Below you will find a variety of resources you can use for auditions
Questions? Contact Ms. Geckle (gecklek@mercymcauley.org)
HOLIDAY INN CHARACTER DESCRIPTIONS
JIM HARDY- A performer and singer-songwriter eager to leave showbiz behind for a simpler life on a farm in Connecticut. Sense of humor; good guy; very simple. (30s) (lyric baritone)
TED HANOVER- Jim’s best friend and performing partner; a charming ladies’ man looking for his big break. Strong dancer; knows he is talented; focused on fame and spotlight. (30s) (lyric baritone)
LILA DIXON- A determined performer and Jim’s mismatched fiancée. Loves the spotlight; talented dancer and singer; almost always performing. (30s) (high belt)
DANNY- Jim, Ted, and Lila’s agent. Good guy; in it for the money and fame… but he does care; a bit larger than life. (30s-50s) (speaking only) (can be played by male or female performer)
CHARLIE WINSLOW- A precocious bank messenger. Student of Linda; an old soul. (9-12) (speaking only) (can be played by male or female performer)
LINDA MASON- A school teacher with the hidden talents of a singer and dancer. Former tenant/owner of Mason farm. Falls in love with Jim. She is easy to love and very genuine. (30s) (belt/mix)
LOUISE- The local “fix it” woman; tough, no nonsense and extremely perceptive. Great sense of humor; natural timing. (40s-50s) (belt)
ADDITIONAL ENSEMBLE ROLES
Announcer
Dancers (Stanley, Daphne, Sawyer, Stella, Byron, Rose, Janie, Susie, Brenda, Hadley)
Radio Quartet
Radio Hose
Radio Voice Over
Danny’s Mother (offstage)
First A.D.
Director
Cameraman
Sound Man
P.A.
Townspeople
Holiday Inn Guests
Holiday Inn Audition Song Suggestions
This is a list of suggested songs. You do not have to choose a song from this list, but know that these songs are all in the style of the show and what we would ultimately be looking for in an audition. Many (but not all—as you can tell by the titles) of the songs below have been historically recorded by both male AND female artists, so there is some flexibility in the choices on this list.
It Might as Well Be Spring (State Fair) (Rodgers and Hammerstein)
Some Enchanted Evening (South Pacific) (Rodgers and Hammerstein)
I’m Gonna Wash That Man Right Outa My Hair (South Pacific) (Rodgers and Hammerstein)
Embraceable You (Gershwin)
I Got Rhythm (Gershwin)
Love Is Here to Stay (Gershwin)
The Man I Love (Gershwin)
It’s Only a Paper Moon (Arlen)
Ain’t Misbehavin’ (Waller and Brooks)
Get Happy (Arlen and Koehler)
Begin the Beguine (Porter)
I’ve Got the World on a String (Arlen and Koehler)
The Trolley Song (Meet Me in St. Louis) (Blane and Martin)
They Can’t Take That Away from Me (Gershwin)
Anything You Can Do (I Can Do Better) (Berlin)
Count Your Blessings (Instead of Sheep) (Berlin)
I Got the Sun in the Mornin’ (and the Moon at Night) (Berlin)
I Love a Piano (Berlin)
If I Only Had a Brain (Arlen)
I’ve Got My Love to Keep Me Warm (Berlin)
Puttin’ on the Ritz (Berlin)
Sittin’ in the Sun (Countin’ My Money) (Berlin)
Singin’ in the Rain (Freed and Brown)
What’ll I Do? (Berlin)
I Get a Kick Out of You (Anything Goes)
It Only Takes a Moment (Hello Dolly)
Luck Be A Lady (Guys and Dolls)
Someone to Watch Over Me
Songs We DO NOT Suggest You Sing
This is a list of songs that are historically challenging in an audition either for the auditioner or for the panel. They make it hard to discern character and/or ability. Or. They are on this list because they do not quite fit the style of the show.
Gimme Gimme (Thoroughly Modern Millie)
Not for the Life of Me (Thoroughly Modern Millie)
Watch What Happens (Newsies)
Pulled (The Addams Family)
Dead Mom (Beetlejuice)
When He Sees Me (Waitress)
She Used to Be Mine (Waitress)
Popular (Wicked)
Don’t Rain on My Parade (Funny Girl)
Part of Your World (The Little Mermaid)
HOLIDAY INN MONOLOGUES
JIM
…Ted who used to be my best friend.
We met at a casting call when we were both just starting out. I was so nervous, I could barely speak, let alone sing. My audition tanked. I went to drown my sorrows at McHale’s and there was Ted, yucking it up with a circle of girls from the call. I finally picked myself up to go congratulate him. “On what?” he said, “I didn’t get the gig, either. None of us did! Doesn’t mean we won’t get the next one!” I couldn’t believe it. What was he celebrating? You know what he said? He said, “Every now and then it’s a good idea o pause in our pursuit of happiness just to be happy.” I ended up having more fun that night than I’d had in a year. Ted just… he has a way of making anyone feel good about anything. I wonder what happed to that guy.
LOUISE
(walks in on Jim and Linda having a moment)
Oh! Hi. Don’t mind me, some of the kids were feeling a bit puckish what with the train ride from Grand Central and all the singing and dancing and decorating and garland-jumping, so I thought I’d just duck into the pantry to grab that fruitcake you brought, Linda. Because ya know what they say, a hungry dancer is a cranky dancer, and we’ve gotta keep—
(throughout Louise never stops talking or moving, goes into the kitchen, comes right back out with a fruitcake)
--our eomployees happy and satisfied. And like Louise always says, feed ‘em and they’ll love ya! Anyway, I can see you two are busy, busy bees, so don’t et me interrupt you, I’m just gonna go upstairs and eat this entire fruitcake by myself in shame. G’night!
LINDA
I’m Linda Mason… I was wondering if I could pick up a few things I left behind… The bank padlocked the house before I finished moving out, and—(noticing the dismantled living room) I love what you’ve done with the place. Would you mind giving me a hand with this painting? It’s my grandmother. She and my grandfather build this place right after they were married. They certainly put a lot of love into it.
LINDA
I was a New Yorker. Briefly. I tried to make it there as a performer when I was young, but… well, you know how that story goes… Oh, it’s nothing—my father woke up one day to find that my mother had left. She ran off with the Fuller Brush salesman. I left New York ot come back and take care of him and I’ve been… here… ever since. After he passed away I just couldn’t keep up. I teach school now. I have a simple life but.. I’m happy.
CHARLIE
Ah. Then you’ll have to be the one to give Mr. Hardy this past due notice on the mortgage. We do offer a thirty-day grace period before penalties begin to accrue. Unfortunately it’s been forty days. But we don’t like to see folks hurting. So I’ll keep coming back to check in. You take good care now.
LILA
Jim. I’m sorry. I can’t do this. I’ve been trying to tell you since I got here, but you seem so… happy. I can’t just walk away from performing like you did. I know myself. I can live with a lot of things, but I can’t live out here with all these vegetables. Anyway, Ted and I just got booked into a swanky new room in Las Vegas. Can you believe it? Las Vegas. It’s a dream come true. This. Was your dream Jim, not mine. I wanted to tell you in person. I’m sorry Jim.
TED
Where am I? There’s a nasty game of pinball happening in my head. Jim? Where am I?
How humiliating. I’m in Connecticut?
What can I remember? Let’s see. I got a wire from Lila saying she was quitting the act, I remember that all right. She landed a millionaire from Texas who promised to make her a star. And I got ditched. And then I got on a train to come see you. And then… Listen, buddy, whatever I did, I’m sorry.
If I ever want to make it in Hollywood, I need a partner—wait a second. Did I dance with somebody last night?
I did… she was perfect! Like we were connected. I knew there was a reason I came here! She’s my new partner! She’s the girls I should be taking to Hollywood! But who was she? I remember a vague outline. I’m sure I would know her if I dancer with her again. I’ll dance with all the girls in your show until I find the one I’m looking for.
You can use this folder as a source for monologues. Please make sure you are looking at monologues appropriate to the style of the show! Scenes and Monologues