Albums
Introspecting is the first thing I ever released (July 20th, 2023). It is only available on Bandcamp (because frankly I think it sucks). It features fourteen tracks, in the order of when I made them. At the time I used Online Sequencer and (less frequently) Soundtrap to make music. The cover art is an AI-generated image that I created through Midjourney (which I have permanently stopped using to create art as I am now aware of the effects of doing such).
Please don't listen to this album it's not very good.
Best track in my opinion: No One Will Ever Understand
Genre: electronic/experimental/sometimes ambient
Conscious features nineteen tracks and was released May 22nd, 2024. The first half was mostly made through Online Sequencer, but Lovesong is where I start using Mixcraft 10 Recording Studio (Which is a MILLION TIMES BETTER). Lovesong is the second song I ever made on Mixcraft.
Best track in my opinion: Lovesong
Genre: electronic/experimental/sometimes ambient
Vibra-omnia features nine tracks and follows the sound of the vibraphone as it takes you on a melodic journey through space and time. It was released February 3rd, 2025.
Best track in my opinion: Vibra-atmosphere
Genre: electronic/experimental/sometimes ambient
Subconscious (2024-2025) features 21 tracks and was released July 12th, 2025. It is just an amalgamation of most of the songs I created after I published Conscious. I plan to keep creating "Subconscious" albums.
Best track in my opinion: Tornadoes
Genre: electronic/experimental/sometimes ambient
(Adagio Melancholia is classical)
Singles
Iridescence is a short, upbeat song made through Soundtrap that follows a repetitive melody in C major and a lot of harmonies. (The panning isn't very good though, I didn't understand it back then. Oops.) Released July 22nd 2023.
Genre: electronic/experimental
Wolf Dance is just a silly little song made on Soundtrap that was originally going to be called Racoon Dance due to the drum instrument I was using, but I didn't have any racoon cover art. Released August 1 2023.
Genre: electronic/experimental
Watching The Time Fly By, Sorrowful is a sweet, nostalgic song that is an acknowledgement to the feeling of suddenly realizing how long it has been and how fast time is moving. Released August 2 2023.
Genre: electronic/experimental/ambient
Shadow Maze is a creepy, dark song that sounds a bit wonky due to the panning which I didn't understand back then and don't have the courage/motivation to fix. Released September 5 2023.
Genre: electronic/experimental
Gone was for a class project where we had to read a book and we had options for what we wanted to do for it, so I turned the book Vanishing Girls by Lauren Oliver into this song. Released October 26 2023.
Genre: electronic/experimental
Orchestra Echoes is just a silly little song that is just me trying to make a purely orchestral song when all I had was Online Sequencer. (I didn't like Soundtrap very much.) Released November 5 2023.
Genre: electronic/experimental/classical??/orchestral??/idk
Vortex is the first song/thing I ever made on Mixcraft. I had a LOT of fun making this and looking back on this I am surprised at how good I still consider it. Released January 6 2024.
Genre: electronic/experimental
74 is a song that is just meant to be weird. It is in the time signature of 7/4, with 7 instruments, and is 7 minutes and 40 (or 49 including reverb) seconds long. It includes syncopation, harmony, dissonance, and all the classic wind instruments in a classic concert band I could think of. The cover art is a picture of an old cornet that I got for $45, as my friend has convinced me to stop using AI-generated images as cover art. Released April 11 2024.
Genre: electronic/experimental
need.wav is a beautiful song and I'm not sure why I called it that. But I did and it is beautiful. The picture is a photo I took at sunrise. This is the point where my music actually starts getting good. Released April 28 2024.
Genre: electronic/experimental/ambient
Somnambulate is beautiful and changes a lot over time. I think I came up with the idea for the melody in Italy, very far away from my computer that has Mixcraft on it. I wrote it down and somehow managed to make it into one of the most beautiful songs I have ever made. No idea why I called it Somnambulate, as I don't sleepwalk and as far as I know, I never have. The cover art is a picture one of my stepmom's friends took when the aurora borealis was crazy and went pretty far south. (I, unfortunately, missed it every time I tried to stay up late.) Released June 27 2024.
Genre: electronic/experimental/ambient
Cosmic is my first song using ✨Distortion✨, which is what you hear at the end. I am quite proud of this song, which is sort of post-rock-ish and devolves into ambient and then explodes into this epic wave of sound which has distortion. Definitely one of my best songs. Released August 2 2024.
Genre: electronic/experimental/ambient
Fortitude is a song made in honor of the birthday of one of my friends. He is going through a lot of very hard things. I am so proud of my friend for still fighting to keep his head above the surface, and that's why this piece is named Forititude, which means "courage in pain or adversity" (Google Dictionary). Released August 2 2024.
Genre: electronic/experimental/ambient
Lost in Emotion was made when I got back from watching one of my friends perform in the beautiful, very emotional play Lost Girl (Kimberly Belflower). They performed amazingly and the play moved me so much I cried and just knew I needed to make a song for it. I hope I did it justice. Released November 10 2024.
Genre: electronic/experimental/ambient
panic attack was released May 10th, 2025, after a week where I had several panic attacks due to my newfound "crowd anxiety" (I'm not scared of the crowd, but I am a highly empathetic individual, so when I am around a lot of people and I can't handle all their emotions and energy, my body will start to panic). This song illustrates how panic attacks feel to me and is a highly personal track. This is where my music starts to get even better.
Genre: electronic/experimental/ambient
Event Horizon was created in collaboration with my awesome online best friend (and co-voice actor in our in-development podcast) CriticalMimik, and is my first published collaboration with another artist. He and I are both extremely proud of this 17-minute-long EDM track, and it is the first published song to ever feature my own flute playing. (It's not very noticeable and only pops in for a minute or less.) This song is quite eclectic and dives into 5/4, 9/4 (so he claims), 10/4, 15/8, and 16/8, as well as the standard 4/4. The piece is mostly in 5/4. It was released May 17th 2025, but due to an accident with uploading to streaming, streaming services read it as June 9th 2025. (June 9th was a placeholder date that has significance to us, so it's actually poetic it was released June 9th, accidental or not.)
Genre: electronic/experimental/EDM
Isolophilia is quite different from all my other tracks. I was in the mood to play on my electric piano and I improvised a little bit and found a 5/8 melody I really liked, and decided I wanted to record it. I recorded with the piano sound for 7 minutes before switching the sound to an organ sound and recorded myself improvising on that theme for 21 minutes. I edited the sound only a little bit (added reverb and made it darker) so the audio file is exactly what I played. I was in a trance/flow state the entire time. I am quite proud of this track as although I did take piano lessons at one point, I do not consider myself to be a piano player. It was released June 3rd, 2025.
This is also my longest individual song, at 21 minutes and 11 seconds.
Genre: ... classical? improvisation? ambient?
Cosmic Breeze is one of my absolute best songs. I was playing around with some unused synthesizers on Mixcraft and I rediscovered the Messiah 2 synth. I found the "arp clocks" setting (as well as many other arpeggiators) and fell in love with it, and I proceeded to make an entire 8 and a half minute long song out of it. This song was released June 24th, 2025.
Genre: electronic/experimental/ambient
A Planet Unveiled is another song that I just had a melody randomly pop in my head for. (Those kinds of songs usually turn out to be my best yet, and I was not disappointed this time.) This is my first published piece featuring a real instrument as the main focus, let alone two! I recorded both my flute and my piccolo playing for this piece. I'm so proud of it that I couldn't just wait to release it with the rest of my Flutronics album, so I released it as a single.
Genre: electronic/experimental/ambient
ripples I actually made after Jingle Jelly JAAAAAAAAAAAAAH but published before it. It's in 5/8 because I really really like time signatures based around 5. It's a lovely delicate shimmering song.
Genre: ambient
Jingle Jelly JAAAAAAAAAAAAAH is a... song I made for a contest called Surprise Songs. The main goal of the contest was to make a song that made a clear effort to surprise the listener, and it was highly encouraged that it be holiday themed. Suffice to say... I think I did a good job. I completed it in about an hour and a half and finally hopefully got rid of the awful creative block that has plagued me since I published A Planet Unveiled. This song is based around Jingle Bells (more specifically, the version that I've marched piccolo to for two Decembers now) but I include a steel drum melody that was the main antagonist in my second-ever nightmare that I had this year, two melodies from my favorite classical piece I've ever played Night on Bald Mountain (Rimsky-Korsakov's arrangement), a special feature from my Cavalier King Charles Spaniel named Augustus, and an injured partridge that left the pear tree and hit our window (which is what my dog was growling at—the bird is okay now, don't worry).
Genre: what the heck is this
The Darkceleste p.# series: electronic/experimental
darkceleste p.1 (pronounced DarkCeleste Part One) is the first in the series, released April 2nd 2025. What sparked it was me casually leaning on my piano, not even intending anything, and my hands just happened to play a perfect F major 7th chord. My left hand played F and C, my right hand played A and E. I was momentarily stunned and immediately knew I wanted to make a song out of it. So I did... and it became 14 and a half minutes long. I took a melody from the second movement of my first symphony and used that in the piece, that's the slow part in the middle.
darkceleste p.2 was released May 26th 2025 and is a longer continuation of the first piece. In this song I actually took part of the audio file from the second movement that had the melody I put in darkceleste p.1 and played around with it at the end in strange ways.
darkceleste p.3 was released August 6th 2025 (yes it says it's August 7th but it was August 6th for me) and is just a continuation of the series, I actually procrastinated releasing it for a long time (a month or more). You can hear some of the synth presets I used in Cosmic Breeze towards the end. This is the first one so far not to include the melody from the second movement of my symphony, no reason why, it just didn't feel right anywhere. This track is centered around the 6/8 theme from the first "movement" for most of the time, though it takes the main melody and does some interesting rhythmical stuff with it, for example, being in a really strange time signature (technically 5/4 that doesn't feel like 5/4 at all and 4.75/4). This was a fun but slow-to-write piece.