camps ENABLING: Sustaining balanced S-E-A-D relationships 3. Establishing safe places for hybrid individuals and practices INCLUDING: Creating a dynamic, varied network 4. Global communities and local diversity EMBEDDING: Public engagement and negotiation 5. Outreach, dissemination, “citizen science” SITUATING: An emerging ecology of creative places 6. “Alt spaces” SENSE-MAKING: Multi-modal knowledge and ways of knowing 7. Integrating understandings through the SEAD perspectives DOCUMENTING: Recording and transmitting 8. Capturing, publishing, curating, archiving LEARNING: Tapping into the passion and creativity of lifelong curiosity 9. Sharing blended experiences PRELIMINARY SEAD REPORT - 5 - COLLABORATING: Methodologies working across discipline and institut...
ACTION CLUSTERS TRANSLATING: Problem-driven connections among academic, commercial, and civil societies 1. Project formation and translational value CONVENING: Overcoming transdisciplinary thresholds 2. Conferences, workshops, camps ENABLING: Sustaining balanced S-E-A-D relationships 3. Establishing safe places for hybrid individuals and practices INCLUDING: Creating a dynamic, varied network 4. Global communities and local diversity EMBEDDING: Public engagement and negotiation 5. Outreach, dissemination, “citizen science” SITUATING: An emerging ecology of creative places 6. “Alt spaces” SENSE-MAKING: Multi-modal knowledge and ways of knowing 7. Integrating understandings through the SEAD perspectives DOCUMENTING: Recording and transmitting 8. Capturing, publishing, curating, archiving LEARNING: Tapping into the passion and creativity of lifelong curiosity 9. Sharing blended experiences PRELIMINARY SEAD REPORT - 5 - COLLABORATING: Methodologies working across discipline and institut...
more ▾
more ▾
1 person recently read
1 person recently read
...Root-Bernstein, USA; Sherryl Ryan, Australia; Sundar Sarrukkai, India; Dr. Alan Shaw, USA; Andreas Siagian, Indonesia; Todd Siler, USA; Myriam Solar, Spain; Sharada Srinivasan, India; Carol Strohecker...
...Root-Bernstein, USA; Sherryl Ryan, Australia; Sundar Sarrukkai, India; Dr. Alan Shaw, USA; Andreas Siagian, Indonesia; Todd Siler, USA; Myriam Solar, Spain; Sharada Srinivasan, India; Carol Strohecker...
by
by
1 person recently read
1 person recently read
...; Robert Root-Bernstein, US; Sherryl Ryan, AU; Sundar Sarrukkai, IN; Dr. Alan Shaw, US; Andreas Siagian, ID; Todd Siler, US;Myriam Solar, ES; Sharada Srinivasan, IN; Carol Strohecker, US; Deborah...
...; Robert Root-Bernstein, US; Sherryl Ryan, AU; Sundar Sarrukkai, IN; Dr. Alan Shaw, US; Andreas Siagian, ID; Todd Siler, US;Myriam Solar, ES; Sharada Srinivasan, IN; Carol Strohecker, US; Deborah...
by
by
19 people recently readA highly followed author
19 people recently readA highly followed author
...RC23-417.3 lengths of time abroad, and have made their return back to the country, than we SOLAR, MYRIAM* (Independent...
...RC23-417.3 lengths of time abroad, and have made their return back to the country, than we SOLAR, MYRIAM* (Independent...
by
by
Un proyecto de publicación de la Carrera de Diseño Visual de la Universidad de Caldas, Colombia, vinculado a una historia del diseño orientada hacia los medios audiovisuales. Considerando los aspectos históricos de nuestras universidades, y los respectivos trayectos que hemos seguido en Argentina y en Colombia. Coordinación de la publicación: Liliana Villescas Guzmán, Luis Fernando Escobar Velásquez, Felipe César Londoño López, Jorge La Ferla. Autores: Roy Ascott, Hernando Barragán, Xavier Berenguer, Pierre Bongiovanni, Robert Bolz, Rejane Cantoni, Walter Castañeda, Ricardo Cedeño, Michel Chion, Jean-Louis Comolli, Myriam Luisa Díaz, Philippe Dubois, Anne-Marie Duguet, Mauricio Durán Castro, Umberto Eco, Jean-Paul Fargier, Priscila Farías, Claudia Giannetti, Carmen Gil Vrolik, Jean-Luc Godard, Adriana Gómez Alzate, Oliver Grau, Iliana Hernández García, Eduardo Kac, Jorge La Ferla, Pierre Lévy, Felipe César Londoño López, Arlindo Machado, Lev Manovich, Christine Melo, Martha Patricia Niño, Nam June Paik, José Ramón Perez Ornia, Omar Rincón, Nils Röller, Eduardo Russo, Carmelo Saitta, Lucia Santaella, María Teresa Santoro, Paula Sibilia, Bill Viola, Paul Virilio, Peter Weibel, Gerardo Yoel, Gene Youngblood, Siegfried Zielinski. Diseño y diagramación: Diego Bustamante, Corrección de estilo: Maritza Isaza Osorio y Gustavo Zappa, Digitalización de textos: Claudia Aguirre
Un proyecto de publicación de la Carrera de Diseño Visual de la Universidad de Caldas, Colombia, vinculado a una historia del diseño orientada hacia los medios audiovisuales. Considerando los aspectos históricos de nuestras universidades, y los respectivos trayectos que hemos seguido en Argentina y en Colombia. Coordinación de la publicación: Liliana Villescas Guzmán, Luis Fernando Escobar Velásquez, Felipe César Londoño López, Jorge La Ferla. Autores: Roy Ascott, Hernando Barragán, Xavier Berenguer, Pierre Bongiovanni, Robert Bolz, Rejane Cantoni, Walter Castañeda, Ricardo Cedeño, Michel Chion, Jean-Louis Comolli, Myriam Luisa Díaz, Philippe Dubois, Anne-Marie Duguet, Mauricio Durán Castro, Umberto Eco, Jean-Paul Fargier, Priscila Farías, Claudia Giannetti, Carmen Gil Vrolik, Jean-Luc Godard, Adriana Gómez Alzate, Oliver Grau, Iliana Hernández García, Eduardo Kac, Jorge La Ferla, Pierre Lévy, Felipe César Londoño López, Arlindo Machado, Lev Manovich, Christine Melo, Martha Patricia Niño, Nam June Paik, José Ramón Perez Ornia, Omar Rincón, Nils Röller, Eduardo Russo, Carmelo Saitta, Lucia Santaella, María Teresa Santoro, Paula Sibilia, Bill Viola, Paul Virilio, Peter Weibel, Gerardo Yoel, Gene Youngblood, Siegfried Zielinski. Diseño y diagramación: Diego Bustamante, Corrección de estilo: Maritza Isaza Osorio y Gustavo Zappa, Digitalización de textos: Claudia Aguirre
more ▾
more ▾
187 people recently readA highly followed author
187 people recently readA highly followed author
...“desmaterialización” Carles Pujol, Myriam Solar, Yolanda Segura y Zush, pero de las fronteras en el ciberespacio, la realidad geográfica también participaron netartistas que, en aquellos...
...“desmaterialización” Carles Pujol, Myriam Solar, Yolanda Segura y Zush, pero de las fronteras en el ciberespacio, la realidad geográfica también participaron netartistas que, en aquellos...
by
by
A highly followed author
A highly followed author
...Quintana, US; Robert Root-Bernstein, US; Sherryl Ryan, AU; Sundar Sarrukkai, IN; Dr. Alan Shaw, US; Andreas Siagian, ID; Todd Siler, US; Myriam Solar, ES; Sharada Srinivasan, IN; Carol Strohecker, US...
...Quintana, US; Robert Root-Bernstein, US; Sherryl Ryan, AU; Sundar Sarrukkai, IN; Dr. Alan Shaw, US; Andreas Siagian, ID; Todd Siler, US; Myriam Solar, ES; Sharada Srinivasan, IN; Carol Strohecker, US...
by
by
(Oral presentation in Yokohama) Poland, like other European post-communistic countries inherited the inefficient health care system. The first major reform was implemented in 1999, ten years after the fall of communism. The reform changed hospital financing from fixed budget to payment for performance and granted private medical organizations access to public money. After the Cold War, Poland inherited too many hospitals, as in the days of communism additional hospitals were created for the military purposes, internal security forces, and even for large professional groups, such as railway workers. Thus, after the reform public hospitals have been forced to compete for financial resources and a limited number of medical professionals, not only among themselves but also with rapidly growing private sector. In the communistic system, costs control were made through a lack of access to expensive medical technologies, which absolved both physicians and managers of moral responsibility for cost containment and thus limited the conflict between managers and doctors. However, nowadays managers bear the primary responsibility for balancing the hospitals budget, and the task can be realized only through exerting pressure on doctors to reduce costs. This situation exacerbated the conflict between these roles. This paper presents the study on Polish hospitals concerning the identification of methods used by managers to take control over the clinical practice, the response of medical profession to managers actions, internal conflicts within the profession and defense of its autonomy. In western countries the pressure to reduce costs was increasing gradually over many decades, but in the post-communist states these phenomena occurred rapidly. Most doctors currently working in Polish hospitals entered the profession in the communist times and now not only they have to adapt themselves to new reality, but also help to socialize younger colleagues entering the medical profession.
(Oral presentation in Yokohama) Poland, like other European post-communistic countries inherited the inefficient health care system. The first major reform was implemented in 1999, ten years after the fall of communism. The reform changed hospital financing from fixed budget to payment for performance and granted private medical organizations access to public money. After the Cold War, Poland inherited too many hospitals, as in the days of communism additional hospitals were created for the military purposes, internal security forces, and even for large professional groups, such as railway workers. Thus, after the reform public hospitals have been forced to compete for financial resources and a limited number of medical professionals, not only among themselves but also with rapidly growing private sector. In the communistic system, costs control were made through a lack of access to expensive medical technologies, which absolved both physicians and managers of moral responsibility for cost containment and thus limited the conflict between managers and doctors. However, nowadays managers bear the primary responsibility for balancing the hospitals budget, and the task can be realized only through exerting pressure on doctors to reduce costs. This situation exacerbated the conflict between these roles. This paper presents the study on Polish hospitals concerning the identification of methods used by managers to take control over the clinical practice, the response of medical profession to managers actions, internal conflicts within the profession and defense of its autonomy. In western countries the pressure to reduce costs was increasing gradually over many decades, but in the post-communist states these phenomena occurred rapidly. Most doctors currently working in Polish hospitals entered the profession in the communist times and now not only they have to adapt themselves to new reality, but also help to socialize younger colleagues entering the medical profession.
more ▾
more ▾
22 people recently readA highly followed author
22 people recently readA highly followed author
...RC23-417.3 lengths of time abroad, and have made their return back to the country, than we SOLAR, MYRIAM* (Independent...
...RC23-417.3 lengths of time abroad, and have made their return back to the country, than we SOLAR, MYRIAM* (Independent...
by
by
1 person recently readA highly followed author
1 person recently readA highly followed author
...Root-Bernstein, USA; Sherryl Ryan, Australia; Sundar Sarrukkai, India; Dr. Alan Shaw, USA; Andreas Siagian, Indonesia; Todd Siler, USA; Myriam Solar, Spain; Sharada Srinivasan, India; Carol...
...Root-Bernstein, USA; Sherryl Ryan, Australia; Sundar Sarrukkai, India; Dr. Alan Shaw, USA; Andreas Siagian, Indonesia; Todd Siler, USA; Myriam Solar, Spain; Sharada Srinivasan, India; Carol...
by
by
“Quién es Chile. La visión de lo nacional en la colección ‘Nosotros los chilenos’ de la Editora Nacional Quimantú, 1971-1973”, en Juan Cristóbal Marinello et al, Seminario Simon Collier 2007, Santiago de Chile, Instituto de Historia PUC/LOM Ediciones, 2008.
“Quién es Chile. La visión de lo nacional en la colección ‘Nosotros los chilenos’ de la Editora Nacional Quimantú, 1971-1973”, en Juan Cristóbal Marinello et al, Seminario Simon Collier 2007, Santiago de Chile, Instituto de Historia PUC/LOM Ediciones, 2008.
more ▾
more ▾
9 people recently readA highly followed author
9 people recently readA highly followed author
...decididamente diferentes de las habituales (por ejemplo, Historia del Ejército 28 Myriam Solar, "El movimiento obrero", en Chile Hoy, Santiago, N° 27, 15 diciembre de 1972. 29 Elisabeth Reiman y Fernando...
...decididamente diferentes de las habituales (por ejemplo, Historia del Ejército 28 Myriam Solar, "El movimiento obrero", en Chile Hoy, Santiago, N° 27, 15 diciembre de 1972. 29 Elisabeth Reiman y Fernando...
Revistas Culturales Chilenas del Siglo XX INDICE GENERAL
by
24 people recently read
.... Orfeo.– no. 8 (1964) p. [13] 3352. Solar, Myriam 3331. Amereida...
by
ACTION CLUSTERS TRANSLATING: Problem-driven connections among academic, commercial, and civil societies 1. Project formation and translational value CONVENING: Overcoming transdisciplinary thresholds 2. Conferences, workshops, camps ENABLING: Sustaining balanced S-E-A-D relationships 3. Establishing safe places for hybrid individuals and practices INCLUDING: Creating a dynamic, varied network 4. Global communities and local diversity EMBEDDING: Public engagement and negotiation 5. Outreach, dissemination, “citizen science” SITUATING: An emerging ecology of creative places 6. “Alt spaces” SENSE-MAKING: Multi-modal knowledge and ways of knowing 7. Integrating understandings through the SEAD perspectives DOCUMENTING: Recording and transmitting 8. Capturing, publishing, curating, archiving LEARNING: Tapping into the passion and creativity of lifelong curiosity 9. Sharing blended experiences PRELIMINARY SEAD REPORT - 5 - COLLABORATING: Methodologies working across discipline and institut...
more ▾
1 person recently read
...Australia; Sundar Sarrukkai, India; Dr. Alan Shaw, USA; Andreas Siagian, Indonesia; Todd Siler, USA; Myriam Solar, Spain; Sharada Srinivasan, India; Carol Strohecker, USA; Deborah Tatar, USA; Benjamin Tejerina...
© Myriam Solar2026
Page updated
Google Sites
Report abuse