"A History of the World in 100 Objects was a joint project of BBC Radio 4 and the British Museum, comprising a 100-part radio series written and presented by British Museum director Neil MacGregor. In 15-minute presentations broadcast on weekdays on Radio 4, MacGregor used objects of ancient art, industry, technology and arms, all of which are in the British Museum's collections, as an introduction to parts of human history. The series, four years in planning, began on 18 January 2010 and was broadcast over 20 weeks.[1] A book to accompany the series, A History of the World in 100 Objects by Neil MacGregor, was published by Allen Lane on 28 October 2010.[2] The entire series is also available for download along with an audio version of the book for purchase. The British Museum won the 2011 Art Fund Prize for its role in hosting the project."
https://en.wikipedia.org/wiki/A_History_of_the_World_in_100_ObjectsThe Wikipedia page features a table showing each object, its origin and date, the BBC podcast link and the Museum page link, and links to additional contributors.
A clay cylinder covered in Akkadian cuneiform script, damaged and broken, the Cyrus Cylinder is a powerful symbol of religious tolerance and multi-culturalism. In this enthralling talk Neil MacGregor, Director of the British Museum, traces 2600 years of Middle Eastern history through this single object.
"In these programmes, I'm travelling back in time, and across the globe, to see how we humans over 2 million years have shaped our world and been shaped by it, and I'm going to tell this story exclusively through the things that humans have made: all sorts of things, carefully designed, and then either admired and preserved, or used, broken and thrown away. I've chosen just a hundred objects from different points on our journey, from a cooking pot to a golden galleon, from a Stone Age tool to a credit card.
"Telling history through things, whether it's an Egyptian mummy or a credit card, is what museums are for, and because the British Museum has collected things from all over the globe, it's not a bad place to try to tell a world history. Of course, it can only be "a" history of the world, not "the" history. When people come to the museum they choose their own objects and make their own journey round the world and through time, but I think what they will find is that their own histories quickly intersect with everybody else's, and when that happens, you no longer have a history of a particular people or nation, but a story of endless connections.[7]" https://en.wikipedia.org/wiki/A_History_of_the_World_in_100_Objects#The_threshold_of_the_modern_world_(AD_1375%E2%80%931550)