An owl teapot modeled using photogrammetry. This model had 3 passes (taking pictures of the original object at 10-degree intervals): first (straight on), high, and low. Since the original object was too shiny, dulling spray was used. I modeled the teapot based on the high poly model exported from the photogrammetry software. The base color was baked in xNormal and the other maps were baked in Painter. I added the bottom of the teapot while I was texturing by taking a photo of the bottom with my phone then adjusting the position and colors in painter. I used the mask editor in painter to add different roughness to make the edges appear shinier for added realism.

A still life scene with seashells. I modeled each object individually and combined them into a singular model. I traditionally took pictures of both shells and took pictures of a sidewalk with my phone. The shell on the right of the first render had 3 passes: first, high, and low. The shell on the left just had 2 passes: first and high. I modeled both shells from the high poly models made from photogrammetry software and the ground was just a plane. Because the shell on the right is raised on the inside, I modeled that as well and textured by taking a photo of the bottom and then adjusting the position and colors in Painter. I baked the base color out in xNormal and the other maps in painter. I used the mask editor to mask some roughness only to the edges, to add realism to the shells and some grunge to the pavement.

A glass vase. In order to take photos of a glass object, I had to cover the object with chalk spray. I sprayed the object using multiple colors to catch more detail. This model had 2 passes: first and low. I modeled the low poly based on the high poly created using photogrammetry software, then modeled the inside based on a reference image. Texturing the vase was the most difficult part for me as I am unfamiliar with how glass shading works. I added condensation on the inside of the vase (which can be seen on Sketchfab from below) for added realism.

A small nature scene. I took the camera in the woods and found a stump a little ways from the classroom. In total, this model had 5 passes: first, detail, detail refinements, close detail, and close detail refinements. Since I took photos outside, I wanted to make sure there would be as little errors as possible, so I took many photos and reshot a few that were blurry. The resulting high poly model from the photogrammetry software was the highest I have worked with so far because of the surrounding foliage detail. Modeling the stump was a difficult process trying to figure out how to translate the detail from the high poly onto the low poly, especially for cracks. I modeled the small plant inside the stump as a rough approximation because you would only see it from a distance. For texturing this model, I used Painter instead of xNormal and baked the ID map using vertex colors as well as the other maps. I then tweaked the textures that did not bake correctly.