What is the Restorative Theatre Performance Project?
Restorative Theatre Performance Project(RTPP), uses performing arts methodologies for the exploration and development of narrative storytelling that center the elevation of social justice issues and restorative practices. We develop multi-disciplinary programming for community and academic engagement and trainings that use restorative practices to establish baseline standards and optimal methods for wellbeing and harm reduction in theatre training programs.
The arts have always been enmeshed with social justice and used to incite change, examine our shared history and offer new paradigms for ways of knowing and being. Restorative practice is a methodology that helps the theatre practitioner to transition from a performance and training culture that has historically centered harm and a punitive hierarchical power structure which remains pervasive in the story and meaning making endeavors of theatre audition, rehearsal and performance and audience engagement.
Restorative practices have ancient roots in Indigenous cultures worldwide, focusing on repairing harm and relationships rather than just punishment. The idea that a thriving community is inherently interconnected. When harm occurs, it does not simply affect those involved, but the entire community.
RTPP is an intervention based arts research initiative founded by Professor Denise J. Hart, a full professor in the Department of Theatre Arts at Howard University. It seeks to intervene and disrupt to create social change for the betterment of humanity.
Multi-Disciplinary Programming
Young Griots: New Works for the Stage, is a student play development program that celebrates the
powerful voices of young emerging playwrights of color who address social justice issues through their work.
Young Griots, created by Professor Denise J. Hart, had its inaugural launch at Howard University in fall 2025.
Throughout the audition, rehearsal and performance process the methodology framework of Young Griots centers the expression and implementation of restorative practices: Collaboration, Respect, Inclusivity, Insight, Individual Process, Creativity, Curiosity, Incubation, Discovery, Conduct, De-Role, Stress Reduction, Consent and Audience inclusion
Professor Hart looks forward to collaborating with the Department of Media, Journalism and Film at Howard University for Young Griots: New Works for the Stage 2026.
Academic Theatre Training
Our theatre training program is designed to work in tandem with existing theatre performance training philosophies for all practitioners. We specialize in academic theatre training programs because they play a critical role in the reorientation of student theatre training culture to decenter harm and transform faculty/student collaboration, leadership, creative expression and practitioner wellbeing.
RTTP has the goal of transforming academic learning environments to eradicate industry practices that result in challenging environments that hinder curiosity, creativity, skill building, freedom of expression and discovery. RTPP seeks to empower students, faculty and staff through training that equips them to radically transform academic and eventually professional theatre performance spaces to better serve student practitioners and ultimately the audiences who benefit from artistic gifts.
Thorough training modalities the Restorative Theatre Performance Project will help train emerging student artists to create the industry in which they can thrive. Students will learn tools that allow them to participate in, create, manage and transmute restorative practices in audition, rehearsal and performance spaces.
Young Griots: New Works for the Stage in Performance
Rehearsal Photos: Echo Chamber by Kevoy Somerville
Photos by Denise J. HartThe vehicle for the development of the RTPP applied methodology is a curated student play development event, Young Griots: New Works for the Stage. All plays are written by playwriting students at Howard University,
Plays, Playwrights & Cast
Two Sides to Black written by Efeoghene Rhonor, senior Musical Theatre major & playwriting minor:
Cast: Mahlet Gebreyesus, T. Lang, Niani Braxton, Kameron Outland
5 Minutes written by Essence Jackson, senior TV and Film major & playwriting minor
Cast: Cody Holmes, Skylar Wilson
Young Griots is a student play development initiative that celebrates the powerful voices of young emerging playwrights.
Plays, Playwrights & Cast
Echo Chamber written by Kevoy Sommerville, junior Acting major & playwriting minor
Cast: Mahlet Gebreyesus, T. Lang, Niani Braxton
Incline written by Joycelyn Jackson, senior TV and Film major & playwriting minor
Cast: Cody Holmes, Skylar Wilson
5 Minutes by Essence Jackson
Echo Chamber by Kevoy Somerville
Incline by Joycelyn Jackson
Two Sides to Black by Efeoghene Rhonor
Thank you's & Reviews
The next generation of Black storytellers is stepping into the spotlight at Howard University’s Chadwick A. Boseman College of Fine Arts Oct. 9-11 to present “Young Griots: New Works for the Stage,” a showcase of four original 10-minute plays written by student playwrights exploring love, identity, and the many shades of Black joy.
Directed by Professor Denise J. Hart, the production highlights the creative voices of Essence Jackson, Kevoy Sommerville, Joycelyn Sophia Jackson, and Efeoghene Rhonor, students in Howard’s Playwriting minor program. “5 Minutes,” “Echo Chamber,” “Incline,” and “Two Sides to Black” will debut at the Al Freeman Jr. Environmental Theatre Space in Childers Hall.
This is the inaugural showcase from the department and they are anticipating it for years to come. “I conceived this project, which I've coined Young Griots: New Works for the Stage. It was designed to support these very talented student writers who I have been training for over 20 years, and to create a fully student-centered production—from the playwrights and actors to the designers and producers, " said Professor Denise J. Hart
"Ever since the 2020 pandemic, Black joy has been a trending topic,” said Hart. “Whether it’s on stage or screen, audiences want to experience stories that reflect the diverse expression of the Black diaspora. These playwrights reclaim and interrogate Black joy through deeply vulnerable relationships — siblings, partners, marriages, and friendships — and I’m moved by how they pursue joy by any means necessary.”
The student playwrights view the experience as both an artistic milestone and a journey of personal growth. “Before coming to Howard, I had no intention of becoming a playwright,” said Sommerville. “Being here has shown me that I have a voice worth sharing with the world — and a responsibility to be a contributor, not just a consumer.”
Dr. Khalid Y. Long, associate dean for research and creative endeavors and interim chair of the Department of Theatre Arts, emphasized the showcase’s importance to Howard’s artistic mission. “Events like this help us fulfill our role as the center of the Black dramatic narrative,” he said. “These plays demonstrate rigor, creativity, and a deep seriousness about the craft of storytelling.”
When asked about the audience reception, Professor Hart said the proof is in the pudding. “It was absolutely outstanding, and that’s because the audience response tells the tale. When you have a production where the audience doesn’t want to leave the lobby afterwards, that’s a very significant sign of how deeply they were engaged,” she said.
As one of the nation’s leading institutions for arts education, the Chadwick A. Boseman College of Fine Arts continues to honor its namesake’s legacy by nurturing bold voices and expanding the canon of Black theatre. With “Young Griots,” Howard once again affirms its place as a cradle of creativity where young artists write, act, and imagine futures rooted in truth, culture, and joy.
DC Theatre Arts review CLICK HERE for full article.
Under the title Young Griots: New Works for the Stage, the Chadwick A. Boseman College of Fine Arts Department of Theatre Arts at Howard University showcased works from four students in its Playwrights minor program. The production, directed by Professor Denise J. Hart, was performed October 9 through 11, 2025.
All times can be said to be difficult in some ways, but in the face of our current difficult times, Young Griots: New Works for the Stage offered visions of a way forward. As I watched and absorbed the efforts of these young playwrights at the beginning of their journeys, I felt a sense of hope that continued to grow as each successive play unfolded.