I feel an intimate continuity between an architectural project,
a song, and a verse by Petrarch.
My path is not to draw boundaries,
but to inhabit the space where these arts merge into a single language.


Who I Am: The Architecture of the Visible and the Invisible

I am an architect and singer-songwriter with a multidisciplinary soul. My research develops transversally through spatial design, the exploration of digital technologies, and the writing of music and lyrics. While as an architect I deal with physical environments and making the real world inhabitable, in my creative journey this same urgency shifts to a conceptual and emotional plane.

Whether it is designing a building,
reinterpreting a fourteenth-century classic, or exploring a digital dataset,
my process remains one of excavation:
a way to bring to light stories and sensations
that find no room in physical reality.

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Physical and Virtual Space

After graduating in Architecture from Sapienza University of Rome, I began a long professional career with Gruppo Dicos in Rome, focusing on technical development and on-site design. Thanks to the experience gained over the years, I now coordinate the group’s design team, managing the planning and execution phases of construction projects.

Alongside this activity, I have always maintained a strong focus on technological evolution. As early as the late 1990s, in collaboration with the Multimedia Architecture Laboratory (LaMA) at Sapienza, I developed a pioneering thesis on The Virtual Architecture Museum, exploring multidimensional environments and network flows as dynamic spaces of interaction. During those same years, I translated this vision into urban interaction works, such as the webcam system Eyes on the City and The Swan, a conceptual work that anticipated the commercialization of the real estate on the web.

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Artificial Intelligence and Atlas Animi

In recent years, my interest in the digital realm has shifted toward Artificial Intelligence applied to architecture and the visual arts. As an explorer of generative art—understood as a bridge between the conceptual and the visible—I create synthographies focused on two main themes:

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Word and Sound: From Pop to Petrarch

My musical and recording journey began under the pseudonym Leo Nhora, with whom I debuted in 1996 at Sanremo Giovani with the song Bit (Edizioni IT Micocci Dischitalia)—a composition that anticipated the digital revolution right from its title. This was followed in 2001 by my participation in Musicultura and a collaboration with producer Alessandro Colombini. Later, I chose the path of independence, releasing the album Electronic Ballads (2010) under my own name: a work of intimate, smooth electronic pop warmly received by the specialized press.

A passion for humanistic culture has guided my most recent projects: