Genre: Narrative Nonfiction
Instructional Strategy: Scavenger Hunt Group Anchor Chart Project
Scaffolding Framework: The teacher will begin by refreshing the students' memories about the previous activity. Next, the teacher will do a nonfiction "text feature" bookwalk of Ancient Egypt: An Interactive History Adventure (Rev. Ed.). During the bookwalk, the teacher will talk through their thinking process. (Ex. "I see a map inset and it looks like it is a visual aid to show...Let's see what it says in the text; it says, "Only the best pyramid workers are chosen to help build the king's chamber" (p.39). I guess that makes sense..." Use an overhead camera to model how they will complete their own anchor chart. Do two text features at the most and then turn the activity over to the students.
The teacher will post the example where it can be seen by the entire class, and serve as a facilitator and motivator for the remainder of the activity. (A perfect time to make observations, monitor, and evaluate how each group of students works together; and to determine if more instruction is needed.) The teacher will encourage the students to talk it out before asking for help. If help is needed, the teacher will formulate questions that will stimulate their thinking, and remind them that good readers think about their thinking to find a solution (increases metacognitive skills).
Instructional Steps:
The students will be working in groups of 3-4 students for this activity.
After activating the student's background knowledge, the teacher will pass out a blank anchor chart with a two-page photocopy glued to its center and briefly remind them of their objectives.
The students will collaborate to determine what text features their pictures hold, write down the name of the text access feature, and provide a description of what purpose the access feature serves.
Afterward, each group of students will present their anchor charts, explain what features they found, and how the they help the reader.
Genre: Expository Nonfiction
Instructional Strategy: Big Discussion, Small Group Reading, Meaningful Communication, Student-Centered Learning
Scaffolding Framework: To activate students' background knowledge, the teacher will start a discussion on how medicine is used today. The teacher will then ask HOTS questions: What are the most common illnesses? How do doctors cure that? How many types of doctors do we have today? How might you become a doctor? Would you trust the mailman to fix your broken leg?
Instructional Steps:
After the group discussion, the students will get into their reading groups and take turns reading to one another from pages 36-37 in Everything Ancient Egypt.
After each student reads their passage, the student will say which type of text they read (Ex. main body, inset, sidebar, heading, subheading, etc.).
Have each group choose a spokesperson to share what part of the text they thought was the most interesting. The teacher will then facilitate a class discussion about what the Ancient Egyptians considered medicine? Discuss how these people treated some illnesses and what the medicines contained.
Based on what the students have learned about curing illnesses and poor hygiene, have the students develop “cures” for specific illnesses or illnesses of their choice using the Ancient and Magical Egyptian medicine.
At the conclusion of the lesson, ask a new student from each group to report to the class their illness and their chosen prescription.
Genre: Nonfiction
Instructional Strategy: Cubing Activity, Using Text Features to Support Reading Comprehension
Scaffolding Framework: The teacher will begin by refreshing the students' memories about the previous activities. After activating the student's background knowledge, the teacher will have a couple students pass out one cube worksheet per group, a copy of the two pages from See Through History: Ancient Egypt, and a single die to each group. The teacher will choose a group and have them model the activity, as she walks them through the steps. The teacher will function as a facilitator, the students will work with their group members to complete the task.
Instructional Steps:
Each group will have two narrators (one for each page), a scribe (to write on the cube), and a discussion leader.
The roles will rotate each round, so that all the students have the opportunity to read aloud, write, and roll the die. The activity begins with the student who rolls the lowest number rolling for the first round; and then the roles rotate clockwise for the next round (Ex. Roller, Narrator 1, Narrator 2, and Scribe).
The teacher will ask the discussion leader in the group to roll a die to determine which question they answer first.
The scribe will read the question that corresponds to the number rolled on the die.
The two narrators will work together to decide which subheading the answer will be found under, and take turns reading the passage.
The scribe and the roller will participate by listening, and if necessary the scribe will reread the question.
When they agree on an answer, the scribe will write the answer in the appropriate square.
After the model group has led the class through the first round, and their fellow classmates have all completed one square on their cube, each group will continue to work on the activity with their own group members.
Following the completion of the cubes, the teacher will call on each group to share an answer, as well as opening the floor to student led discussions about the answer they chose, if it is different from others.
Genre: Expository Nonfiction
Instructional Strategy: Making Connections Between the Function of Ancient Civilization Timelines & Personal Timelines
Scaffolding Framework: To activate students' background knowledge, the teacher will demonstrate what their personal timeline looks like. Next, the teacher will ask if they think anything on the their timelines will be the same? different? The teacher will then ask HOTS questions to activate their background knowledge: Where should you start your timeline? How will you know where to start your timeline? On the left-side? right-side?
Instructional Steps:
After the group discussion, the students will complete their personal timelines. The teacher will remind the students that today's objective includes paying attention to names and dates of the time periods that marked changes in who or how Ancient Egypt was ruled.
The students will watch the video, Ancient Egypt for Kids.
Afterward, the students will be given a blank timeline and a list of key time periods in Ancient Egypt's history.
The teacher will model how the students will fill-in the timeline. The teacher will begin by asking which country was the last one to take control of Egypt? Then the teacher will point to the timeline and ask, where should we put our answer here (left side) or here (right side). What text clues did you see that helped you find the answer?
At the conclusion of the lesson, the teacher will ask the students to hang up their personal timelines in their classroom display area.
Genre: Nonfiction Digital Application
Instructional Strategy: Writer's Workshop, Hieroglyphics, and the Rosetta Stone Digital Application.
Scaffolding Framework: The teacher will begin by refreshing the students' memories about the previous activities. "So far we have learned how text access features help with comprehension, Ancient Egyptian Medicine, history, personal and world civilization timelines, and today we will learn how digital media supports our reading and writing skills."
For today's writing workshop you will have five stations...
Instructional Steps:
At the vocabulary station, you will be choosing an Egyptian name. Take a moment to look at both the name and its meaning. Write your name choice and its meaning on the card.
At the brainstorming station, you will be translating the name you chose into hieroglyphics. I would like you to try and draw the characters; if it is too frustrating, then write the word for what you see or consult with a peer.
At the composition station, you will be completing a worksheet titled "My Egyptian Name in Hieroglyphics." At the technology station, you will be using an application that will allow you to see what a letter, phrase, and paragraph in English look like in hieroglyphics.
At the collaboration station, pair up and talk to your partner about the name you chose and why. Take any extra time to really think about this composition exercise and whether it is your best effort - only you know what your best effort looks like.
The final station will be with me at the conferencing station. There will be written and picture instructions at every station. Remember ask a peer for help first. If they cannot help you, then raise your hand; I will be there asap.
At the end of writer's workshop, we will head back to our desks for author's chair presentations.
Genre: Digital Technology Interactive Games
Instructional Strategy: Quickwrites
Scaffolding Framework: To activate students' background knowledge, the teacher will ask if anyone likes to play games on the computer. Next, the teacher will ask them to predict if they think the learning games will be easy or difficult? engaging/interesting? What would they rather play? The teacher will then explain that they will each have ten minutes to play one of seven interactive games that represent some aspect of Ancient Egyptian life. Afterward, the students will return to their desk and compare the Ancient Egyptian game to their favorite computer game using a Venn Diagram. The students will list the similarities and differences between the two: they should consider graphics, entertainment, thinking required, keyboard skill level required, difficulty learning the game, and anything else they want to use to compare the two.
Instructional Steps:
The students will be dismissed to the technology center in groups of five and will be given ten minutes to play a game on the National Museums Scotland (NMS) website only. (Remind them to be courteous of others and return to their desks when their time ends.)
The students will use the Venn diagram to compare the NMS game with their favorite computer game.
Once they have completed the diagram itself, they will turn it over and answer the following question in three complete sentences (paying attention to word choice, capitals and punctuation, and avoid repetition of words and sentence meaning) - be creative. Would you play the Egyptian game instead of your favorite game? Why would/wouldn't you? Provide specific reasons, not "mine is better."
Genre: Humorous Narrative Nonfiction
Instructional Strategy: Structure Search
Scaffolding Framework: The teacher will write the names of several different structures the students will encounter as they read the nonfiction text (i.e. heading, title, index, glossary, chart, map inset, etc.). (Teaching Reading with Nonfiction). The students will listen attentively and look at pictures of the book to locate the page number, the feature, and how it helped their comprehension.
Instructional Steps:
The teacher will hand out one notecard to each student.
During the reading, the student will locate the text structure on their notecard.
Then, the student will write the ways their particular structure helped them understand the text.
At the conclusion of the reading, the students will share which text structure they had and how they were able to use the access feature to improve their comprehension.
Text features found on these two pages: captions, heading, subheading, drawing, bold print, labeled diagram, map, multiple fonts.
Genre: Historical Fiction eText
Instructional Strategy: Sketch-to-Stretch
Scaffolding Framework: Students work in small groups to discuss, collaborate, and help each other discriminate between what happened to the characters in the narrative and put into words and images how it made the reader feel. The point of the activity is to help the students move beyond receiving basic knowledge and information through listening. To achieve higher-order thinking skills, the students will need to perform evaluating tasks such as this. The student should have a feeling either way; they should either feel nothing, were merely entertained, or were touched in a deeply personal way. The students will use text, pictures, or diagrams to show, how the story changes their point of view.
Instructional Steps:
The students are separated into small groups (three to five students) and will be given fifteen minutes to read to each other.
Then, they will discuss their thoughts, impressions, and feelings.
Next, students in each group decide what they will be drawing to express the groups thoughts and feelings.
The teacher will remind the students they are not drawing what they picture in their heads when they read. Instead, they will be expressing their emotions through their drawings. The teacher uses two pages from the book to model the difference between drawing what you see and drawing from you heart instead.
After they have finished their drawing and had class discussion, the material covered during the reading, the students will hang up their work and
Ex. In this picture, we can see that they are actively running and they look scared. Try not to concentrate on what you see. What about the words, makes you feel...
Ex. Once again, we can see in their eyes that they are surprised, and worried. The words, "Chase's heart skips a beat." Who can tell me what that feels like, and what was happening at the time?
Genre: Digital Nonfiction Video
Instructional Strategy: Graphic Organizer, Group Analysis of Learning
Scaffolding Framework: Before they watch the video, the teacher will activate prior knowledge and connect it to new information they have recently covered by asking questions to determine what they have retained and what they still need to learn about ancient Egypt. Who can name one of Ancient Egypt's time period? When did that time period begin? If you do not remember, the date, can you tell me if it was on the left side, right side, or middle of the timeline? What do you speculate might continue to happen to the Great Pyramids? Do you think there are still royal tombs to find? If you wanted to become an archaeologist, what do you think you would be studying the most? Who might be able to tell me the names of two Pharaohs? Can anyone else name a male pharaoh and a female pharaoh?
After watching the video once, as a whole class, watch it a second time, section by section, and make a list of topics reflecting the major themes of the video. Discuss how students’ prior knowledge fits into this schema. Your class list may look something like this:
For each topic, discuss how thorough students feel their knowledge is after the video. Divide the class into three groups to brainstorm ancient Egyptian topics they would like to know more about. Ask: What are some topics that the video did not cover, or covered only a little? For example, the students may note that they would like to know about ancient Egyptian economics, relationships with neighboring states, social structures, or the arts beyond pyramids and tombs. Have each group record the results of their brainstorming in a list. After each group presents its list to the class, have each student use the discussion to generate a research question to explore during the study of ancient Egypt. (Ancient Egypt 101 - Lesson Helpers)
Instructional Steps:
The teacher will hand out a graphic organizer to the students, and instruct them to turn the organizer over to the blank side of the ir paper. The teacher will explain that the class will be watching the video twice today. The first time, the students will take notes on the back of the organizer. They will be looking for some of the items listed below:
Dates
Locations
Development into an empire
Important leaders and their roles
Religious beliefs
Practices related to religious beliefs
STEM innovations and their uses
Writing system innovations and their uses
How the empire ended
After the first viewing, the students will share what they saw the first time through.
During the second viewing, the student will fill in the information they missed the first time.
Then, the students will take notes for important times and dates, how mummies were prepared for life after living, and the ways the video, in particular, helped them make new connections.
At the conclusion of the reading, the students will share which text structure they had and how they were able to use the access feature to improve their comprehension.
Genre: Hybrid Text - This book is both an expository nonfiction picture book and a historical fiction graphic novel; the stories run parallel to one another.
Instructional Strategy: Reader's Theatre
Scaffolding Framework: Because this book is both a nonfiction text and a graphic novel, it lends itself perfectly for a reader's theatre. There are several speaking parts and the narrative is engaging. The story itself touches upon many cultural nuances of that time, including arranged marriage (young girls to much older men), tomb raiding, separation between class systems, and the belief in curses.
Readers practice their roles and take on the personality, behavior, and voice they suspect their character would have. The readers can sit, stand, or even move about as they act out what is happening in the narrative. This type of activity provides a relaxed environment for English Language Learners (ELLs) and those who struggle with their prosody.
The teacher can select a small script and ask another to play an opposite role to effectively model what readers' theatre might look like. The teacher should be animated and try to be as entertaining as possible. In this way, the educator can encourage the more shy or reluctant oral readers to be more confident in participating in this type of activity. The steps are also very simple - all that is needed is a script, readers, and an opportunity to act out the script. Alternatively, two scripts can be introduced at the same time - so that all the students are participating.
Instructional Steps:
There are eleven roles in the graphic novel, ranging from the queen pharaoh Sobekneferu to a slave girl, Madja. There are nine male roles in the story, though it would not make a difference who read which role.
Students can volunteer, be selected by popsicle stick, colored rocks, or whatever might add to the excitement of the activity.
Students will practice the scripts for their fellow students. The teacher will set a time limit for practice. This type of kinesthetic activity provides opportunity for movement and creativity. The teacher should encourage their students to be as involved as possible.
A follow-on activity could be for the students to adapt a short story into a script to be acted out. Narrator duties can be split into multiple parts to encourage more participation - the sky's the limit.