"Sharon G. Flake’s groundbreaking novel The Skin I’m In ushered in a new voice that lit up the literary landscape and became a modern classic, passed down through generations.
The Life I’m In, its sequel, furthered the power of unmistakable voices, opening the hearts and minds of teens everywhere.
Now The Family I’m In presents John-John and Caleb, friends since childhood who have come face-to-face with the struggles and triumphs of growing into young men. They’re living in a world where many Black boys are up against generational expectations, fears of the future, and how to navigate being “nice” kids who just want to be seen for who they are. Together, Caleb and John-John work through family illness, divorced parents, teachers who ask hard questions, and girls who think they have all the answers."
"One spring afternoon after school, Amber arrives home on her bike. It’s just another perfectly normal day. But when Amber’s mom sees her, she screams.
Because Amber died seven years ago, hit by a car while on the very same bicycle she’s inexplicably riding now.
This return doesn’t only impact Amber. Her sister, Melissa, now seven years older, must be a new kind of sibling to Amber. Amber’s estranged parents are battling over her. And the changes ripple farther and farther out: Amber’s friends, boyfriend, and even people she met only once have been deeply affected by her life and death. In the midst of everyone’s turmoil, Amber is struggling with herself. What kind of person was she? How and why was she given this second chance?"
"Penelope Ross has always felt like a passenger in her mother’s fairytale - until the night of her 17th birthday, when she is forced to enter her own.
After a text from her estranged mother rips her away from a night with friends, Penny is forced into a kaleidoscope of memories locked inside the dark labyrinth of her childhood home. As Penny wanders between present and past―prose and verse―she must confront her mother's opioid addiction to mend her fractured past. But the house is tricky. The house is impossible. It wants her to dig up the dead to escape. And as Penny walks through herself to find herself, she is not sure she has the courage to free the light she trapped inside. "
But when a livestream practice goes epically wrong, the two friends do go viral– and not in the way they’d hoped.
Now the laughingstock of the school, Growls is sure he’ll never have another chance to date Tanisha. Even worse, Shanks has gone MIA, leaving him terribly alone.
But when Growls meets the new girl on the block (Siobhan), things don’t seem so terrible after all. And with some patience, a little luck, and a whole lot of practice, he just might win the Raptology competition and be a hero to both Siobhan and Shanks.
Either way, he’s ready for this. He’s steady for this. It’s comeback season and they call him comeback king for a reason."
"Jasmine Cheng has grown up on stories spun by her beautiful, free-spirited mother. Together, they’re the Phoenix and Dragon. Jasmine’s father is the god Pangu, creator of the heavens and earth. Her mother may have boyfriends, but Jasmine chases them away. For her mother, love brings chaos, sleepless nights, and frightening episodes, and it’s Jasmine’s job to keep their home life stable—especially now that a social worker has started to keep tabs on them.
When the sudden arrival of Cal, her mother’s old flame, fractures their delicate world, events unfold that will send Jasmine on a cross-country journey to the West Coast—and into her past. Trapped in a tangle of fantasy and reality, Jasmine becomes determined to find the truth, even while her mother’s refusal to be honest drives a deeper wedge between them. Will the crack in their fantasy destroy her, or finally let the light in?"
“Four thousand six hundred forty-two steps in,” Grannylou interrupted. “You remember that now, Baby. Four-thousand six hundred forty-two steps to paradise.”
On a damp night in 1722, Babylou Mac and her three siblings witness the murder of their mother at the hands of the local preacher’s son―so Babylou kills him in retaliation. With plantation dogs now on their heels, the four siblings breach the treacherous confines of the Great Dismal Swamp. Deeper and deeper into Dismal they delve, amid the biting moccasins and pitch-black waters, toward a refuge where they can live freely within the swamp’s natural―and supernatural―protection.
Three-hundred years later, college student Atlas comes home to North Carolina for the annual Bornday cookout and hog roast: a celebration of the fact that she and her three cousins were all born on the same day nineteen years ago, sharing a birthday with their Grannylou. But this Bornday, Grannylou’s usual riddles and folktales about a marvelous paradise deep in the Great Dismal Swamp start to take on a tangible quality. Change coming.
When Dismal calls, sucking Grannylou in, it’s up to Atlas and her cousins to uncover the history that the black waters hold. Centuries of family tension, with roots all over Virginia and North Carolina, are about to be dug up. Because Babylou and Grannylou are one and the same, and the power she helped cultivate hundreds of years ago―steeped in Black resistance, familial love, and the otherworldly mysteries of the Great Dismal Swamp―is bubbling back up. But so is a bitterness that runs deep as the swamp’s waters. And some are ready to take what they feel they’re owed."
"Revered teacher, librarian, and story ambassador John Schu explores anorexia—and self-expression as an act of survival—in a wrenching and transformative novel-in-verse.
But another voice inside me says,
We need help.
We’re going to die.
Jake volunteers at a nursing home because he likes helping people. He likes skating and singing, playing Bingo and Name That Tune, and reading mysteries and comics aloud to his teachers. He also likes avoiding people his own age . . . and the cruelty of mirrors . . . and food. Jake has read about kids like him in books—the weird one, the outsider—and would do anything not to be that kid, including shrink himself down to nothing. But the less he eats, the bigger he feels. How long can Jake punish himself before he truly disappears? A fictionalized account of the author’s experiences and emotions living in residential treatment facilities as a young teen with an eating disorder, Louder than Hunger is a triumph of raw honesty. With a deeply personal afterword for context, this much-anticipated verse novel is a powerful model for muffling the destructive voices inside, managing and articulating pain, and embracing self-acceptance, support, and love.
But it might already be too late."