Further Reading

All links to WorldCat entries except where specified.

• Abbate, Carolyn. “Music—Drastic or Gnostic?” Critical Inquiry 30 (2004), 505–36. [link to JSTOR]

• Brown, Clive. Classical and Romantic Performing Practice, 1750–1900. Oxford and New York: Oxford University Press, 1999. 

• Eigeldinger, Jean-Jacques. Chopin, Pianist and Teacher: As Seen by His Pupils, Krysia Osostowicz and Naomi Shohet, trans., Roy Howat, ed. Cambridge and New York: Cambridge University Press, 1986.  

• Good, Edwin M. Giraffes, Black Dragons, and Other Pianos: A Technological History from Cristofori to the Modern Concert Grand, 2nd ed. Stanford: Stanford University Press, 2001.  

• Gumbrecht, Hans Ulrich. Production of Presence: What Meaning Cannot Convey. Stanford: Stanford University Press, 2004.

• Hamilton, Kenneth. After the Golden Age: Romantic Pianism and Modern Performance. Oxford and New York: Oxford University Press, 2008. 

• Koury, Daniel J. Orchestral Performance Practices in the Nineteenth Century: Size, Proportions, and Seating. Ann Arbor: UMI Research Press, 1986.

• Millington, Barry and Stewart Spencer, eds. Wagner in Performance, New Haven and London: Yale University Press, 1992. 

• Musgrave, Michael and Bernard Sherman, eds. Performing Brahms: Early Evidence of Performance Style. Cambridge and New York: Cambridge University Press, 2003. 

• Philip, Robert. Early Recordings and Musical Style: Changing Tastes in Instrumental Performance, 1900–1950. Cambridge and New York: Cambridge University Press, 1992.

• James Parakilas, ed. Piano Roles: 300 Years of Life with the Piano. New Haven: Yale University Press, 1999. 

• Potter, John. Tenor: History of a Voice. New Haven: Yale University Press, 2009. 

• Taruskin, Richard. The Danger of Music and Other Anti-Utopian Essays. Berkeley and Los Angeles: University of California Press, 2009.

• Taruskin, Richard. Text and Act: Essays on Music and Performance. Oxford and New York: Oxford University Press, 1995.