Jeyamohan Short Stories Pdf Free Download

Born into a Malayali Nair family[3] in the Kanyakumari district that straddles Tamil Nadu and Kerala, Jeyamohan is equally adept in Tamil and Malayalam. However, the bulk of his work has been in Tamil. Jeyamohan's output includes nine novels, ten volumes of short-stories/plays, thirteen literary criticisms, five biographies of writers, six introductions to Indian and Western literature, three volumes on Hindu and Christian philosophy and numerous other translations and collections. He has also written scripts for Malayalam and Tamil movies.[4]

When he turned 50, Jeyamohan wrote a set of short-stories, titled 'Aram', that explored the values and idealism that is possible in man.[19] In 2014, Jeyamohan began writing Venmurasu, a re-narration of the Indian epic Mahabharata.[20][21][22][23]

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Rob Wilcher hails from Sydney, Australia. He mainly writes short stories and poetry, with novels in progress. He wrote plays for festivals and small theatre in the 1980's-1990's and published Diary of a Pregnant Dad, a jovial men's guide to pregnancy and childbirth, when his wife Sophie was pregnant with their first daughter. (Coming on Kindle in 2024). After much encouragement from friends and writing associates, he took up creative writing in 2021 and formed the Moving Pen with a group of emerging writers in Sydney. Together they publish short stories each month (with Rob serialising a novel), and a collection of stories annually.POST OF THE MONTH

Her English lessons were turning out to be the greatest delights of her life. This was because Periyamma had never gone to school. She did not know how to read or write even in Tamil. In those days, it was considered disgraceful, almost a sacrilege, for highborn women to learn anything: akin to throwing their doors open, walking out, and standing in front of their houses for all to see. It was only when her husband died and she donned the white saree that she began to listen to recitations of the epics. She now knew the epics well enough to fish out an apt story for any situation. In addition, she created her own stories too. Once she had made up a story and narrated it, it became part of the epics for her; the next time she would say it, she would really believe that it was a story that had flowed down the ages to reach her.

Jeyamohan regularly writes in his website (www.jeyamohan.in) that has more than six thousand entries on a variety of topics. His website serves to productively interact with his readers and also creates a dialogical space for opposing viewpoints. Recently, he has turned into a screenplay writer and has worked on acclaimed National-award winning films such as Naan Kadavul (Tamil,2009) and Ozhimuri (Malayalam, 2012). He was given the Kerala Film Critics Association award for Ozhimuri. Since 1994, Jeyamohan has conducted literary gatherings that have enabled discussions and exchanges of ideas among Tamil and Malayalam writers.

I was sitting near a pyre. It was an old lady. She was kept on the pyre with a white cloth. Shrivelled face with a short hunched body. Her legs looked like twigs made of flesh. The teeth in her mouth were almost complete. Her eyebrows and cheeks were slightly bloated like candles after death.

In the Preface to the book, Jeyamohan writes of how a sense of history is fundamental to literature. His stories reflect the truth of this pronouncement by being rooted in the experiences of the land; experiences of class, caste, and gender; of oppressions, and the dogged will to fight them. The author persona often appears in the stories, acting as observer, interlocutor, and chronicler.

Jeyamohan (April 22, 1962) is a Tamil writer. He has written novels, short stories, literary criticism and books on literary history, travel, culture, religion, and philosophy. Jeyamohan is an orator of repute, and has delivered several talks on topics pertaining to literature, philosophy, religion, culture, and tradition. He also writes in Malayalam.

Jeyamohan started writing in his school days. His first short story was published in 1975 when he was thirteen years old in a children's magazine called Ratnabala. During his school and college days, Jeyamohan wrote many stories under his name as well as various pseudonyms in all the weekly magazines. From 1984 onwards, when he was working in Kasaragod, he began making the acquaintances of left-wing writers and intellectuals. In 1986 he became close with Sundara Ramaswamy. In 1987 he met the Malayalam poet, Attoor Ravi Varma and historian and novelist, P.K. Balakrishnan. The three of them had a formative influence on Jeyamohan's understanding of modern literature. Jeyamohan was in constant dialogue with them in years to come.

In 1987, Jeyamohan wrote a short story called 'Nadhi' which was published in Kanaiyazhi. The story was published with a note from Ashokamitran, who was the editor of the magazine then. Jeyamohan marks this story out as his first. He continued writing in various magazines including Kanaiyazhi and Deepam. In 1988, 'Eligal' and 'Roja Payiridugira Oruvar' were published in Deepam. A poem called 'Kaidhi' was published in 1987 in the little magazine, Kollippaavai, edited by Kattaikkaadu Rajagopalan.

In 1988, 'Padugai', 'Bodhi', and many other of Jeyamohan's stories featured in Nigazh, run by Kovai Gnani. The story, 'Thisaigalin Naduve' was published in Sundara Ramaswamy's Kalachuvadu. 'Maadan Motcham' featured in Pudhiya Nambikkai, a magazine published by Pon Vijayan. Indira Parthasarathy, Sujatha and Ashokamitran made special mentions of these stories. Through these stories, Jeyamohan became widely known amidst readers of literature.

In 1988, Jeyamohan wrote a novel called Rubber. In 1990, he submitted an abridged version of it for the Akilan Memorial Prize. The novel went on to win the prize and was published by Thaagam Press in the same year. In 1991, his short story 'Jaganmithyai' came out in the middle magazine, Subamangala. Jeyamohan continued to write essays and stories in Subamangala. His stories appeared in magazines including India Today and Kanaiyazhi.

Novel, Jeyamohan's book on literary theory came out in 1991. In 1992, his first collection of short stories came out from Annam-Agaram Press run by Meera. The collection was also called Thisaigalin Naduve. In 1993, his second collection, Mann was published by Sneha Press.

Subsequently, Jeyamohan wrote a novel about the ideological crisis that precipitated in the left-wing Marxist circles in Tamil Nadu following the collapse of Soviet Russia. The novel, called Pin Thodarum Nizhalin Kural (Call of the Haunting Shadow), examined the contradictions between ideology and idealism, and came out in 1999. A short novel called Kanyakumari was published in 2000.

In 2005, Jeyamohan's Kotravai, a modern prose epic based on the Tamil epic Silappadhikaram came out. Kotravai was a retelling that encompassed wider aspects of Tamil geography and Tamil social life. It begins in an ancient time in the long past when the Tamil language and the earliest gods of the Tamil land were born, and ends in the present day. A short novel called Iravu (Night) followed Kotravai. Depicting a commune of night-dwellers, the night becomes a metaphor for the human psyche in Iravu.

Starting January 1, 2010, Jeyamohan wrote twelve short stories in quick succession, which became the collection Aram (Stories of the True). These were fictional stories based on the lives of real men and women. In 2013, Jeyamohan wrote Vellai Yaanai (White Elephant). Set in present day Chennai, the Great Famine of the 1870s forms the backdrop of the novel.

When the COVID-19 related lockdowns came into force in India, starting March 17, 2020, Jeyamohan wrote a series of short stories, under the title Thanimaiyin Punaivu Kaliyattu (Celebrating Solitude with Fiction). He wrote a story a day for hundred days and published them on his blog. From June 10, 2020, he wrote another series of 31 stories, publishing one each day on his blog (Kadhai Thriuvizha - A Festival of Stories). A total of 131 stories, varied in their themes and backdrops, were published during the lockdown. 14 volumes of these stories have been published so far in book form, with two more remaining to be published. Some of these stories have been translated into English and featured in international literary magazines. One of these volumes was translated into Malayalam and published under the title Mayappon.

When his debut novel Rubber came out in 1990, Jeyamohan said, 'Currently, Tamil novels are either serials or short stories. Novels require complex intertextuality and vision,' highlighting the inadequacy of Tamil novels at that time. This remark, made in relation to the form of the novel in Tamil literature, sparked lengthy debates for many years. It was in continuation of these debates that he wrote a book-length critical essay called Novel. This book greatly influenced the form of the next generation of Tamil novels.

Jeyamohan's novels, short stories, essays on criticism and culture are widely read and discussed. Writer and critic Pavannan puts it thus - 'Jeyamohan's essays on creative writing and culture are as important as his fictional works.'

B. Jeyamohan is a renowned Tamil author who has written many novels, short stories, essays and translations. His works are known for their realism, social criticism and philosophical depth. Some of his famous novels include Rubber, Kotravai, Pin Thodarum Nizhalin Kural and Purappadu.

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