Les Huguenots (1836): Costume designs for the premiere
Here is a page containing a host of other primary sources for the opera's premiere.
Video of entire opera. Benediction of the Swords (Act 4, Scene 5) is at 2:11:05.
Assorted visual media: engraving of the composer in 1857; photograph in 1862; lithograph in 1866; 1830 Parisian lithograph depicting the storm scene from Il barbiere di siviglia (the header for this page).
Video of Rosina's aria, "Una voce poco fa," from Il barbiere di siviglia.
Autograph fragment from Luisa Miller (1849)
Carlo Ritorni's Annali del teatro della città di Reggio: Anno 1825-1833, published in 1829. He discusses Pasta beginning on p. 182.
Wolf's Glen Scene from Der Freischütz
Links to Worldcat entries except where specified.
Ashbrook, William. Donizetti and His Operas. Cambridge: Cambridge University Press, 1982.
Becker, Heinz and Gudrun Becker. Giacomo Meyerbeer: A Life in Letters, Mark Violette, trans. London: Helm, 1989.
Charlton, David, ed. The Cambridge Companion to Grand Opera. Cambridge and New York: Cambridge University Press, 2003.
Celletti, Rodolfo. A History of Bel Canto, Frederick Fuller, trans. Oxford and New York: Oxford University Press, 1991.
Fulcher, Jane. The Nation's Image: French Grand Opera as Politics and Politicized Art. Cambridge: Cambridge University Press, 1987.
Gerhard, Anselm. The Urbanization of Opera: Music Theater in Paris in the Nineteenth Century, Mary Whittall, trans. Chicago and London: University of Chicago Press, 1998.
Glinka, Mikhail. Memoirs, Richard B. Mudge, trans. Norman, OK: Universityof Oklahoma Press, 1963.
Gossett, Philip. Divas and Scholars: Performing Italian Opera. Chicago and London: University of Chicago Press, 2006.
Lacombe, Hervé. The Keys to French Opera in the Nineteenth Century. Edward Schneider, trans. Berkeley: University of California Press, 2001.
Poriss, Hilary. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford and New York: Oxford University Press, 2009.
Rosselli, John. The Life of Bellini. Cambridge: Cambridge University Press, 1996.
Rosselli, John. The Opera Industry in Italy from Cimarosa to Verdi: The Role of the Impresario. Cambridge and New York: Cambridge University Press, 1984.
Stendhal. Life of Rossini, translated and annotated by Richard N. Coe. Seattle: University of Washington Press, 1972
Taruskin, Richard. Defining Russia Musically: Historical and Hermeneutical Essays. Princeton: Princeton University Press, 1997.
Tusa, Michael. Euryanthe and Carl Maria von Weber’s Dramaturgy of German Opera. Oxford and New York: Oxford University Press, 1991.
Warrack, John. Carl Maria von Weber, 2nd ed. Cambridge: Cambridge University Press, 1976.
Warrack, John. German Opera: From the Beginnings to Wagner. Cambridge and New York: Cambridge University Press, 2001.
3.
Composer: Vincenzo Bellini
Work: Casta diva
Album Title: Norma
Performer: Maria Callas, Tullio Serafin, La Scala (Milan)
Label: EMI
Tracks: 10–12
NAXOS Catalog/CD Number: 0724356263857
4.
Composer: Giacomo Meyerbeer
Work: Act 4, Blessing of the Swords
Album Title: Les Huguenots
Performer: Renato Palumbo, Orchestra Nazionale d’Italia
Label: Dynamic
Tracks: Disc 3 Track 7
NAXOS Catalog/CD Number: CDS422
5.
Composer: Carl Maria von Weber
Work: Act 2, scene 2, Leise, leise
Album Title: Der Freischütz
Performer: Deborah Voigt, Bavarian Radio Symphony Orchestra
Label: EMI
Tracks: n/a
NAXOS Catalog/CD Number: 0724354901256
iTunes, Amazon, Spotify, Worldcat [track is incorrectly named "Overture," but the excerpt is correct]