Beyond the ability to access deep personal information through extraction, the dream sharing device allows Cobb and his team to create dreams within dreams and ultimately plant an idea in Robert Fischer’s mind that will lead him to dissolve his inherited company. This ability to manipulate powerful individuals grants the users of the device an extraordinary control of society. While the inception of Mal and Robert Fischer are the only two instances presented in the movie, one may consider inception’s broader applications, from potential political manipulation to corporate domination to even large-scale social engineering. Technology, thus, is presented as a means to unreasonable and potentially dangerous power in Inception.
From the very beginning of the film, Inception explores how technology can impact privacy. While initially used to train the military, the dream-sharing technology becomes used for extraction, stealing information from people’s subconscious, which is an unethical act according to Kantian ethics as people are used as a means to an end.
The movie takes the breach of personal information privacy further through the concept of inception: planting a thought within someone’s subconscious such that they are not only unaware of the inception but also take actions according to the thought. Thus, the movie focuses on the use of technology to invade what can be thought of as people’s last personal privacy.
The dream-sharing device allows a person’s present environment to be architected by another person. The architect develops a world that a person’s subconscious is able to fill in outside of the person’s control. This further emphasizes the loss of personal autonomy. Even within their own dreams, although the dreamer may believe their environment is their own, the environment has already been developed and planned from them; technology in Inception has led to a reshaping of people’s surroundings and ultimately, their beliefs.
“The seed that we plant in this man’s mind will grow into an idea, this idea will define him, it may come to change everything about him” - Cobb 44:56
The inception of both Robert Fischer and Mal takes place without their consent or awareness and effectively change their identities. In the case of Mal, the simple idea that her current world was not real came to define her thoughts and beliefs, and ultimately her actions. One can assume that the inception of Robert Fischer will drive him to not only dissolve his inherited company but also to work to define himself as his own man, distinct from his father. Thus, Inception draws a connection between the invasion of privacy and people’s ultimate control of their self identity. Even though the individuals believe they are acting according to their own free will, they have been essentially reprogrammed by the dream-sharing device and stripped of their genuine autonomy as a human being.
"Well dreams, they feel real when we're in them right? it's only when we wake up that we realize something was actually strange" - Cobb 27:03
Reality is ambiguous in Inception. The only method for discerning between reality and the reality created by the dream-sharing device is the use of a totem, a special and unique item only the owner knows the specifications of. The totem allows a potential dreamer to check without external manipulation and with certainty whether they are in a dream or not. Cobb’s totem, a spinning top, however, is not actually owned by him; it was Mal’s totem and is later actually spun by Saito in limbo. Thus, the accuracy and certainty surrounding Cobb’s totem is presented as ambiguous, particularly at the end of the movie, where Cobb spins his totem but runs to his children without waiting to see if it falls. The movie ends as the top wavers but never actually falls.
Beyond emphasizing how even safeguards against technology are not absolute, this scene forces the audience to decide how one might live in a world with such technology. The movie defines three paths. One can accept their current reality, regardless if it's real or not, as Cobb does at the end of the movie. One can also constantly search for what is real, as Mal did, risking self destruction as death is the only escape from a potentially artificial world. One can reject the current reality as false as well, which Cobb does in limbo.
Cobb’s reunion with his children suggests that technology may one day lead certainty about reality to be impossible. It may be more desirable to embrace a reality that is fulfilling rather than one that can be considered real.