Agenda
1. Scouting
Warm up:
Talk with other classmates about the scavenger hunt activity you did last class. How di you feel about it? Spend about 3-5 minutes each.
Now you are going to go scouting on your own.
Go find a structure that you want to make a video on. It must be off campus
but close to travel to from class. The structure can be anything--it does not
have to be a building. Next class you will meet in a group and make a
decision about which structure you want to make a video on.
Location Scouting
Read the tips about scouting
Write and submit a reflection
Go scout out a place
Fill out scouting worksheet
1. Here are 10 tips to think about scouting (finding) a place to shoot your video
1. Scout at the right time.
Be aware that locations can change. It's wise to check your spot on the day of the week and the time of day that you'll be taping: these factors can produce surprisingly large changes on the suitability of a location.
Automobile traffic and noise, visitors to recreation and entertainment spots, and tourists at scenic or historic areas (to name just a few examples) all come in waves that vary dramatically based on the time of day, the day of the week and the season.
2. Look at light.
Churches, ballrooms, restaurants, auditoriums and homes generally feature low amounts of available lighting. Check light levels by shooting a few seconds of test footage with your camcorder.
10. And finally, take notes!
When you sit down to evaluate a location after a day of exploring, you'll be glad you have scouting reports to refer to. In your scouting expeditions for a shoot, in your daily travels, on your family vacations, and in your mind's eye, you'll come across countless locations and changing conditions, each of which will be unique and potentially important to you.
9. Evaluate the area.
Check on communications: Is there cell phone reception in the area you've chosen to shoot? How about a nearby pay phone? If you're driving a long way, have you planned for a breakdown?
7. Decide where to set up.
Make sure that there's adequate space for you to set up all of your gear, so that you're able to get the shots you have in mind. A small shed may seem like the perfect location for a shoot, until you realize that there isn't enough room to position your gear. You may have plenty of room in a large space like a church or an auditorium, but you may not be able to roam freely. As you scout your locations, verify that you can physically get to the spots you intend to shoot from.
8. Get permission.
Be aware that you'll need to secure permits and other legal permissions to shoot at certain locations. As you're looking at a location, do a legal reality check.
6. Examine the elements.
Sun, rain, wind, snow, heat, cold -- all can help or hurt, depending on what you're hoping to capture on tape. So, it's critical to check the forecast as you're scouting.
5. Listen.
Clean, high-quality sound is critical in making a video that rises above the ordinary, and it's silence that ensures you get the location sound that you came for.
Outdoor lighting conditions can be as challenging as those indoors; exterior illumination changes all day long. As you're scouting locations, pay attention to whether a given spot is in full sun, partial sun or full shade. Bright sun can be harsh on people's faces, and light-colored surfaces can blow out in full sunlight, causing automatic camcorder lenses to underexpose shots. Partial sun can be tricky, as well; today's camcorders, though sophisticated, can have trouble handling the high contrast in this situation. Ultimately, you may find that fully shaded locations or overcast days produce the most consistent results.
4. Check for power supplies.
Many outdoor locations are far from power sources and even some indoor locations can pose AC challenges, so multiple camera batteries are always a good idea. But you'll still need to evaluate your power options at any location.
3. Follow the sun.
Write them down, take still photos or shoot a little video with a running audio commentary. Note the time of day, the quality of the light, the sounds in the air, and the things you felt. One day you might return.
Search the area for quick food stops to satisfy you and your crew in the midst of a busy schedule and double-check the address of a local electronics store, just in case you need to replace a cable or adapter.
One day, something will go wrong; it's inevitable. But when you've scouted out the backup possibilities at a location, you can take most obstacles in stride.
Have you chosen a street or sidewalk location that will impede traffic? Do you plan to shoot on someone else's property? Cemeteries, malls, grocery stores, corporations and businesses are all private property. Many owners will be happy to accommodate you if you ask, but if not, you'll need to choose another location. It's better to get permission in advance than to have a shoot interrupted by the authorities.
Video cameras don't like rain, salty beach air or moisture from waterfalls. Smeared lenses and water or salt inside the tape transport can spell disaster. Bright, hot locations with lots of sunlight can also be a problem: black and gray camcorder bodies absorb the sun's rays and can cause overheating when left exposed. A beach or patio umbrella can help protect your gear from the elements in both sun and rain.
Cold temperatures can drain batteries and make you and your helpers uncomfortable very quickly. Plan to keep equipment warm by storing it inside a coat or car until you're ready to shoot, and by wrapping it in a spare scarf or jacket while taping. And watch out when bringing cameras back into warm interiors from the frigid outdoors: this can cause significant amounts of moisture to condense inside both optics and electronics.
The whooshing of traffic, the white noise of moving water, and the echoes of voices and movements can all get in the way of high-quality audio. As you scout a location, check for any of these conditions by listening to your camcorder's microphone pickup through headphones. Test your wireless mike at the site as well, listening closely for any type of interference.
How will you power your lights? What if you do end up draining all your batteries? Is there anywhere to plug in the charger? Is the spot remote enough to make a car-lighter AC adapter a good idea? In a location that does have power, you may be able to plug in, but you'll still need to think about the system's pre-existing load and whether or not you can get to the fuse (breaker) box in case something blows.
Solutions for poor lighting might be as simple as scouting out window blinds and curtains that can be opened to add daylight. In some cases you may wish to bring in lights or ask permission to replace the bulbs in accessible light fixtures with brighter-burning units.
Top Locations & Their Quirks/Challenges
You're practically guaranteed to visit one of these locations sooner or later. Here is a list of things to look out for.
School Auditoriums: poor audio, large space, hard to get close to action
Churches: low lighting, echoing sound, hard to be unobtrusive
Parks and Natural Areas: changing weather, difficult gear transport
Urban Centers: background noise, high traffic and pedestrian presence
Beaches: wind noise, salt air, sand contamination, direct sun
Outdoor Events: competition for space, poor audio, crowd noise
[Sidebar: Location Scouting Kit]
Be sure to remember the priceless places you've found with this list for a location scouting kit:
Notebook (or PDA) with writing implement for field notes
Still camera for creating location archive photos
Camcorder with headphones for recording test video and audio
Compass for checking sunrise/sunset, wind direction, etc.
Watch for time-sensitive observations
Maps especially for remote locations
Cell phone just in case
3. Go find your structure that you want to make a video about. It can be anything you want.
4.
2.
Here are some links to professional scouting pages if your interested:
http://www.goforlocations.com/resources/scouting/