Lithograph of Berlioz by Henri Fantin-Latour. Click here for other lithographs by Fantin-Latour (Schumann, Wagner, et al.)
Symphonie fantastique (1830). Autograph manuscript on Gallica. Find the composer's doodles on page 227 (of 380).
Full performance of Symphonie fantastique by the Frankfurt Radio Symphony:
Franz Liszt at the piano (Lithograph, 1846)
First Edition of Années de pèlerinage (1855. Part I)
Video of Liszt, "Au bord d'une source," played by the great Vladimir Horowitz:
Le derniere thème de Schumann, lithograph by Henri Fantin-Latour
Video of the great Chilean pianist Claudio Arrau playing parts of Schumann, Carnaval:
Stunning autograph manuscript of Schiflied, Op. 70, overlaid with a watercolor by the composer.
Chopin autograph manuscripts on Gallica.
Yundi Lee plays Chopin Nocturnes, Op. 9, Nos. 1 and 2 and Op. 48:
Links to WorldCat entries except where specified.
Berlioz, Hector. Fantastic Symphony: An Authorative Score. Edward T. Cone, ed., Norton Critical Score. New York: Norton, 1971.
Chopin, Frédéric. Chopin’s Letters, collected by Henryk Opieński, trans. E. L. Voynich, trans. New York: Dover, 1988.
Chopin, Frédéric. Preludes, Opus 28, Thomas Higgins, ed. New York: Norton, 1973.
Dahlhaus, Carl. The Idea of Absolute Music, Roger Lustig, trans. Chicago and London: University of Chicago Press, 1989.
Gibbs, Christopher H. and Dana Gooley, eds. Franz Liszt and His World. Princeton: Princeton University Press, 2006.
Goldberg, Halina, ed. The Age of Chopin: Interdisciplinary Inquiries. Bloomington: Indiana University Press, 2004.
Hanslick, Eduard. The Beautiful in Music, Gustav Cohen, trans. New York: Liberal Arts Press, 1957.
Kallberg, Jeffrey. Chopin at the Boundaries: Sex, History, and Musical Genre. Cambridge MA: Cambridge University Press, 1996.
Kok, Roe-Min and Laura Tunbridge, eds. Rethinking Schumann. Oxford and New York: Oxford University Press, 2011.
Newcomb, Anthony. “Once More ‘Between Absolute and Program Music’: Schumann’s Second Symphony.” 19th Century Music 7 (1984), 233–50. [link to JSTOR]
Parakilas, James. Ballads without Words: Chopin and the Tradition of the Instrumental Ballade. Portland, OR: Amadeus Press, 1992.
Perrey, Beate. Schumann’s Dichterliebe and Early Romantic Poetics: Fragmentation of Desire. Cambridge: Cambridge University Press, 2002.
Ritchey, Marianna, “Echoes of the Guillotine: Berlioz and the French Fantastic,” 19th-Century Music 34 (2010), 168–85. [link to JSTOR]
Samson, Jim. Chopin. Oxford and New York: Oxford University Press, 1998.
Samson, Jim. Chopin: The Four Ballades. Cambridge: Cambridge University Press, 1992.
Todd, R. Larry, ed. Nineteenth-Century Piano Music, 2nd ed. New York: Routledge, 2004.
Will, Richard. The Characteristic Symphony in the Age of Haydn and Beethoven. Cambridge: Cambridge University Press, 2002.
7.
Composer: Hector Berlioz
Work: Movement 2: Un bal
Album Title: Symphonie fantastique
Performer: Yannick Nézey-Séguin, Rotterdam Philharmonic
Label: Bis
Tracks: Track 2
NAXOS Catalog/CD Number: BIS-SACD-1800
8.
Composer: Franz Liszt
Work: Suisse: No. 4: Au bord d’une source
Album Title: Années de Pèlerinage, Volume 1
Performer: Jenő Jandó
Label: Naxos
Tracks: Track 4
NAXOS Catalog/CD Number: 8.550548
9.
Composer: Frédéric Chopin
Work: Nocturne in B-flat Minor, op. 9, No. 1
Album Title: Nocturnes 1–19; Four Scherzi
Performer: Arthur Rubinstein
Label: EMI
Tracks: Disk 1 Track 1
NAXOS Catalog/CD Number: 5099950966653
10.