writing [old site]

fiction

:: An Excerpt from DNA3

:: She

:: Brenda

:: The Last Election

:: DNA: A Networked Fiction Project [excerpt from DNA1 @ Numero Cinq]

:: Some Version of Herself

:: Actress

:: Beirut

:: Fiction

:: Atlas

:: And/Or: A Novel

:: Portraits and Conversations

:: Before Afternoon

:: Outside

fact

:: (Re)Mediating Alphabetic Language: Herman Melville Bell's Visible Speech and the Conception and Use of Humans as Writing Instruments [draft text] [slides]

:: The Genealogy of an Image, or, What Does Literature (Not) Have To Do with the History of Computing?

:: Academia."edu": A Site of Many Questions

:: At, Or To Take Regret: Some Reflections on Grammars [about]

:: Description 1: 11233: Saratoga Park [performance] [plaintext] [about]

:: Wealth Begins With Human Need: Machines Can't "Read," or Remediating Marx's Capital Volume 1 [Essay Press chapbook | drawing | plaintext | video]

:: Technology: A Reader for Writers

:: Technology Is

:: Defining and Experiencing Authorship(s) in the Composition Classroom

:: Breaking Bad vs. Badly Broken

:: Imagining Potential Futures: Income Inequality, Technology, and DNA

:: Other People's Houses

:: Tree Street City

:: How Far Is Brooklyn From Manhattan?

presentations

:: (Re)Mediating Alphabetic Language: Herman Melville Bell's Visible Speech and the Conception and Use of Humans as Writing Instruments [draft text] [slides]

:: Engineering Language: Electronic Literature, the "Value" of Words, and the Purposes of the First Year College Writing Course in the U.S.

:: Engineering Language: Writing Machines and the Teaching of Writing in the 21st Century

:: Plumbing the Depths of Print: Lemuel Gulliver’s “Knowledge Engine,” John Peter’s “Artificial Versifying” and Textual Machines in 17th and 18th c. England

:: If: The Message Is the Medium, Then: There Is No End: Stuart Moulthrop and Reading and Writing Practices in a Post-Print Age [slides]

:: The Message Is the Medium: Roland Barthes and the Materialities of Reading and Writing Practices

:: Beyond Binaries: Literary Experimentation Across Time and Media [video presentation]

:: What Is Grammar?

:: Writing Is (a) Conversation(s): Exploring Relationships Between Spoken and Written Communication to Teach College Writing

reviews

:: Required Reading: A Review of Louis Bury's Exercises in Criticism :: Seeing and Knowing: A Review of Johanna Drucker's Graphesis :: Works On Paper: A Review of Robert Walser's Microscripts :: Why Everyone Talks About Ulrike Meinhof

interviews

:: Interview With Harry Mathews

chapbooks

:: machinations [about]

:: not a book [about]

:: The Coop Articles: Dispatches from the Park Slope Food Coop, 2002-2007 [print edition; digital copy] [about]

:: BEGINHERE

:: A Living Lexicon for the Deacquisition of Lyrical Tendencies

:: Work In Progress

:: Atlas

:: Necessary Fictions (Sona Books, 2003)

links to earlier work

:: Driving to India

:: "A Word Like Summer"

:: "Of God and Dolly Parton"

:: "Ellsworth Drive"

:: "After the Fall"

:: "Detroit"