Lately, I’ve found myself immersed in a form of creative editing—a process where pixels are displaced from their original positions, the ones captured by the camera, to form abstract compositions. At times, the mouse becomes a brush, and the photograph transforms into a palette of colors for a painting yet unnamed.

To me, this technique holds vast potential—perhaps even a branch of digital painting, or more precisely, pixel art. For the delicacy of the work often reaches the level of individual pixels.