The early 1960s makeup look was all about elegant eyes, pale pink hues and loads of powder. By the mid 1960’s, this evolved in to a simpler girlish style, typified by the likes of British models like Twiggy and Jean Shrimpton.
However the London fashion explosion brought with it – the London Look and a revolution in hair styling (Vidal Sassoon) and Makeup (Mary Quant Cosmetics), and all eyes for a time turned to the fashionable scenes of Carnaby Street and Portabello Road in London.
Eye contouring 60’s makeup for deep-set eyes, prominent eyes, small eyes and close-set eyes. Whether it’s the makeup of Pattie Boyd , Jean Shrimpton or Twiggy’s makeup look that you wish to emulate, these tips are the ones to follow for your eye type, regardless of color.
Deep-Set Eyes
Highlight the whole lid with white. Then blend a pale or iridescent shadow on outer part of lid to wing up and out.
Highlight just below the arch of a good brow-bone. But if the brow area is fleshy or overhung, shadow the prominent bulge away with brown, beige or grey. Line top and bottom lids finely, and mascara lines.
Prominent Eyes
Shadow the whole lid with neutral brown, grey, soft blue or green. Emphasize socket arch with brown shadow or pencil, and highlight brow-bone with white to decrease prominence of lid. Draw a strong eye line close to top lashes, and outline lower lid delicately. Sweep up top lashes with several coats of mascara.
Small Eyes
Apply a pale or softly iridescent shadow over the whole lid. Outline socket crease with dark shadow or pencil, feathering slightly upwards at outer end. Highlight just below the arch of the eyebrow. Finely outline upper and lower lids, extending lines slightly beyond the eye corner and leaving them open. Thicken the line on the top lid in the center. Draw the line under the eye a fraction below the lash roots and soften with a fingertip. Use lots of mascara on top lashes and tip bottom lashes with color.
Close-set Eyes
Highlight the whole lid with white. Then blend a pale iridescent shadow on outer part of lid and wing up towards brow-bone. Finely outline three-quarters of top and bottom lids, curving lines slightly beyond the outer corner and leaving them open. Broaden top line near outer corner. Draw bottom line fractionally below lash roots and soften with fingertip. Lengthen outer top lashes with a lash-building mascara or half-strip of false lashes. Tip outer bottom lashes with mascara, and draw tiny lashes for the evening.
The London 1960s makeup look, if it could be defined, was pale lips and pale eye shadows. Besame Cosmetics produce the perfect retro 1960’s lipstick with their portrait peach lipstick.
Yardley of London – tapped into the new youth look and their firm experienced a whole new lease of life with iconic 1960’s models Twiggy and Jean Shrimpton modelling their makeup products under the banner of The London Look.
English Model and Beatles chick Pattie Boyd wrote a Letter from London column in the American teen magazine 16. Teens from across the USA eagerly read about her exploits and followed her makeup tips and Hair Tutorials. There were three distinct looks in the 1960’s, the classic, the mod and the hippy. The mod look is the cosmetic look most remembered from this beauty era.
By the mid 60’s, emphasis went back to the eyes in makeup. In particular false lashes, or more liberally applied mascara helping define the 1960s makeup style.
The 1960’s was the first ‘retro’ decade with styles in clothes, makeup and hair hearkening back to the 1920’s. However with a more waif like appearance. Lips were pale to help emphasize eyes. Legs were finally revealed in all their glory via the miniskirt fad.
Eye-shadows turned pale for a daytime look. In the evenings – lush primary shades like blue and green were in vogue. Foundation compacts out-sold liquid and cream foundations. The Mod look dispensed with the heavily powdered elegance of the early 1960’s.
In the Swinging Sixties in contrast with paler eye-shadows, foundations and rouges all emphasis went on eyeliners and lashes. False eyelashes applied with lashings of mascara were made particularly popular by Twiggy. Lip liners were rarely used by younger women, who now preferred a softer line.
For a time lipsticks took second place to the eye.
Notable 1960s cosmetic brands include Mary Kay Inc (1963), Cover Girl (1963)
High-fashion model Twiggy Lawson became famous for her small frame and “androgynous” look, a nod to the 1920s flapper girls. Twiggy has spoken out against her thinness while recognizing her own role in perpetuating it. “I was a very, very skinny model in the 60s, but naturally… that’s what I looked like,” She told The Huffington Post in 2010. “I ate. I always said I ate, and I looked like my dad who was very skinny, so I think that’s genetic… if you are 17 years old and you are 5-foot-11, the chances are you’re going to be thin.”
Diana Ross is an American singer, actress, and record producer. Born and raised in Detroit, Michigan, Ross rose to fame as the lead singer of the vocal group the Supremes, which, during the 1960s, became Motown's most successful act, and are the best charting female group in US history, as well as one of the world's best-selling girl groups of all time. The group released a record-setting twelve number-one hit singles on the US Billboard Hot 100, including "Where Did Our Love Go", "Baby Love", "Come See About Me", "Stop! In the Name of Love", "You Can't Hurry Love", "You Keep Me Hangin' On", "Love Child", and "Someday We'll Be Together".
Jane Mallory Birkin, OBE is an English actress, singer, songwriter, and model. She attained international fame and notability for her decade-long musical and romantic partnership with Serge Gainsbourg. She also had a prolific career as an actress in British and French cinema.