Having worked alongside Isabel across many projects, I can confidently say she is one of the best people I could hope to have in a room when bringing a show together. Her excitement and ambition bring such a vibrant energy to any team and she backs his up with outstanding technical knowledge and a true understandin gof what makes a succesful production. Isabel is the type of Person who really gets her teeth stuck into a project and will help you create a show that you can be be proud of, comin gup with clever solutions to often difficult problems. She is one of the most forward thinking theatre makers in the UK scene, pushing the boundaries with her exploration into VR as a tool for use in theatre. I would recommend Isabel for any and every show. - Jack Goodison, Sound Designer

Isabel is ambitious and has a great imagination for problem solving and hasn’t been afraid to bring her creative ideas to the role.  Isabel has a far reaching set of skills already in helping to facilitate the technical aspects of a show. She is a hardworking and enthusiastic member of the team and she has great attention to detail and brings a calm and professional attitude to the rehearsal room. - Grant Archer, Digital Artist

Isabel strikes me as an especially creative young woman. She is very innovative and she was able to

demonstrate exceptional conceptual and problem solving skills. She is able to work independently at the

cutting edge of technology. - Dr. David Polson, Professor 

Too the Moon and Back: Review 1, Review 2 

The Possibility of Colour: Review 1 , Review 2

The Makerspace: Review 1, Review 2 

Only Lucky Dogs: Review 1, Review 2, Review 3, Review 4 

The lighting designer who made this possible, also showed her skills in the particularly impressive opening scene of Act 2, where the use of cues in quick succession called by DSM Isabel Potter with beautiful precision added a whole new dimension to the audience’s experience of the story. - The Pillowman -  Review 2020